Background
She is a descendant of the plantocracy, and much of her early work examined her identity as a white Barbadian woman.
She is a descendant of the plantocracy, and much of her early work examined her identity as a white Barbadian woman.
Her more recent work has moved from painting and printmaking into installation, and concerns itself with the transformation of Barbados from forests to sugarcane farms to a tourist destination. Many of her pieces contain a self-portrait. Her style has been described as reminiscent of Frida Kahlo.