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Antonino Barges
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While known as a composer of light popular secular forms such as the villotta, he also wrote motets and a Requiem. Little is known about his early life. Like many of his countrymen, he received a good musical education in the Low Countries, and either in youth or early adulthood came to Italy, where employment prospects for singers and composers were better than at home.
By 1550 he had become maestro di cappella (choirmaster) at the church of Santa Maria Gloriosa dei Frari (known as the Ca" Grande) in Venice, a prestigious post.
He left Venice in 1555, going to Treviso, where he became a Franciscan and joined the convent of San Francesco. Further records show that he was employed at Treviso Cathedral between 1562 and 1565 as maestro di cappella.
Number further records of his life have yet been found, and he has not yet been the subject of a dedicated scholarly biography. If Barges"s dedication is to be believed, these men were among the first to hear and sing his songs, but the songs might also have found a home in Domenico Venier"s salon.
Barges published only this one book of light secular music, although it contains music besides villottas such as a dozen villanescas and four madrigals not by Barges but by Andrea Patricio (composers at this time often admitted a few works by others into their publications).
Other music by Barges included some sacred works, including two motets for four voices, published in 1563, an Alleluia, and a Requiem for four voices (not dated). lieutenant is not known if he wrote this for Willaert. The style of the secular music is as light as anything found in northern Italy at the time: dancelike, quick, often triple meter, and often with nonsense syllables in a "patter" style.
Barges also wrote three instrumental ricercars.
