(Detail in Contemporary Staircase Design provides a reveal...)
Detail in Contemporary Staircase Design provides a revealing insight into this most sculptural of architectural elements. Featuring many of the world's most highly acclaimed architects, as well as emerging practitioners, the book presents 40 recently completed staircase designs, found in homes, galleries, shops, hotels, public buildings, and offices across the world.
In addition to the visual and descriptive presentation of this staircase collection, the book provides an overview of various national building regulations and structural requirements that must be observed when creating staircases, which will serve as a useful and lasting source of reference.
These ingenious projects, ranging from the austerely minimal to the ornate and eclectic, are presented with a concise descriptive text, color photographs, and specially drawn scale plans, sections, and construction details.
Henry V and the Conquest of France 1416-53 (Men-at-Arms)
(This book details the English army that Henry V led back ...)
This book details the English army that Henry V led back into France in 1417 to conquer Normandy and again take the war to the French. In 1422 Henry died, and was succeeded by the nine-month-old Henry VI: by 1429 English fortunes were in decline, but more than 20 years of warfare would pass before the English were driven from France. This period of the war is often ignored in preference to the battles of Crécy, Poitiers and Agincourt but in fact is the decisive phase of the conflict. This title examines the army that fought these campaigns in detail looking at its composition, organisation, equipment and weaponry.
(Presents Shakespeare's play about a shipwrecked Duke who ...)
Presents Shakespeare's play about a shipwrecked Duke who learns to command the spirits
Title: The Tempest
Author: Shakespeare, William/ Mowat, Barbara A. (EDT)/ Werstine, Paul (EDT)
Publisher: Pocket Classics
Publication Date: 2004/06/01
Number of Pages: 218
Binding Type: PAPERBACK
Library of Congress: 94210871
A World Aflame - Interwar Wargame Rules 1918-39 (Osprey Wargames)
(Often called the "Pulp Era", the years between the two Wo...)
Often called the "Pulp Era", the years between the two World Wars have seen a tremendous surge in interest among wargamers. A World Aflame captures the adventurous nature of the time period to present a fun, fast-paced set of tabletop miniatures rules that can handle the many diverse conflicts of the period, from the Chinese Civil Wars and the "Great Game" in Central Asia, to the Irish War of Independence and the bitter ideological warfare of the Russian and Spanish Civil Wars. The rules also contain options for the "Very British Civil War". This gaming trend has sprung up in recent years, following a "what-if" scenario that has Edward VIII refusing to abdicate the throne, thrusting the country into civil war in 1938. It is a quirky, fun setting, and one that is surprisingly popular. Written by a life-long wargamer, A World Aflame focuses on the daring-do and heroism of battles fought in the last great era of adventure.
A World Aflame - Interwar Wargame Rules 1918-39 (Osprey Wargames)
(Often called the "Pulp Era", the years between the two Wo...)
Often called the "Pulp Era", the years between the two World Wars have seen a tremendous surge in interest among wargamers. A World Aflame captures the adventurous nature of the time period to present a fun, fast-paced set of tabletop miniatures rules that can handle the many diverse conflicts of the period, from the Chinese Civil Wars and the "Great Game" in Central Asia, to the Irish War of Independence and the bitter ideological warfare of the Russian and Spanish Civil Wars. The rules also contain options for the "Very British Civil War". This gaming trend has sprung up in recent years, following a "what-if" scenario that has Edward VIII refusing to abdicate the throne, thrusting the country into civil war in 1938. It is a quirky, fun setting, and one that is surprisingly popular. Written by a life-long wargamer, A World Aflame focuses on the daring-do and heroism of battles fought in the last great era of adventure.
(Presents Shakespeare's play about a shipwrecked Duke who ...)
Presents Shakespeare's play about a shipwrecked Duke who learns to command the spirits
Title: The Tempest
Author: Shakespeare, William/ Mowat, Barbara A. (EDT)/ Werstine, Paul (EDT)
Publisher: Pocket Classics
Publication Date: 2004/06/01
Number of Pages: 218
Binding Type: PAPERBACK
Library of Congress: 94210871
Tragic Cognition in Shakespeare's Othello: Beyond the Neural Sublime (Shakespeare Now!)
(
Paul Cefalu argues that Shakespearean characters raise ...)
Paul Cefalu argues that Shakespearean characters raise timely questions about the relationship between cognition and consciousness and often defy our assumptions about "normal" cognition. The book will appeal to scholars and students interested in both the virtues
and limitations of cognitive literary criticism.
David Paul Scofield was an English actor of stage and screen who was known for his striking presence, distinctive voice, and for the clarity and effortless intensity of his delivery. Regarded as one of the greatest Shakespearean actors of all time, Scofield preferred the stage over film. This, and his decision to put his family first, has meant that he has never been as well known outside the United Kingdom as some other actors.
Background
Paul Scofield was born in Birmingham, Warwickshire, England, the son of Mary and Edward Harry Scofield. When Scofield was a few weeks old, his family moved to Hurstpierpoint, Sussex, where his father served as the headmaster at the Hurstpierpoint Church of England School. Scofield told his biographer, Garry O'Connor, that his upbringing was divided. His father was an Anglican and his mother a Roman Catholic. Baptised into his mother's faith, Scofield said, "some days we were little Protestants and, on others, we were all devout little Catholics." He added, "A lack of direction in spiritual matters is still with me."
Education
Scofield recalls, "I was a dunce at school. But at the age of twelve I went to Varndean School at Brighton where I discovered Shakespeare. They did one of his plays every year, and I lived just for that."
In 1939, Scofield left school at the age of seventeen and began training at the Croydon Repertory Theatre. Shortly after the outbreak of the Second World War, Scofield arrived for a physical examination and was ruled unfit for service in the British Army. He later recalled, "They found I had crossed toes. I was unable to wear boots. I was deeply ashamed."
Career
Scofield began his stage career in 1940 with a debut performance in American playwright Eugene O'Neill's Desire Under the Elms at the Westminster Theatre, and was soon being compared to Laurence Olivier. He played at the Old Rep in Birmingham. From there he went to the Shakespeare Memorial Theatre in Stratford, where he starred in Walter Nugent Monck's 1947 revival of Pericles, Prince of Tyre.
Also in 1947, Scofield appeared as Hamlet at the Royal National Theatre alongside a then unknown Claire Bloom as Ophelia. In her later book, Leaving a Doll's House: A Memoir, Bloom recalls that during the production she had a serious crush on Scofield. As Scofield was happily married and the father of a son, Bloom hoped only "to be flirted with and taken some notice of." She later recalled, "I could never make up my mind which of my two Hamlets I found the more devastating: the openly homosexual, charismatic Helpmann, or the charming, shy young man from Sussex."
When asked about Claire Bloom decades later, Scofield recalled, "Sixteen years old I think – so very young and necessarily inexperienced, she looked lovely, she acted with a daunting assurance which belied entirely her inexperience of almost timid reticence. She was a very good Ophelia."
Scofield's versatility at the height of his career is exemplified by his starring roles in theatrical productions as diverse as the musical Expresso Bongo (1958) and Peter Brook's celebrated production of King Lear (1962).
In a career devoted chiefly to the classical theatre, Scofield starred in many Shakespeare plays and played the title role in Ben Jonson's Volpone in Peter Hall's production for the Royal National Theatre (1977). Highlights of his career in modern theatre include the roles of Sir Thomas More in Robert Bolt's A Man for All Seasons (1960); Charles Dyer in Dyer's play Staircase, staged by the Royal Shakespeare Company in 1966; the definitive Laurie in John Osborne's A Hotel in Amsterdam (1968); and Antonio Salieri in the original stage production of Peter Shaffer's Amadeus (1979).
He was subsequently the voice of the Dragon in another play by Robert Bolt, a children's drama The Thwarting of Baron Bolligrew. Expresso Bongo, Staircase and Amadeus were filmed with other actors, but Scofield starred in the screen versions of A Man for All Seasons (1966) and King Lear (1971).
Other major screen roles include the Art-obsessed Nazi colonel Von Waldheim in The Train (1964), Strether in a 1977 TV adaptation of Henry James's novel The Ambassadors, Tobias in Edward Albee's A Delicate Balance (1973), Professor Moroi in the film of János Nyíri's If Winter Comes (1980), for BBC Television; Mark Van Doren in Robert Redford's film Quiz Show (1994), and Thomas Danforth in Nicholas Hytner's film adaptation (1996) of Arthur Miller's The Crucible.
According to the DVD extras documentary for the film The Shooting Party (1985), in the very first shot of the very first day of filming, all the male lead actors, including Paul Scofield, who was playing Sir Randolph Nettleby, were to come into shot on a horse-drawn shooting brake driven by the renowned film horse-master George Mossman. As they turned the first corner, the plank that Mossman was standing on broke in two and he was hurled forward and down, falling between the sets of wheels and taking the reins with him. He was struck by a horse's hoof and concussed. The horses shied and broke into a gallop.
Rupert Frazer admitted that he was the first to jump off, landing safely, but bruised. Out of control, the horses turned to the right when confronted by a stone wall, causing the shooting brake to roll completely, catapulting the actors into a pile of scaffolding that had been stacked next to the wall. Robert Hardy stood up and realised to his amazement that he was unhurt. He looked across to see Edward Fox stand up, "turn completely green and collapse in a heap". He had broken five ribs and his shoulder-blade. He noticed that Paul Scofield was lying very still on the ground "and I saw that his shin-bone was sticking out through his trousers". As the film takes place in October during the partridge-shooting season, the filmmakers had to make a choice whether to delay filming for a year or re-cast. James Mason had just finished filming Doctor Fischer of Geneva for the BBC. The Shooting Party schedule was changed to allow him to take over the part of Sir Randolph Nettleby six weeks later. His broken leg also deprived Scofield of the part of O'Brien in Nineteen Eighty-Four, in which he was replaced by Richard Burton.
Scofield was appointed Commander of the Order of the British Empire (CBE) in the 1956 New Year Honours. He won the Academy Award for Best Actor for A Man for All Seasons and was nominated as Best Supporting Actor for Quiz Show. Theatrical accolades include a 1962 Tony Award for A Man for All Seasons.
Scofield died from leukemia on 19 March 2008 at the age of 86 at a hospital near his home in rural Sussex, England.[29] His memorial service was held at Westminster Abbey on 19 March 2009. His wife Joy died four years later on 7 November 2012, aged 90.
(Buy Carve Her Name With Pride: Read 77 Movies & TV Review...)
Connections
Paul Scofield married actress Joy Parker in October 1942. They had met while he played Hamlet to her Ophelia. Scofield later said, "Joy and I simply decided to be married, we were both of age and were determined. Any doubts from our families were overruled and they were the usual ones – too young, etc. We had a week out at the end of The Moon Is Down tour, married during that week, and went straight into the Whitehall Theatre."
Paul and Joy Scofield had two children: Martin (born 1945) who became a Senior Lecturer in English and American literature at the University of Kent and Sarah (born 1951). When asked by Garry O'Connor how he wished to be remembered, Scofield responded, "If you have a family, that is how to be remembered." Filmmaker Michael Winner once described the Scofields as, "one of the few very happily married couples I've ever met."