Background
He was eldest son of David Christie, a grand-nephew of Hugh Christie, and was born in Edinburgh. His father"s death allowed Christie to follow his own wishes and concentrate on art
He was eldest son of David Christie, a grand-nephew of Hugh Christie, and was born in Edinburgh. His father"s death allowed Christie to follow his own wishes and concentrate on art
He was educated at Edinburgh Academy and Edinburgh University there.
Intended for the law, he served an apprenticeship to a writer to the signet, but was never admitted the society. Giving up his legal prospects, he entered in 1833 as a pupil at the Trustees" Academy in Edinburgh, then under the direction of Sir William Allan. After studying in London and Paris he returned to Edinburgh and settled there.
In 1843, Christie was appointed an assistant, and in 1845, in succession to Thomas Duncan, Royal Scottish Academy, first master or director of the ornamental department of the School of Art, under the board of trustees for manufactures in Scotland.
He exhibited only once in the Royal Academy in London, sending in 1853 A Window-seat at Wittemburg, 1526—Luther, the married priest. Christie died 5 May 1860.
Several of the illustrations of the Abbotsford edition of The Bride of Lammermoor are from his designs. Christie delivered courses of lectures at the Philosophical Institution in Edinburgh, and elsewhere, on subjects connected with art
A paper by him On the Adaptation of previous styles of Architecture to our present Wants was in the Transactions of the Architectural Institute of Scotland, volunteer iii.