Background
Born in Dijon, her father was the assistant curator of the city"s museum, a patron of artists and a fervent Bonapartist. Her father supported the work of a young Dijon sculptor, François Rude.
Born in Dijon, her father was the assistant curator of the city"s museum, a patron of artists and a fervent Bonapartist. Her father supported the work of a young Dijon sculptor, François Rude.
Here Sophie studied under another French exile, her former teacher"s master, Jacques-Louis David.
Sophie was taught by Anatole Devosge, a former pupil of Jacques-Louis David. In the aftermath of the second Bourbon Restoration in 1815, the Fremiet family, along with many other Bonapartists, left France for Brussels (now Belgium, then part of the newly created United Kingdom of the Netherlands). She worked as David"s copyist and exhibited her own works in Brussels and in Antwerp.
In 1820, her Belle Anthia was a great success at an exhibition in Ghent
On 25 July 1821, Sophie married her father"s former protégé François Rude.
The couple would have only one child, Amédée, who died young in 1830. In Brussels Sophie was a successful artist, receiving many commissions, including several for the former royal palace at Tervuren, lost in the fire that destroyed lieutenant
In 1826, the Rude family returned to France, settling in Paris. Here Sophie began to paint historical scenes.
She served as the model for the female figure representing France in her husband"s statue Louisiana Marseillaise, which forms part of the Arc de Triomphe.
François Rude died in 1855, and Sophie devoted the rest of her life to exhibiting and publicising her husband"s work. She died in Paris.