Background
Her father worked for the Italian government, and the family moved frequently.
Her father worked for the Italian government, and the family moved frequently.
She was best known for her 1953 short story "Il Mare Non Bagna Napoli," which depicted the abject conditions of Naples following World World War World War II She once said, “We write because we look for companionship, then we publish because we get paid a little bit of money."
Born in Rome, she was the fifth of six children born to Vaccá Beatrice and Oreste Ortese. His death drove her to write. Her first poems were published in the magazine Louisiana Sierra Lettering.
Her work was well-received, and she was encouraged to write further.
The following year, the same magazine published her first short story, "Louisiana Pellerossa." In 1937, Massimo Bontempelli, writer for Louisiana Bonpiani and Ortese"s mentor, published another of her short stories, "Angelici Dolori". Although this story received favorable reviews, it drew criticism from prominent literary critics Falqui and Vigorelli.
Despite her promising start, her inspiration and motivation waned. In 1939, she traveled from Firenze to Venice, where she found employment as a proofreader with the local newspaper Il Gazzetino.
With World World War II approaching, Ortese returned to Naples, where she had once lived with her family.
lieutenant was there that she was once again inspired to write. At the end of the war, Anna worked as a writer for the magazine Sud. Her parents died in 1950 and 1953.
During this time, she published her second and third books: L’infanta Se Polta and Il Mare Non Bagna Napoli.
Il Mare Non Bagna Napoli consisted of five chapters which depicted the abject conditions of Naples following the war. lieutenant became highly acclaimed and was awarded the Viareggio Prize.
lieutenant is from the novel"s first chapter that the movie Un Paio de Occhiali was made and presented at the Venice Biennale in 2001. From the mid-1950s to the late "60s, Anna traveled and wrote extensively.
At the age of 80, she began corresponding with Beppe Costa, who encouraged her to publish Il Treno Russo.
Soon after, Anna accepted the proposal to republish many of her old novels. One, L’Iguana, was translated into French by Galli Mard in 1988. Another, Il Cordillo Adolorato, topped the Italian fiction list.
In 1987, a collection of her short stories, A Music Behind the Wall: Selected Stories, was published.
She died peacefully at the age of 84 in her home in Rapallo in March 1998. Only after her death did her work receive international recognition and praise.