Background
Ambrogio Borgognone was born about 1453 at Fossano in Piedmont, Italy.
( The Assumption of the Virgin | Italian, Milan ca. 1453-...)
The Assumption of the Virgin | Italian, Milan ca. 1453-1523 Milan | Artist Nationality: Italian | Original Medium, Materials or Technique: Oil and gold on wood
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(18.1" x 27.1" Ambrogio Bergognone St Ambrose with Saints ...)
18.1" x 27.1" Ambrogio Bergognone St Ambrose with Saints premium canvas print reproduced to meet museum quality standards. Our museum quality canvas prints are produced using high-precision print technology for a more accurate reproduction printed on high quality canvas with fade-resistant, archival inks. Our progressive business model allows us to offer works of art to you at the best wholesale pricing, significantly less than art gallery prices, affordable to all. This artwork is gallery wrapped by one of our expert framers, wrapped with 1.1" deep heavy duty wooden stretcher bars, to hang frameless for a high-end designer look. The printed image is wrapped around the edges and visible on all four sides. Our gallery wrapped canvas print comes with hardware, ready to hang on your wall. We present a comprehensive collection of exceptional canvas art reproductions by Ambrogio Bergognone.
https://www.amazon.com/Ambrogio-Bergognone-St-Ambrose-Saints/dp/B075ZL5B4K?psc=1&SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook0b-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=B075ZL5B4K&SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook0b-20&linkCode=sp1&camp=2025&creative=165953
(Matte Canvas: Produced on bright white, fine poly-cotton ...)
Matte Canvas: Produced on bright white, fine poly-cotton blend, matte canvas using the latest generation giclee technology. The quality of the giclee print rivals traditional silver-halide and gelatin printing processes and is commonly found in museums and art galleries in New York City at the Metropolitan Museum, the Museum of Modern Art, and the Chelsea Galleries. The giclee process involves the spraying of millions of ink droplets onto high quality paper. The smooth transitions of color gradients make giclee prints appear much more realistic than other prints. Although our reproductions come in standard sizes, they can be enlarged as per your requirement. However, please note that the dimensions of the length and breadth of the original will need to be maintained in the same ratio. Changing the ratios would result in either a skewed or cropped reproduction; neither of which are desirable or available. All our giclee canvas gallery wrapped prints come already stretched on the frame. There is no other assembly required. Our team carefully stretches each canvas onto the frame to give you a professional gallery wrapped canvas print. We use quality galvanized steel staples when stretching the canvas. Then, we finish it with brown framing tape hiding all the staples. Our packaging has been designed to ensure your canvas will arrive to you in perfect condition with as little waste as possible.
http://www.amazon.com/gp/product/B075F12Q3N/?tag=2022091-20
(Matte Canvas: Produced on bright white, fine poly-cotton ...)
Matte Canvas: Produced on bright white, fine poly-cotton blend, matte canvas using the latest generation giclee technology. The quality of the giclee print rivals traditional silver-halide and gelatin printing processes and is commonly found in museums and art galleries in New York City at the Metropolitan Museum, the Museum of Modern Art, and the Chelsea Galleries. The giclee process involves the spraying of millions of ink droplets onto high quality paper. The smooth transitions of color gradients make giclee prints appear much more realistic than other prints. Although our reproductions come in standard sizes, they can be enlarged as per your requirement. However, please note that the dimensions of the length and breadth of the original will need to be maintained in the same ratio. Changing the ratios would result in either a skewed or cropped reproduction; neither of which are desirable or available. All our giclee canvas gallery wrapped prints come already stretched on the frame. There is no other assembly required. Our team carefully stretches each canvas onto the frame to give you a professional gallery wrapped canvas print. We use quality galvanized steel staples when stretching the canvas. Then, we finish it with brown framing tape hiding all the staples. Our packaging has been designed to ensure your canvas will arrive to you in perfect condition with as little waste as possible.
http://www.amazon.com/gp/product/B075F1FLSF/?tag=2022091-20
(Matte Canvas: Produced on bright white, fine poly-cotton ...)
Matte Canvas: Produced on bright white, fine poly-cotton blend, matte canvas using the latest generation giclee technology. The quality of the giclee print rivals traditional silver-halide and gelatin printing processes and is commonly found in museums and art galleries in New York City at the Metropolitan Museum, the Museum of Modern Art, and the Chelsea Galleries. The giclee process involves the spraying of millions of ink droplets onto high quality paper. The smooth transitions of color gradients make giclee prints appear much more realistic than other prints. Although our reproductions come in standard sizes, they can be enlarged as per your requirement. However, please note that the dimensions of the length and breadth of the original will need to be maintained in the same ratio. Changing the ratios would result in either a skewed or cropped reproduction; neither of which are desirable or available. All our giclee canvas gallery wrapped prints come already stretched on the frame. There is no other assembly required. Our team carefully stretches each canvas onto the frame to give you a professional gallery wrapped canvas print. We use quality galvanized steel staples when stretching the canvas. Then, we finish it with brown framing tape hiding all the staples. Our packaging has been designed to ensure your canvas will arrive to you in perfect condition with as little waste as possible.
http://www.amazon.com/gp/product/B075F3BLVB/?tag=2022091-20
(16.1" x 24.1" Ambrogio Bergognone St Catherine of Alexand...)
16.1" x 24.1" Ambrogio Bergognone St Catherine of Alexandria framed premium canvas print reproduced to meet museum quality standards. Our Museum quality canvas prints are produced using high-precision print technology for a more accurate reproduction printed on high quality canvas with fade-resistant, archival inks. Our progressive business model allows us to offer works of art to you at the best wholesale pricing, significantly less than art gallery prices, affordable to all. This artwork is hand stretched onto wooden stretcher bars, then mounted into our 2 1/2" wide black leather look design finish frame by one of our expert framers. Our framed canvas print comes with hardware, ready to hang on your wall. We present a comprehensive collection of exceptional canvas art reproductions by Ambrogio Bergognone.
https://www.amazon.com/Ambrogio-Bergognone-St-Catherine-Alexandria/dp/B075ZL5HPK?psc=1&SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook0b-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=B075ZL5HPK&SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook0b-20&linkCode=sp1&camp=2025&creative=165953
(16.25" x 24.25" Ambrogio Bergognone St Agnes framed premi...)
16.25" x 24.25" Ambrogio Bergognone St Agnes framed premium canvas print reproduced to meet museum quality standards. Our Museum quality canvas prints are produced using high-precision print technology for a more accurate reproduction printed on high quality canvas with fade-resistant, archival inks. Our progressive business model allows us to offer works of art to you at the best wholesale pricing, significantly less than art gallery prices, affordable to all. This artwork is hand stretched onto wooden stretcher bars, then mounted into our 3 3/4" wide gold finish frame with black panel by one of our expert framers. Our framed canvas print comes with hardware, ready to hang on your wall. We present a comprehensive collection of exceptional canvas art reproductions by Ambrogio Bergognone.
https://www.amazon.com/Ambrogio-Bergognone-St-Agnes-Premium/dp/B075ZKP685?psc=1&SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook0b-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=B075ZKP685&SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook0b-20&linkCode=sp1&camp=2025&creative=165953
(Matte Canvas: Produced on bright white, fine poly-cotton ...)
Matte Canvas: Produced on bright white, fine poly-cotton blend, matte canvas using the latest generation giclee technology. The quality of the giclee print rivals traditional silver-halide and gelatin printing processes and is commonly found in museums and art galleries in New York City at the Metropolitan Museum, the Museum of Modern Art, and the Chelsea Galleries. The giclee process involves the spraying of millions of ink droplets onto high quality paper. The smooth transitions of color gradients make giclee prints appear much more realistic than other prints. Although our reproductions come in standard sizes, they can be enlarged as per your requirement. However, please note that the dimensions of the length and breadth of the original will need to be maintained in the same ratio. Changing the ratios would result in either a skewed or cropped reproduction; neither of which are desirable or available. All our giclee canvas gallery wrapped prints come already stretched on the frame. There is no other assembly required. Our team carefully stretches each canvas onto the frame to give you a professional gallery wrapped canvas print. We use quality galvanized steel staples when stretching the canvas. Then, we finish it with brown framing tape hiding all the staples. Our packaging has been designed to ensure your canvas will arrive to you in perfect condition with as little waste as possible.
http://www.amazon.com/gp/product/B075F357CC/?tag=2022091-20
(Matte Canvas: Produced on bright white, fine poly-cotton ...)
Matte Canvas: Produced on bright white, fine poly-cotton blend, matte canvas using the latest generation giclee technology. The quality of the giclee print rivals traditional silver-halide and gelatin printing processes and is commonly found in museums and art galleries in New York City at the Metropolitan Museum, the Museum of Modern Art, and the Chelsea Galleries. The giclee process involves the spraying of millions of ink droplets onto high quality paper. The smooth transitions of color gradients make giclee prints appear much more realistic than other prints. Although our reproductions come in standard sizes, they can be enlarged as per your requirement. However, please note that the dimensions of the length and breadth of the original will need to be maintained in the same ratio. Changing the ratios would result in either a skewed or cropped reproduction; neither of which are desirable or available. All our giclee canvas gallery wrapped prints come already stretched on the frame. There is no other assembly required. Our team carefully stretches each canvas onto the frame to give you a professional gallery wrapped canvas print. We use quality galvanized steel staples when stretching the canvas. Then, we finish it with brown framing tape hiding all the staples. Our packaging has been designed to ensure your canvas will arrive to you in perfect condition with as little waste as possible.
http://www.amazon.com/gp/product/B075F2JR4Z/?tag=2022091-20
Ambrogio Borgognone was born about 1453 at Fossano in Piedmont, Italy.
His fame is principally associated with that of one great building, the Certosa, or church and convent of the Carthusians at Pavia, for which he worked much and in many different ways. It is certain, indeed, that there is no truth in the tradition which represents him as having designed, in 1473, the celebrated facade of the Certosa itself. His residence there appears to have been of eight years' duration, from 1486, when he furnished the designs of the figures of the virgin, saints and apostles for the choir-stalls, executed in tarsia or inlaid wood work by Bartolommeo Pola, till 1494, when he returned to Milan. Only one known picture, an altar-piece at the church San Eustorgio, can with probability be assigned to a period of his career earlier than 1486. For two years after his return to Milan he worked at the church of San Satiro in that city. From 1497 he was engaged for some time in decorating with paintings the church of the Incoronata in the neighbouring town at Lodi. Our notices of him thenceforth are few and far between. In 1508 he painted for a church in Bergamo; in 1512 his signature appears in a public document of Milan; in 1524-and this is our last authentic record - he painted a series of frescoes illustrating the life of St Sisinius in the portico of San Simpliciano at Milan. Without having produced any works of signal power or beauty, Borgognone is a painter of marked individuality. He holds an interesting place in the most interesting period of Italian art. The National Gallery, London, has two fair examples of his work - the separate fragments of a silk banner painted for the Certosa, and containing the heads of two kneeling groups severally of men and women; and a large altar-piece of the marriage of St Catherine, painted for the chapel of Rebecchino near Pavia. But to judge of his real powers and peculiar ideals - his system of faint and clear colouring, whether in fresco, tempera or oil; his somewhat slender and pallid types, not without something that reminds us of northern art in their Teutonic sentimentality as well as their Teutonic fidelity of portraiture; the conflict of his instinctive love of placidity and calm with a somewhat forced and borrowed energy in figures where energy is demanded, his conservatism in the matter of storied and minutely diversified backgrounds - to judge of these qualities of the master as they are, it is necessary to study first the great series of his frescoes and altar-pieces at the Certosa, and next those remains of later frescoes and altar-pieces at Milan and Lodi, in which we find the influence of Leonardo and of the new time mingling with, but not expelling, his first predilections.
(Matte Canvas: Produced on bright white, fine poly-cotton ...)
(Matte Canvas: Produced on bright white, fine poly-cotton ...)
(Matte Canvas: Produced on bright white, fine poly-cotton ...)
(Matte Canvas: Produced on bright white, fine poly-cotton ...)
(Matte Canvas: Produced on bright white, fine poly-cotton ...)
( The Assumption of the Virgin | Italian, Milan ca. 1453-...)
(18.1" x 27.1" Ambrogio Bergognone St Ambrose with Saints ...)
(16.1" x 24.1" Ambrogio Bergognone St Catherine of Alexand...)
(16.25" x 24.25" Ambrogio Bergognone St Agnes framed premi...)