Career
After his involvement in cubism, Gočár turned to "national" Czech Rondocubism style in the early '20s. Later on he adopted the Functionalist approach to architecture. Among his greatest accomplishments is the Czechoslovak Pavilion for the Exposition internatale des art decoratifs et industriels modernes in Paris of 1925
Works
Wenke Department Store, Jaroměř, (1909–1911)
House of the Black Madonna, Prague's Old Town (1911–1912)
Bauer villa, Libodřice near Kolín, (1912–1913)
Dům Zemědělské osvěty, Vinohrady, Prague, 1924–1926
Saint Wenceslas church, Vršovice, Prague, 1929–1930
A 10 year period of town planning and building design for Hradec Králové where a large street still bears his name today.