Background
Potter, Russell Alan was born on January 27, 1960 in Cleveland. Son of Ralph Miles and Elaine (Clarke) Potter.
(Viewing hip-hop as the postmodern successor to African Am...)
Viewing hip-hop as the postmodern successor to African American culture's Jazz modernism, this book examines hip-hop music's role in the history of the African-American experience. Spectacular Vernaculars examines hip-hop's cultural rebellion in terms of its specific implications for postmodern theory and practice, using the politics of reception as its primary rhetorical ground. Hip-hop culture in general, and rap music in particular, present model sites for such an inquiry, since they enact both postmodern modes of production--the appropriation of tropes, technologies, and material culture--and a potential means of resistance to the commodification of cultural forms under late capitalism. By paying specific attention to the historical and cultural context of hip-hop as a black artform and locating its practice of resistance in terms of a postmodernist reading of consumer culture, this book offers a complex reading of hip-hop as a postmodern practice, with implications both for theories of postmodernism and cultural studies as a whole.
http://www.amazon.com/gp/product/0791426262/?tag=2022091-20
Potter, Russell Alan was born on January 27, 1960 in Cleveland. Son of Ralph Miles and Elaine (Clarke) Potter.
Bachelor, Evergreen State College, 1983. Master of Arts, Syracuse University, 1987. Doctor of Philosophy, Brown University, 1991.
Assistant professor English Colby College, Waterville, Maine, 1991-1995. Assistant professor Rhode Island College, Providence, since 1995. Member field faculty Vermont College of Norwich University, Montpelier, 1993.
(Viewing hip-hop as the postmodern successor to African Am...)
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Member Modern Language Association, Northeast Modern Language Association, Nature Conservancy, Phi Beta Kappa.
Married Karen Lee Carr, September 8, 1985. Children: Brendan Nathaniel, Noah Alden, Caeli Isabella.