Amaryllis Marie-Louise Fleming was a British cello performer and teacher.
Background
Fleming was born in 1925, probably in Switzerland. She was the illegitimate daughter of the painter Augustus John by his mistress Eve Fleming, mother of the writers Peter Fleming and Ian Fleming by her late husband, although most of her life she was raised as the adopted daughter of Eve Fleming as a pretence to hide her illegitimacy and only discovered her true parentage when she was in her twenties.
Education
She later studied at times under Gaspar Cassadó, Enrico Mainardi, Pablo Casals, Guilhermina Suggia and Pierre Fournier.
Career
She went away to school at Downe House in Berkshire, but went up to London every three weeks for cello lessons with John Snowden. Her career was overshadowed by the rise of Jacqueline du Pré in the 1960s and she concentrated on chamber music, being especially known for the Fleming Trio with pianist Bernard Roberts and violinist Manoug Parikian. She also became a pioneer of baroque cello music and "ground-breakingly, she became the first person this century to play Bach"s Sixth suite in the manner its composer had intended." At times she owned cellos by Amati, Guarneri and Stradivari.
She also made an appearance in the 1969 film Connecting Rooms as the arms and fingers of Bette Davis, who portrayed a cellist in the film.
Her playing career ended in 1993 following a stroke, but she continued to teach at the Royal College of Music and Wells Cathedral School. Her notable pupils include Raphael Wallfisch.
The Times reported that "she never became complacent. She sought out the best teachers in Europe and willingly experimented with many techniques, including practising naked in front of the mirror."
Her half-brother Ian Fleming, in one of his James Bond short stories "The Living Daylights", has Bond musing about a cellist he observes from his sniper"s position: "There was something almost indecent in the idea of that bulbous, ungainly instrument between her splayed thighs.
Of course Suggia had managed to look elegant, and so did that girl Amaryllis somebody.
But they should invent a way for women to play the damned thing side-saddle."
In March 2009 the concert hall of the Royal College of Music, following refurbishment, was renamed the "Amaryllis Fleming Concert Hall" in her honour.