Background
Nochlin, Linda was born on January 30, 1931 in New York City. Daughter of Jules and Elka (Heller) Weinberg.
( Women, Art, and Power—seven landmark essays on women ar...)
Women, Art, and Power—seven landmark essays on women artists and women in art history—brings together the work of almost twenty years of scholarship and speculation.
http://www.amazon.com/gp/product/0064301834/?tag=2022091-20
(Women, Art, and Powerseven landmark essays on women artis...)
Women, Art, and Powerseven landmark essays on women artists and women in art historybrings together the work of almost twenty years of scholarship and speculation.
http://www.amazon.com/gp/product/B0027NHE3Y/?tag=2022091-20
(PAPERBACK....SLIGHT EDGE WEAR...BUT IN EXCELLENT CONDITIO...)
PAPERBACK....SLIGHT EDGE WEAR...BUT IN EXCELLENT CONDITION....WILL SHIP WITHIN 24 HOURS....C7
http://www.amazon.com/gp/product/0137665849/?tag=2022091-20
(A leading critic and historian of nineteenth-century art ...)
A leading critic and historian of nineteenth-century art and society explores in nine essays the interaction of art, society, ideas, and politics.
http://www.amazon.com/gp/product/B00FKYQT2O/?tag=2022091-20
(The text is taken from The Walter Neurath Memorial Lectur...)
The text is taken from The Walter Neurath Memorial Lecture. In this study, the author demonstrates how, from the end of the 18th century to the present day, the obsessive representations of the human figure fragmented, mutilated, and fetishized, consitute a distinctively modern view of the world, the essence of modernity itself. Beginning with artists such as Fuseli, the representation of the fragmented image and of the body express the shattering of classical ideas and a sense of nostalgia for the loss of a vanished utopian wholeness; the grandeur of a heroic past could no longer fit into the present. During the period of the French Revolution representations of the fragmented human figure abound, but there is also a tendency by Neo-classical artists to repair, at least allegorically and metaphorically, the broken link with the perceived wholeness of the past. Illustrating and analyzing the work of artists from Neo-classicism to the present day, from Fuseli to Robert Mapplethorpe, this book traces the origins and developments of what is perhaps the essential characteristic of modern art.
http://www.amazon.com/gp/product/0500550271/?tag=2022091-20
( A leading critic and historian of nineteenth-century ar...)
A leading critic and historian of nineteenth-century art and society explores in nine essays the interaction of art, society, ideas, and politics.
http://www.amazon.com/gp/product/0064301877/?tag=2022091-20
(Through a broad selection of familiar central documents a...)
Through a broad selection of familiar central documents and less well-known ones, the author has focused upon the problems faced by innovators in all realms of thought and action in the middle of the 19th century. This book brings a fresh approach to the struglle, in both art and politics, between the established order and the forces of change. -from the back cover.
http://www.amazon.com/gp/product/B0000CNI5N/?tag=2022091-20
(Women - as warriors, workers, mothers, sensual women, eve...)
Women - as warriors, workers, mothers, sensual women, even absent mothers - haunt 19th- and 20th-century Western painting. This text brings together Linda Nochlin's most important and pioneering writings on the subject, as she considers work by Miller, Delacroix, Courbet, Degas, Seurat, Cassatt and Kollwitz, among many others. In her partly autobiographical, extended introduction, she argues for the honest virtues of an art history which rejects methodological assumptions, and for art historians who investigate the work before their eyes while focusing on its subject matter, informed by a sensitivity to its feminist spirit.
http://www.amazon.com/gp/product/0500280983/?tag=2022091-20
(A text taken from the Walter Neurath Memorial Lecture. Th...)
A text taken from the Walter Neurath Memorial Lecture. The origins and developments of what is perhaps the essential characteristic of modern art - the fragmented image - is traced in this book. Works ranging from the Neo-classical movement to the present day are illustrated and analyzed.
http://www.amazon.com/gp/product/B009RIIUL2/?tag=2022091-20
Nochlin, Linda was born on January 30, 1931 in New York City. Daughter of Jules and Elka (Heller) Weinberg.
Bachelor in philosophy, Vassar College, 1951. Master of Arts in English, Columbia University, 1952. Doctor of Philosophy in art history, New York University Institute Fine Arts, 1963.
Doctorate (honorary), Massachusetts College Art. Doctorate (honorary), Parsons School Design. Doctorate (honorary), Colgate University, 1987.
Doctor of Letters (honorary), Harvard University, 2003.
Instructor Vassar College, Poughkeepsie, New York, 1952-1963, assistant professor, 1963-1966, associate professor, 1966-1969, professor, 1969-1971, Mary Conover Mellon Professor Art History, 1971-1979. Distinguished professor art history City University of New York, 1980—1990. Professor art history and humanities Yale University, 1990—1992, Robert Lehman Professor Art History.
Lila Acheson Wallace Professor Modern Art New York University Institute Fine Arts, New York City, since 1993. Visiting professor Columbia University, New York City, 1967-1968, 75-76, Hunter College, New York City, 1970, Stanford University, 1971, City University of New York Graduate Center, New York City, 1975-1976. Member editorial board Yale Journal Criticism, Vassar Quarterly.
( The first comprehensive anthology of art historian Lind...)
(Through a broad selection of familiar central documents a...)
( Women, Art, and Power—seven landmark essays on women ar...)
(Women, Art, and Powerseven landmark essays on women artis...)
(A leading critic and historian of nineteenth-century art ...)
( A leading critic and historian of nineteenth-century ar...)
(Women - as warriors, workers, mothers, sensual women, eve...)
(The text is taken from The Walter Neurath Memorial Lectur...)
(A text taken from the Walter Neurath Memorial Lecture. Th...)
(Nonfiction: Art History)
(PAPERBACK....SLIGHT EDGE WEAR...BUT IN EXCELLENT CONDITIO...)
(Reprint)
(Reprint)
Fellow: American Philosophical Society, American Academy Arts and Sciences. Member: American Association University Professors, College Art Association (Arthur Kingsley Porter Prize for article Gustave Courbet's Meeting: A Portrait as a Wandering Jew 1968, Frank Jewett Mather Prize 1978, Annual Recognition Award, Committee on Women and the Arts 1998), National Organization of Women, Phi Beta Kappa.
Married Philip Nochlin (deceased 1960). 1 child Jessica; married Richard Pommer, June 3, 1968. 1 child Daisy.