As a result, he decided to pursue a creative career and began by studying architecture at the Czechoslovakian Technical University in Prague with Professor January Kotěra, then moved to the Academy of Fine Arts, where he studied with Maximilian Pirner and František Thiele (1868-1945).
He was one of three sons born to a doctor. His first contact with art came in Jihlava, where he met the aspiring painter Roman Havelka, who was only two years his senior. After that, he worked with Ludwig Schmid-Reutte in Karlsruhe and Wilhelm Trübner in Berlin.
In 1910, he visited Paris, where he was influenced by the works of Paul Cézanne and Honoré Daumier.
From 1918 to 1924, he exhibited with "Tvrdošíjní", a group of mostly young, modern artists. Later, he would create posters for galleries and stores.
In 1927, he produced illustrations for the Czechoslovakian edition of Notre Dame de Paris by Hugo. The following year, he joined the Mánes Union of Fine Arts.
As a dog lover, he was an enthusiastic promoter and breeder of boxers, becoming a trustee of the "ČeskoMoravská Kynologická Unie" (a kennel club), where he was put in charge of maintaining the breeding records.
He was also an active Freemason of the lodge "Sibi et Posteris" in Prague. He died at a hospital in Bratislava, after a long illness. His ashes were returned to his hometown and placed in an urn at the Jewish cemetery.
The Masonic Lodge provided support for his widow Anna, but she never recovered from his death and committed suicide by poisoning not long after the German Occupation.
