Mira Widjaja, or Mira W., is a highly popular Indonesian author
Background
Her father, Othniel, was among the pioneers of the Indonesian movie industry. Mira was born in Jakarta on 13 September 1951 to film producer Othniel Widjaja and his wife. She is the youngest of five children.
Her brother Willy Wilianto became a filmmaker like his father.
Career
In spite of her background being from the Peranakan Chinese diaspora community, her work now reaches audiences from the entire country. She writes in an accessible genre, and deals with topics such as romance, crime and hospital life. She was a medical doctor before establishing herself as a writer
While in elementary school, she took up writing, which garnered support from her teachers.
One of her teachers sent a short story Mira had written to a children"s magazine, where it was published. Mira"s first short story submitted on her own, entitled "Benteng Kasih" ("Fortress of Love") in Femina magazine in 1975, while she was attending medical school at Trisakti University.
Her first novel, Dokter Nona Friska (Mission Friska"s Doctor) was serialised in Dewi magazine in 1977. Her second novel, Sepolos Cinta Dini (As Innocent as Puppy Love) soon followed.
The following year, she published Cinta Tak Pernah Berhutang (Love has Never Been in Debt).
After graduating from Trisakti in 1979, she became a lecturer of medicine at Professor Moestopo University in Jakarta. Mira"s most successful book, Di Sini Cinta Pertama Kali Bersemi (Here Love First Blossomed), was published in 1980.
She continues to produce works, drawing from writers such as Nh.
Dini, Agatha Christie, Y. B. Mangunwijaya and Harold Robbins for inspiration. Mira has been cited as an early inspiration for another ethnic Chinese Indonesian female writer, Clara Ng.
The pen name Mira West., which obscures the Chinese-Indonesian names Widjaja and Wong, has been described by literary critic Pamela Allen as hiding Mira"s Chinese heritage to better match Indonesian culture. Another writer said to use a pseudonym in such a manner is Marga T. This is due in part to illwill towards Chinese Indonesians during Suharto"s New Order regime.
Mira"s main characters are always women, and the novels often show women suffering at the hands of men, as well as from their own internal conflicts.