Background
Silver, Alain Joël was born on December 7, 1947 in Los Angeles, California, United States. Son of Elmer I. and Christiane Andrée Silver.
( Smoke and Shadows Classic noir flicks, illustrated and ...)
Smoke and Shadows Classic noir flicks, illustrated and examined Beginning with a general overview of film noir and covering its most important themes chapter by chapter (lovers plan murder, corrupt police, doomed love, psychological noir, etc.), this copiously illustrated handbook provides instant and in-depth access to the film noir genre for amateurs and aficionados alike. Among the covered films are: Double Indemnity, Kiss Me Deadly, Gun Crazy, Criss Cross, Detour, In A Lonely Place, T-Men, Out of the Past, The Reckless Moment, and Touch of Evil. About the series: Bibliotheca Universalis— Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price! Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia. Bookworm’s delight — never bore, always excite!
http://www.amazon.com/gp/product/3836561697/?tag=2022091-20
((Limelight). Departing from the approach of its Film Noir...)
(Limelight). Departing from the approach of its Film Noir Reader predecessors, this third volume in the series assembles a collection of interviews with film noir directors and a cinematographer, few of whom are alive today. Interviewees include Billy Wilder ( Double Indemnity and Sunset Boulevard ), Otto Preminger ( Laura ), Joseph Lewis ( Gun Crazy and The Big Combo ), Curtis Bernhardt ( Possessed and A Stolen Life ), Edward Dmytryk ( Murder, My Sweet and Crossfire ), and Fritz Lang ( Scarlet Street and The Woman in the Window ).
http://www.amazon.com/gp/product/0879109610/?tag=2022091-20
((Limelight). Despite a glut of black and white filters, t...)
(Limelight). Despite a glut of black and white filters, the digital revolution in videography has all but abandoned the art, science, beauty, and power of cinematic lighting that literally illuminated the Golden Age of motion pictures. Film Noir Light and Shadow explores an era before CGI a time when every photon mattered and the lighting of a set served a grander purpose than simply rendering its subjects visible. Edited by Alain Silver and James Ursini, the duo behind numerous critically acclaimed studies of other aspects of noir, this anthology presents a series of essays that examine the visual style of the filmmakers of cinema's classic period. Some focus on individual pictures or directors; others discuss elements of style or sub-groups of movies within the movement. All are sharply focused on what makes the noir phenomenon unique in American and global cinematic history. Aside from highlighting the innovative work of its editors and their late colleague Robert Porfirio, Film Noir Light and Shadow also shares its light with a bevy of contributors who have written and edited their own books on the subject a list of luminaries that includes Sheri Chinen Biesen, Shannon Clute and Richard Edwards, Julie Grossman, Delphine Letort, Robert Miklitsch, R. Barton Palmer, Homer Pettey, Marlisa Santos, Imogen Sara Smith, and Tony Williams. As befits the topic, this volume is lavishly illustrated with 500 images that capture the richness and breadth of the classic period's imagery, making it an ideal companion for students of the genre, film historians, sprocket fiends, and the retrospectively inclined.
http://www.amazon.com/gp/product/1495058972/?tag=2022091-20
(The image of a lone hero, marked by a violent past and bo...)
The image of a lone hero, marked by a violent past and bound by honor, has exerted an endless fascination on film audiences the world over, but nowhere more than in Japan, where Samurai films have gained legions of passionate followers. Popularized and perfected by one of the greatest auteurs in the history of cinema, Akira Kurosawa, the themes of the Samurai film have consistently crossed over into western films, with blockbuster success in recent years of Crouching Tiger, Hidden Dragon and The Last Samurai. Long regarded as one of the world's most astute film analysts, Alain Silver deconstructs the key aspects of this vital film genre, from its focus on violence and death as a means of understanding life and the significance of swords and weaponry to key elements and motifs, such as hara-kiri, rebellion, and nostalgia for Japan's feudal past. With comprehensive filmographies of the major directors and films, a survey of the history and myths of the Samurai, a glossary of Japanese terms, and with more than two hundred photos, The Samurai Film is the ultimate resource for one of world cinema's most influential and compelling genres.
http://www.amazon.com/gp/product/1585677809/?tag=2022091-20
((Limelight). In this essential study of film noir, editor...)
(Limelight). In this essential study of film noir, editors Alain Silver and James Ursini select the most significant and influential articles on the movement from their highly respected Film Noir Reader series and assemble them into a single, convenient, heavily illustrated volume. Still included, of course, are many rare early articles and such seminal essays as Borde and Chaumeton's Towards a Definition of Film Noir from Panorama du Film Noir Americain , Paul Schrader's Notes on Film Noir and Paint It Black: the Family Tree of the Film Noir by Raymond Durgnat. With newer studies such as Lounge Time by Vivian Sobchack, Manufacturing Heroines in Classic Noir Films by Sheri Chinen Biesen, and Voices from the Deep: Film Noir as Psychodrama J. P. Telotte, this collection of over 30 articles probes this most influential American film movement from varying angles: formalist, feminist, structuralist, sociological, and stylistic; narrative-thematic historical, and even from the point of view of a pure aficionado. There is something in this volume for every student or devotee of film noir. Plus like the readers that have proven an invaluable tool for academics planning a syllabus, it can serve as the most complete core text for any of the myriad of film noir courses taught throughout the world.
http://www.amazon.com/gp/product/1495058980/?tag=2022091-20
( General overview of film noir and covering its most imp...)
General overview of film noir and covering its most important themes chapter by chapter. This illustrated book provides instant and in-depth access to the film noir genre.
http://www.amazon.com/gp/product/3822822612/?tag=2022091-20
recording industry executive film producer
Silver, Alain Joël was born on December 7, 1947 in Los Angeles, California, United States. Son of Elmer I. and Christiane Andrée Silver.
Bachelor, University of California at Los Angeles, 1969; Master of Arts, University of California at Los Angeles, 1973; Doctor of Philosophy, University of California at Los Angeles, 1976.
Assistant director, Paramount Pictures, Hollywood, California, 1978-1980; president, Pendragon Film Ltd., Los Angeles, since 1980; producer, Citadel Records, Culver City, California, since 1989. Lecturer in field; trustee, Assistant Dirs. Training Program, 1986.
( Smoke and Shadows Classic noir flicks, illustrated and ...)
(The image of a lone hero, marked by a violent past and bo...)
( General overview of film noir and covering its most imp...)
(A PRACTICAL GUIDE TO ORGANIZING AND MANAGING FILM AND TEL...)
(Book by Alain Silver, James Ursini)
((Limelight). Departing from the approach of its Film Noir...)
((Limelight). Despite a glut of black and white filters, t...)
((Limelight). In this essential study of film noir, editor...)
Member Dirs. Guild American, SAG.