Rodriguez was born in Taos, New Mexico. Her father"s side of the family were "native Hispanic Taoseños" and had been living in the area for many generations. Her mother was a painter from Austin, Texas who relocated to Taos in order to study art with Walter Ufer.
She has a work in the collection of the New Mexico Capitol Collection, Eteljorg Museum in Indianapolis, the Albuquerque Museum of and the Harwood Museum of in Taos. Rodriguez was raised Catholic. During Rodriguez"s teen years, she went to Mexico City where she spent time painting and learned the styles of Mexican artists such as Frida Kahlo.
Rodriguez took art at both Colorado College and at the University of Denver.
Later, she gave birth to a daughter, Shemai, in 1965. Her construction work focused on the use of adobe to create fireplaces and nichos.
Even while working on fireplaces, Rodriguez felt that instead of creating something commonplace, that her work was "functional sculpture." After Shemai grew up and left the house, Rodriguez retired from construction and started painting full time. Shemai is currently the webmaster for her mother"s website.
She later moved to Guanajuato, Mexico in 1996 and left to move back to Taos in 2010.
Rodriguez"s art is very concerned with death, resurrection and its relationship to Mexican culture. The idea of death for Rodriguez has two major functions. The first is that without death, there is no eternal life and the second is to remind the viewer to enjoy their life now.
She also traces the uses of skeletons as an art motif further back to pre-Columbian times.
Rodriguez is influenced by indigenous religious practices, Christian themes and also Jewish celebrations. Rodriguez enjoys combining and contrasting different spiritual and cultural traditions, reflecting the multicultural world that she grew up with in Taos.
Stylistically, she often centers her subject matter, relating her work to stained glass or altar pieces. Composition is less important than the subject matter or idea being expressed by Rodriguez.
Her color choices are bright and vibrant.
Rodriguez hides messages and ideas throughout her paintings which function as visual puns and humorous messages. "The fear of death and its denial is the first denial--triggering a chain of denials. The fear of death engenders all deceit and ends by actually preventing one from living.
The daily remembrances of death gives one great personal power--the power to distinguish between the important and the trivial.
lieutenant teaches one to love life, to celebrate it and respect its fragility. lieutenant makes one treasure loved ones and to appreciate the simplest joys."
"Skeletons have always been paramount in my work.
Bones stand for my belief in deep democracy--everybody has the same bones and death comes to us all.".
Quotations:
"The fear of death and its denial is the first denial--triggering a chain of denials. The fear of death engenders all deceit and ends by actually preventing one from living. The daily remembrances of death gives one great personal power--the power to distinguish between the important and the trivial.
lieutenant teaches one to love life, to celebrate it and respect its fragility.
lieutenant makes one treasure loved ones and to appreciate the simplest joys."
"Skeletons have always been paramount in my work. Bones stand for my belief in deep democracy--everybody has the same bones and death comes to us all.".
