Career
Vercel was fascinated by the sea and marine life. Although he virtually never went to sea, most of his novels featured a maritime setting. World War I interrupted his studies of letters.
Early in the war his poor eyesight left him a stretcher-bearer on the battlefields of northern and eastern France.
Because of a shortage of army officers, he returned to Saint-Cyr. He ended the war on the eastern front, and was discharged a year after the Armistice.
He returned to Dinan, where in 1921 he was appointed professor at the College of Letters. He earned a doctorate in letters in 1927, with a thesis entitled: "The images in the work of Corneille".
The Académie française awarded it the Saintour prize of literary history.
Dinan extinguished it in 1957. His war memories inspired some of his earlier books: Our Father Trajan, Captain Conan, Lena, but the maritime world makes up the heart of his work. Trailers, 1941 (director Jean Gremillion, with Jean Gabin, Michèle Morgan, Madeleine Renaud, Fernand Ledoux) Duguesclin, 1949 (director Bernard de Latour, with Gisele Casadesus, Louis de Funès Gérard Oury) The murky waters, 1949 (director Henri Calef, with Jean Vilar, Ginette Leclerc, André Valmy, Mouloudji) is based on the new blades Deaf.
The great bulwarks, 1954 (director Jacques Pinoteau Courcel Nicole Marie Mansard, Jean-Pierre Mocky) Capitaine Conan, 1996 (director Bertrand Tavernier, Philippe Torreton, Samuel Le Bihan, Bernard Le Coq) Du Guesclin, Albin Michel, 1932.
Éditions Arc-en-ciel, 1944 (illustrations by Frédéric Back). Editions de la Nouvelle France, 1944 (illustration by Jacques Lechantre).
Le Bienheureux Charles de Blois, Albin Michel, 1942. Nos vaillants capitaines, Impr. de Curial-Archereau, 1945.