Background
Aelbert Cuyp was born on January 20, 1620 in Dordrecht, South Holland, Netherlands. He was a son of Jacob Gerritsz Cuyp, who also was a painter. His uncle Benjamin and grandfather Gerrit were stained glass cartoon designers.
Aelbert Cuyp was born on January 20, 1620 in Dordrecht, South Holland, Netherlands. He was a son of Jacob Gerritsz Cuyp, who also was a painter. His uncle Benjamin and grandfather Gerrit were stained glass cartoon designers.
Aelbert Cuyp was probably first taught by his father, the painter Jacob Gerritsz Cuyp, known mainly for his portraits.
Between 1640 and 1645 Aelbert painted skillful monochromatic dune and river landscapes with diagonal compositions, much in the manner of Jan van Goyen.
Because of the scarcity of dated works it is impossible to say precisely when Cuyp introduced the misty golden light that is the hallmark of his mature style, but it was certainly in the 1640s. This innovation was based in part on his observations of the optical effects of moist atmosphere; this was a time when optical experimentation attracted widespread interest among the Dutch. The many drawings and paintings Cuyp made of activities on the rivers that made Dordrecht a busy port in his day give evidence of his scrutiny of subtle variations in light effects. The major impetus for this interest, however, probably came from Jan Both, who returned from Italy to Utrecht in 1641 and painted there until his death in 1652. To Claude Lorrain's unprecedented demonstration of the unifying power of light in landscape painting, Both added a new specificity through attentive study of appearances at different times of day. This approach was central to Cuyp's mature achievement. The particular light of a given moment became part of his subject. In his ability to translate specific light effects into paint, he surpassed his models and created landscape paintings of unique poetic sensibility.
As is clear from his Young Herdsmen with Cows (ca. 1655) Cuyp ensconced his soft, golden luminosity in firmly structured compositions. The monumental cattle, silhouetted against the sky, emphasize the aerial perspective and create the illusion of a visual field of vast depth. Considered relationships and classical restraint likewise contribute to the calm perfection of his matchless scenes of moonlight on the water, for example, Sailing Boats and Mill. As Cuyp apparently never went to Italy, it seems that his Italianate scenes, such as Travelers in a Hilly Landscape, depend on works by Both and other Italianizing Dutch artists. He died on November 15, 1691.
Aelbert Cuyp was a Dutch painter of the Baroque period who is known for his peaceful landscapes of the Dutch countryside, distinguished for their poetic use of light and atmosphere. He seems to have worked for a number of important Dordrecht families. He was clearly an important artist in the city. By the late eighteenth century, Cuyp had many other followers and imitators, including Jacob van Strij (1756 – 1815).
Self-Portrait as a Boy
Ubbergen Castle
1655Orpheus with Animals in a Landscape
1640The Passage Boat
1650View of Dordrecht
1655Cattle Watering by an Estuary
River Landscape with Horseman and Peasants
1660Landscape with Shepherds and Flock, Near Rhenen
Panoramic Landscape with Shepherds, Sheep and a Town in the Distance
1644The Maas at Dordrecht
1650A Distant View of Dordrecht, with a Milkmaid and Four Cow
1650Flock of Sheep at Pasture
1655The Negro Page
1652Sunset over the River
1655The Maas at Dordrecht in a Storm
1650View of the Groote Kerk in Dordrecht from the River Maas
1648Lady and Gentleman on Horseback
1655In 1658 Aelbert Cuyp married Cornelia Boschman, a widow with three children. They had a daughter the following year. When his wife Cornelia died in 1689, he began living with his daughter and son-in-law, who was the proprietor of a brewhouse, "le Lis".