Abraham Moses Klein was a Canadian poet, journalist, novelist, short story writer and lawyer.
Background
Klein was born in Ratno, Ukraine, but in 1910 (at age one) he immigrated with his family to Montreal, Quebec, the city in which he would live most of his life. Ratno had seen a series of pogroms and, like many Ukrainian Jews, Klein's parents sought a safer life elsewhere. As a result of the influx of Jewish immigrants to Montreal, its Jewish community flourished, even though many families lived close to the poverty line. The family of Irving Layton was another notable addition to this community. Klein's father, an Orthodox follower of the Jewish faith, influenced Klein's early development. The son's early education and literary interests owed much to his plan to become a rabbi when he grew up, a plan that he never fulfilled.
Education
Klein attended Baron Byng High School, an institution that would later be immortalized in Mordecai Richler's novel The Apprenticeship of Duddy Kravitz. There he became a friend of David Lewis, future leader of the socialist New Democratic Party. Klein introduced Lewis to his wife, Sophie Carson, when they were all students at Baron Byng. (Lewis later introduced Irving Layton to Klein. Klein became Layton's Latin tutor so he could pass his matriculation exams. )
Klein went on to study political science, classics and economics as an undergraduate at McGill University. It was there that he met a group of poets and critics, including F. R. Scott and A. J. M. Smith, who would form the foundations of the so-called Montreal Group of Poets.
After McGill, Klein studied law at the Université de Montréal, where instruction was in French.
Career
Klein's involvement in Jewish community affairs began early. In the period 1928-1932 he served as educational director of Canadian Young Judaea—a Zionist youth movement—and edited its journal, The Judaean, and in 1934 he became president of this national movement. In 1936 he wrote and lectured on behalf of the Canadian Zionist Organization and edited its monthly magazine, The Canadian Zionist. Shortly after, he became associated with Samuel Bronfman, the noted distiller-philanthropist and Canadian Jewish leader. In part through Bronfman's good offices, Klein was appointed visiting lecturer in poetry at McGill for three years, 1945-1948. Throughout the 1930s his sympathies for the dispossessed and his passionate anti-fascist stance led him to identify with the C. C. F. , a socialist party roughly the equivalent of the British Labour Party. In 1944 he was nominated as a federal candidate in the largely Jewish Montreal-Cartier riding, but withdrew before the election in 1945. He did run—unsuccessfully—in the federal election of 1949 and was somewhat embittered by the extent of his defeat.
In terms of community involvement, by far the most important activity that Klein engaged in was his editorship of The Canadian Jewish Chronicle. Klein had contributed to this weekly Anglo-Jewish paper from the late 1920s on and became its editor in 1938, remaining until 1955. Mental illness, evidenced occasionally from 1952 on, resulted in a thwarted suicide attempt in 1954 and in a period of hospitalization. His withdrawal from public life followed, and he became increasingly reclusive after 1956 until his death in 1972.
Klein's career as a poet began early. During his years at McGill he published poems in The Menorah Journal, The Canadian Forum, Poetry (Chicago), and elsewhere. His interest was quickened by his association with the "Montreal Group" of poets and writers, which included A. J. M. Smith, F. R. Scott, Leo Kennedy, and Leon Edel and was centered at McGill. This group represented a significant break with the earlier Canadian tradition of nature poetry and genteel, sentimentalized verse. Although Klein wrote many poems during the 1930s reflecting attitudes shaped by the Great Depression, the Spanish Civil War, and the rise of fascism, for the most part his major concern and the source of his inspiration was Jewish experience. His first volume of poetry, Hath Not a Jew … (1940), is limited to this Jewish world. Klein drew widely on his knowledge of events and personalities from the past and present and on Jewish fable and folklore to present a tapestry designed to reveal the richness of the Jewish heritage and the sufferings and aspirations of his people. Klein's poetic craftsmanship is clearly evidenced in this volume, in which he used almost every poetic form and device, often quite experimentally, with success.
In 1944 Klein published The Hitleriad, a savagely satiric indictment of Hitler and his henchmen. Klein's high expectations regarding this work were unfulfilled as critical reviews ranged widely from acclaim to mild disapproval and a large audience was not reached. In the same year appeared Poems, a volume still entirely devoted to themes Jewish, particularly to historic and current anti-semitism. The opening section, however, entitled "The Psalter of Avram Haktani, " expressed, for the most part, the poet's religious questioning and affirmation and, at times, a lyrical celebration of personal experience.
In the 1940s Klein moved in a literary circle known as the Preview Group of poets, which included F. R. Scott, P. K. Page, and Patrick Anderson, writers with whom he shared friendship and common literary views. He also associated with a rival group, the First Statement poets, chiefly John Sutherland, Louis Dudek, and Klein's friend Irving Layton. Partly as a consequence of this renewed literary activity, partly because the war against fascism was drawing to a victorious close, Klein felt freer to direct his creative energy into wider channels than he had been permitting himself for some time, and his final volume of poetry, The Rocking Chair and Other Poems, appeared in 1948. Here the experience drawn upon is primarily Canadian rather than Jewish, with Quebec—and more specifically Montreal—its urban and rural landscapes and its people—being the focus of the poet's loving and critical attention. The qualities of irony, of genial and wry humor and biting sarcasm, of tolerance and affectionate understanding of human foibles, of sentiment and passion which characterize his early works are found here also, but there is even greater mastery of his craft, of artistic discipline, than in much of his earlier poetry. For this volume, Klein was awarded the Governor-General's Medal for Poetry in 1949. Eight years later the Royal Society of Canada bestowed the Lorne Pierce Medal for poetry on Klein for his poetic achievement.
Klein's reputation as a writer rests primarily on his poetry, and rarely is mention made of his short stories, although he wrote many over a period of 25 years. Most of them appeared in small magazines of limited circulation and brief duration. The subjects were varied, the majority reflecting some aspect of Jewish life and folk-lore. Like his poetry, they reveal Klein's fascination with the child-like and the macabre and with the comically absurd, the pathetic, and the terrifying.
Klein turned also to the writing of novels. In 1946-1947 he wrote a novel, That Walks Like a Man, based on the lgor Gouzenko spy revelations in Ottawa, but failed to find a publisher for it. His next effort was much more successful. Following a journey through Israel, Europe, and North Africa sponsored by the Canadian Jewish Congress in 1949, Klein found a congenial subject, and his novel The Second Scroll (1951) may well be regarded as his greatest single literary achievement. In this novel Klein presented an encompassing vision of Jewish history and destiny and probed the broader question of the nature of good and evil and its bearing on the relationship between man and God. It clearly bears the stamp of greatness.
Klein also applied his special literary gifts to journalism. His major contribution in this field was as editor of The Canadian Jewish Chronicle, the foremost Anglo-Jewish journal in Canada. For this paper Klein wrote weekly (1938-1955) two or three editorials and a full page of commentary on topical events. He also frequently added literary articles, book reviews, translations from Hebrew and Yiddish literature, poems, and short stories. As a journalist in the days of threatening Nazism and struggling Zionism, he became the spokesman for the Jewish community. A representative selection of his journalism is to be found in the published collection Beyond Sambation (1981).
He died on February 20, 1972 (aged 63) in Montreal, Quebec, Canada.
Religion
An ardent supporter of Zionism, Klein made the Jewish experience a vehicle for his artistic expressions.
Membership
Klein was also an important member of the Montreal Jewish community during his lifetime.