Background
Hiroyuki Tajima was born in Tokyo, Japan in 1911.
He studied art at Nihon University, graduating in 1932.
田嶋 宏行
Hiroyuki Tajima was born in Tokyo, Japan in 1911.
Hiroyuki studied art at Nihon University, graduating in 1932, and the Tokyo School of Arts where he graduated in 1934, having specialized in western style painting. In 1943, he graduated from the Western-style painting division of the Tokyo School of Fine Arts. He also studied fabric dyeing under Hirokawa Matsugoro and woodblock printing with the sosaku hanga artist Nagase Yoshiro, a founding father of the Japan Print Association (Hanga Kyokai).
In 1946, inspired by and attracted to the artistic ideals of Dada and Surrealism, he joined Bijutsu Bunka Kyokai, a group dedicated to exploring and reviving the abstract and surrealist painting ideals that had been suppressed during WWII. He created his first print also in 1946.
In order to create his unique woodblocks Tajima developed his own ink using powdered color mixed with the plastic medium phenol formaldehyde resin (Bakelite). The resin is extremely water-repellant. He uses this ink for a pattern block and then prints again with a water-based ink or dye, which color the areas not printed by the special ink.
In 1969 he began making prints on canvas using much the same techniques but soon abandoned it. He also created a body of popular landscape prints using the name Nagai Kiyoshi, which paid the bills.
Hiroyuki Tajima died in Japan in 1984.
Almanac
1967Benibe B
1961Birthmark
1968Bottles at the Bar
1978Creation
1970Dialogue With Red (B)
1975Dried Flowers
1964Impression of Small Monument
1975Nontitle 2
1974Oriental Wall
1970Pierrot and His Son
1970Square
1969The Decorated Tomb of Ancient Japan B
1969Two Exiles
1972Volcanic Rocks B
1970Winter in Green
1970Yellow Print
1970In 1963, he became a member of the Nihon Hanga Kyokai (Japanese Print Association).
Quotes from others about the person
In describing Tajima's work Francis Blakemore comments: "Every Tajima work seems to glow from behind, as though it incorporated a fluorescent light shielded by a mysteriously textured fabric... Tajima's technique consists of brushing intensely colored dyes over a dark-colored medium, imparting luminosity to the white areas while enriching the basic colors of the print. The textured areas fade off into dark planes, seeming to float on a cool liquid. Thus the fascinating, bubbly shapes are set off by simple, relaxing ground forms. In this end, this rare combination of intricacy and confident simplicity makes Tajima's work both exciting and reassuring."