Background
PALACIO VALDES, Armando j Author was born on October 4, 1853 in Entralgo, Asturias.
(Librería General de Victoriano Suárez. Madrid. 1920. 19 c...)
Librería General de Victoriano Suárez. Madrid. 1920. 19 cm. 300 p. Encuadernación en tapa dura artesnal en tela, lomo con nervios y puntas en piel. Colección 'Obras completas / Armando Palacio Valdés', t. 2. Palacio Valdés, Armando 1853-1938 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. Cubierta deslucida.
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("Marta y María" de Armando Palacio Valdés. Armando Palaci...)
"Marta y María" de Armando Palacio Valdés. Armando Palacio Valdés fue escritor y crítico literario español, perteneciente al Realismo del siglo XIX (1853-1938).
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(ARMANDO PALACIO VALDÉS. Nace en un pueblecito asturiano d...)
ARMANDO PALACIO VALDÉS. Nace en un pueblecito asturiano de nombre Entralgo, en el valle del Laviana, de padre abogado y madre holgada propietaria. En ese escenario idílico transcurre su primera adolescencia, que luego continuará en Avilés y más tarde en Oviedo, donde estudia el bachillerato y conoce a Clarín. En 1870, al igual que éste, marcha a Madrid para cursar los estudios de derecho y ambos colaborarán en la fundación del periódico “Rabagás”. Tras terminar los estudios de derecho y administración se dedica al periodismo y la crítica literaria hasta que, en 1881, escribe su primera novela, “El señorito Octavio”, y ya se consagrará a la narrativa. Muere el 29 de enero de 1938, en Madrid. Toda su obra reflejará la serenidad y el equilibrio aprendido en su apacible infancia vivida en el campo asturiano. Dirá que la finalidad de la novela no es el planteamiento de una tesis, sino mantener la fidelidad al arte y a la expresión de la belleza, aunque a menudo aparecerá en sus obras la vena didáctica y moralizante. “El idilio de un enfermo” (1884) introduce al lector en el bucólico paisaje asturiano a donde acude un rico madrileño, Andrés Heredia, con objeto de curarse de una hemoptisis. En tal escenario se produce el anunciado idilio con Rosa, a la que sin embargo abandona para regresar a Madrid, cuya vida tediosa y malsana provocan su recaída y su muerte. Con esta obra, Armando Palacio Valdés se desliza, tenuemente y con toda la moderación que le caracteriza, hacia el naturalismo.
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(Librería de Victoriano Suárez. Madrid. 1921. 19 cm. 244 p...)
Librería de Victoriano Suárez. Madrid. 1921. 19 cm. 244 p. Encuadernación en tapa dura artesanal en plena piel, lomo con nervios y doble tejuelo. Colección 'Obras completas de D. Armando Palacio Valdés', t. 1. Palacio Valdés, Armando 1853-1938. Obras (Librería de Victoriano Suárez). t. 1 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. Cubierta deslucida.
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(Quality Classics We specialize in creating hard to find,...)
Quality Classics We specialize in creating hard to find, high quality classic books optimized for the Kindle. We always have the highest quality books. Sick of spelling errors, weird characters, or a lack of pictures in illustrated books? Well we know how you feel. All of our books are formatted and reviewed by an actual human for the Kindle, and always 99 cents. To find more of our books search "quality classics" in Amazon, or visit us at our web site: http://www.QualityClassics.org
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(Con grata sorpresa pude averiguar que algunas de las obra...)
Con grata sorpresa pude averiguar que algunas de las obras que he lanzado a la publicidad estaban agotadas y otras a punto de estarlo. Fue pasión incontrastable de mi ánimo, no esperanza de lucro o de gloria, la que me arrastró a novelar en esta edad tan poco feliz para las musas. Desde que, recién salido de las aulas, entregué mis primeras cuartillas a la imprenta, vi claramente que no era ésa la vía para lograr los halagos de la vanidad ni los regalos del cuerpo. Nuestra nación se halla desde hace algunos años con disposición indiferente, más bien hostil, hacia todas las manifestaciones del espíritu. La pasión de lo útil, un sensualismo omnipotente, invade a la sociedad española, y muy singularmente a esa clase media que en la primera mitad del siglo tantas y tan gallardas muestras dio de su amor a lo justo y a lo bello. La juventud, de quien suelen partir los impulsos generosos, los anhelos espirituales, no se ocupa actualmente sino en abrirse paso a codazos para llegar al poder, a la influencia, a la comodidad. Mi padre me decía que, en su tiempo, viendo un joven errar solitario con un libro entre las manos, se podía apostar a que este libro era de versos. El tuyo te dice que actualmente hay seguridad de que el libro es la ley municipal o un compendio de Derecho administrativo. ¿Caminamos por este sendero a la civilización y al engrandecimiento de la patria, o vamos derechos a la barbarie y al desprecio de las naciones cultas? Tú o tus hijos lo sabréis. Yo moriré antes de que se averigüe.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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(This scarce antiquarian book is a facsimile reprint of th...)
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Maximina: (segunda Parte De Riverita); Volume 6 Of Works; Armando Palacio Valdés Armando Palacio Valdés Librería de Victoriano Suárez, 1901
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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(Librería de Victoriano Suárez. Madrid. 1919. 18 cm. 312 p...)
Librería de Victoriano Suárez. Madrid. 1919. 18 cm. 312 p. Encuadernación en tapa dura artesanal en tela. Colección 'Obras completas de D. Armando Palacio Valdés', t. 6. Palacio Valdés, Armando 1853-1938. Obras (Librería de Victoriano Suárez). t. 6 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. Cubierta deslucida. Firma del anterior propietario.
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Quality Classics We specialize in creating hard to find, high quality, classic books optimized for the Kindle. Sick of spelling errors, weird characters, or a lack of pictures in illustrated books? Well we know how you feel. We always have the highest quality books. All of our books are formatted and reviewed by an actual human for the Kindle, and always 99 cents. To find more of our books search "quality classics" in Amazon.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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("Maximina" de Armando Palacio Valdés. Armando Palacio Val...)
"Maximina" de Armando Palacio Valdés. Armando Palacio Valdés fue escritor y crítico literario español, perteneciente al Realismo del siglo XIX (1853-1938).
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(Miguel reached Pasajes late Friday afternoon. On alightin...)
Miguel reached Pasajes late Friday afternoon. On alighting from the train he found Ursula's boat moored to the shore. "Good afternoon, Don Miguel," said the boat-woman, showing genuine joy in her face, where the fires of alcohol were flaming more than ever brilliantly; "I was beginning to think that I should not see you again." "Indeed!" "How should I know?... Men are so queer about getting married!.... But, señorito, you can't imagine how glad everybody in the village was to hear about it!.... Only a few jealous women would not believe it.... How I will make 'em fume to-night! I'm going all around telling everybody that I myself brought you over to Don Valentín's." "Don't think of making any one fume," replied the young man, laughing; "but bend to your oars a little more." "Are you in a hurry to see Maximina?" "Of course I am."
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(Librería de Victoriano Suárez. Madrid. 1933. 18 cm. 305 p...)
Librería de Victoriano Suárez. Madrid. 1933. 18 cm. 305 p. Encuadernación en tapa dura artesanal. Colección 'Obras completas de D. Armando Palacio Valdés', t. 6. Palacio Valdés, Armando 1853-1938. Obras (Librería de Victoriano Suárez). t. 6 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. Cubierta deslucida.
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("Maximina" de Armando Palacio Valdés. Armando Palacio Val...)
"Maximina" de Armando Palacio Valdés. Armando Palacio Valdés fue escritor y crítico literario español, perteneciente al Realismo del siglo XIX (1853-1938).
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( This work has been selected by scholars as being cultur...)
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(This book was originally published prior to 1923, and rep...)
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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(Librería de Victoriano Suárez. Madrid. 1923. 19 cm. 319 p...)
Librería de Victoriano Suárez. Madrid. 1923. 19 cm. 319 p. Encuadernación en tapa blanda de editorial ilustrada. Colección 'Obras completas de D. Armando Palacio Valdés', t. 19. Palacio Valdés, Armando 1853-1938 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. Cubierta deslucida.
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(Librería de Victoriano Suárez. Madrid. 1923. 19 cm. 319 p...)
Librería de Victoriano Suárez. Madrid. 1923. 19 cm. 319 p. Encuadernación en tapa dura artesanal. Colección 'Obras completas de D. Armando Palacio Valdés', t. 19. Palacio Valdés, Armando 1853-1938 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. Cubierta deslucida. Firma del anterior propietario. contiene ex-libris de anterior propietario .
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(De Contenido: "Mario tenía encendidos los pómulos y el re...)
De Contenido: "Mario tenía encendidos los pómulos y el resto de la cara bien pálido: la mano le temblaba al llevarse la cucharilla a la boca: la garganta se resistía a dar paso al café, que tragaba apresuradamente y sin gustarlo. Sus ojos se volvían frecuentemente hacia una de las próximas mesas donde una familia compuesta de padre, madre y dos niñas de veinte a veinticuatro abriles tomaban igualmente café. Los papás leían los periódicos; las niñas escuchaban distraídas las notas prolongadas, quejumbrosas, del violín. El violín se quejaba bien amargamente aquella noche; ya sabremos por qué. El vasto salón del café estaba poblado de sus habituales parroquianos. Eran, por regla general, modestos empleados que por el módico precio de la taza de café se regalaban con sus familias toda la noche escuchando al piano y al violín todas las sinfonías y todos los nocturnos habidos y por haber, conversaban, leían los periódicos y se daban tono de personas pudientes. Había también estudiantes, militares subalternos, comerciantes de escasa categoría y artesanos de mucha. Los domingos, la clase de horteras aportaba un contingente considerable. De todas las calles céntricas de Madrid, la única que conserva cierta tranquilidad burguesa que le da aspecto honrado y amable es la calle Mayor. Entrando por ella vienen a la memoria nuestras costumbres patriarcales de principios del siglo, la malicia inocente de nuestros padres, los fogosos doceañistas, la Fontana de Oro, y se extraña no ver a la izquierda las famosas gradas de San Felipe. El café del Siglo, situado hacia el promedio de esta calle, participa del mismo carácter burgués, ofrece igual aspecto apacible y honrado. Hasta la hora presente no se han dado cita allí las bellezas libres y nocturnas que invadieron sucesivamente a temporadas muchos otros establecimientos de la capital. Ni a primera ni a última hora de la noche reina allí Príapo, numen impuro, sino su hermano Himeneo, protector de los castos afectos. Cualquiera podría observar que una de las niñas, la más llena de carnes y redondita, pagaba algunas, no todas, de las miradas que Mario enfilaba en aquella dirección. Cuando esto acaecía, la joven sonreía leve y plácidamente mientras aquél hacía una mueca singular que nada tenía de sonrisa, aunque pretendía serlo. Mario era un joven delgado, no muy correcto de facciones, los labios y la nariz grandes, los ojos pequeños y vivos, el cabello negro, crespo y ondeado, la tez morena. Una frente alta y despejada era lo único que prestaba atractivo y ennoblecía singularmente aquel rostro vulgar. No sólo miraba con más recelo que entusiasmo hacia la niña de la mesa inmediata; también dirigía sus ojos asustados hacia la puerta de cristales que se abría y cerraba a cada momento para dejar paso a los tertulios. El chirrido del resorte le producía vivos estremecimientos."
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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(Extracto: ...Mientras colocaba con toda calma y cuidado l...)
Extracto: ...Mientras colocaba con toda calma y cuidado la ropa, pensaba en el sitio adonde debía dirigirse. Sin duda el único proyecto que le pareció natural era el de irse á Medina con su madre y ponerse á trabajar de nuevo y vivir del mejor modo que Dios les diera á entender; pero necesitaba saber dónde dormiría aquella noche. Pensó en su amiga Paca: era la más digna por su conducta y la que por su posición mejor podía ofrecerle hospitalidad. Sin embargo, avergonzada aún de lo que había pasado entre ambas y quizá también á causa de un cierto rencorcillo que no había podido arrojar de sí, renunció á pedírsela. Resolvió ir á casa de María-Manuela, y partir al día siguiente en el tren. Velázquez, luego que sació su cólera y orgullo con las afrentosas palabras que se ha dicho, siguió departiendo y jaraneando con sus amigos, como si nada hubiera pasado. Sin embargo, no tardó en sentir una vaga inquietud, algo que podía ser remordimiento y podía ser también temor de las fatales consecuencias que la desesperación de su amante pudiera acarrear. Una mujer despechada es capaz de todo. Tuvo miedo que hubiese ido derecha á tirarse por la muralla ó se tragase una caja de fósforos. Así que, no tardó mucho en despedirse de la buena compañía y se vino hacia casa con el objeto de cerciorarse de que nada funesto había ocurrido y también con el loable propósito de reconciliarse con su querida, si ésta se allanaba á pedirle perdón. Al entrar preguntó con fingida indiferencia por ella, y como le respondiesen que estaba arriba y la oyese andar con los muebles, quedó tranquilo. Charló unos instantes con sus parroquianos y al cabo subió. Al cruzar para su cuarto vió en uno del pasillo á Soledad limpiando un vestido, y tuvo la magnanimidad de decir: ¡Hola! Aquélla levantó los ojos y respondió con la misma gravedad y concisión: Hola. Siguió el guapo hasta su habitación un poco sorprendido: esperaba hallarla bañada...
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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(Para el lector aficionado á razonar el arte y discutir su...)
Para el lector aficionado á razonar el arte y discutir su técnica escribo estas breves líneas. Páselas por alto quien sólo aspire á sentirlo, seguro de que nada perderá en ello: mi simpatía, como la de todo artista, estará siempre con él. Porque sólo una imaginación fresca exenta de conceptos retóricos puede gozar realmente las obras poéticas, respirar con libertad en el mundo de la fantasía. Además, dígase lo que se quiera, á ningún maese Pedro le place mostrar por dentro el retablo de las figuras con sus jarcias y resortes; y si alguna vez lo hace, suele ser apretado por el deseo de defenderse de los pecados que le atribuyen ó de prevenir al público contra los errores de una crítica precipitada ó desleal. No es esto, sin embargo, lo que me impulsa á escribir el presente prólogo, como tampoco me ha movido á escribir el que años ha puse al frente de mi novela La Hermana San Sulpicio. En España, afortunadamente, apenas si existe la crítica, y el autor de novelas goza de aquella paz profunda, de aquella amable serenidad de que gozaron en las primeras edades del mundo Valmiky y Homero para escribir sus inmortales poemas. La única razón que hallo en mi espíritu (aparte de cierta manía didáctica que me ha quedado de los años de adolescencia, cuando con mi dedo infalible señalaba á los autores la ruta que debían seguir) es la contradicción en que me reconozco con los gustos y tendencias que dominan actualmente lo mismo en las artes plásticas que en la poesía.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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(Librería de Victoriano Suárez. Madrid. 1923. 19 cm. 307 p...)
Librería de Victoriano Suárez. Madrid. 1923. 19 cm. 307 p., 1 h. Encuadernación en tapa dura artesanal. Colección 'Obras completas de D. Armando Palacio Valdés', t. 18. Palacio Valdés, Armando 1853-1938. Gráficas Reunidas. Obras (Librería de Victoriano Suárez). t. 18 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. Cubierta deslucida.
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(Ramón Sopena. Barcelona. 1926. 18 cm. 338 p. Encuadernaci...)
Ramón Sopena. Barcelona. 1926. 18 cm. 338 p. Encuadernación en tapa dura de editorial estampada. Colección 'Biblioteca Sopena', 54. Palacio Valdés, Armando 1853-1938 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. Cubierta deslucida.
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(This scarce antiquarian book is a facsimile reprint of th...)
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
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(ARMANDO PALACIO VALDÉS. Nace en un pueblecito asturiano d...)
ARMANDO PALACIO VALDÉS. Nace en un pueblecito asturiano de nombre Entralgo, en el valle del Laviana, de padre abogado y madre holgada propietaria. En ese escenario idílico transcurre su primera adolescencia, que luego continuará en Avilés y más tarde en Oviedo, donde estudia el bachillerato y conoce a Clarín. En 1870, al igual que éste, marcha a Madrid para cursar los estudios de derecho y ambos colaborarán en la fundación del periódico “Rabagás”. Tras terminar los estudios de derecho y administración se dedica al periodismo y la crítica literaria hasta que, en 1881, escribe su primera novela, “El señorito Octavio”, y ya se consagrará a la narrativa. Muere el 29 de enero de 1938, en Madrid. Toda su obra reflejará la serenidad y el equilibrio aprendido en su apacible infancia vivida en el campo asturiano. Dirá que la finalidad de la novela no es el planteamiento de una tesis, sino mantener la fidelidad al arte y a la expresión de la belleza, aunque a menudo aparecerá en sus obras la vena didáctica y moralizante. “La aldea perdida” (1903), cuyo subtítulo, “Novela-poema de costumbres campesinas” anuncia ya la prosa poética que va a consagrar el autor a la descripción del mundo idílico y patriarcal del valle del Laviana, el cual amenaza con ser truncado por la llegada de los explotadores de las minas de carbón y el consecuente progreso. González López escribe: “La descripción de las minas presenta las tintas sombrías y negruzcas, de claro carácter naturalista, de un mundo demoníaco que arruina la paz de ese paraíso”.
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(This book was digitized and reprinted from the collection...)
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(Originally published in 1886. This volume from the Cornel...)
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(This is a reproduction of a book published before 1923. T...)
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(Librería de Victoriano Suárez. Madrid. 1922. 19 cm. 288 p...)
Librería de Victoriano Suárez. Madrid. 1922. 19 cm. 288 p. Encuadernación en tapa dura artesanal. Colección 'Obras completas de D. Armando Palacio Valdés', t. 5. Palacio Valdés, Armando 1853-1938. Obras (Librería de Victoriano Suárez). t. 5 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. Cubierta deslucida.
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(This book was originally published prior to 1923, and rep...)
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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(This book was digitized and reprinted from the collection...)
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(This is a reproduction of a book published before 1923. T...)
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(This is a reproduction of a book published before 1923. T...)
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(Libr. de Victoriano Suárez. Madrid. 1922. 20 cm. 335 p. E...)
Libr. de Victoriano Suárez. Madrid. 1922. 20 cm. 335 p. Encuadernación en tapa dura artesanal, lomo en piel con dorados y nervios decorados. Colección 'Obras completas de don Armando Palacio Valdés', t. 9. Palacio Valdés, Armando 1853-1938 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. Cubierta deslucida.
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(This book was digitized and reprinted from the collection...)
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(This is a reproduction of a book published before 1923. T...)
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(This book was digitized and reprinted from the collection...)
This book was digitized and reprinted from the collections of the University of California Libraries. Together, the more than one hundred UC Libraries comprise the largest university research library in the world, with over thirty-five million volumes in their holdings. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library. HP's patented BookPrep technology was used to clean artifacts resulting from use and digitization, improving your reading experience. Despite the cleaning process, occasional flaws may still be present that are part of the original book, reflecting the journey of these collections over a lifetime of use.
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(A las diez de la noche eran, en toda ocasiðn, contadësima...)
A las diez de la noche eran, en toda ocasiðn, contadësimas las personas que transitaban por las calles de la noble ciudad de Lancia. En las entraîas mismas del invierno, como ahora, y soplando un viento del noroeste recio y empapado de lluvia, con dificultad se tropezaba alma viviente. No quiere esto decir que todos se hubiesen entregado al sueîo. Lancia, como capital de provincia, aunque no de las mßs importantes, es poblaciðn donde ya en 185” se habëa aprendido a trasnochar. Pero la gente se metëa desde primera hora en algunas tertulias y sðlo salëa de ellas a las once para cenar y acostarse. A esta hora, pues, solëan tropezarse algunos grupos resonantes que caminaban a toda prisa resguardados por los paraguas; las seîoras rebujadas en sendos capuchones de lana, alzando las enaguas con la mano que les quedaba libre; los caballeros envueltos en sus paîosas o montecristos, los pantalones ençrgicamente arremangados, rompiendo el silencio de la noche con el ßspero traqueteo de las almadreîas. Porque en aquella çpoca eran muy pocos todavëa los que desdeîaban este calzado patriðtico y confortable. Tal cual pollastre que por haber estado en Valladolid estudiando medicina se creëa por encima de estas ruindades y alguna que otra damisela melindrosa que afectaba el no saber andar con ellas. De coches no habëa que hablar, pues sðlo existëan tres en la poblaciðn, el de Quiîones, el de la condesa de Onës y el de Estrada-Rosa. Este ÷ltimo era el ÷nico que no alcanzaba el medio siglo de antigùedad. Cuando cualquiera de las tres carrozas salëa a la calle, rodeßbala un enjambre de chiquillos y seguëanla buen trecho en testimonio de incondicional entusiasmo. Los vecinos en lo interior de sus moradas distinguëan, por el estrçpito de las ruedas y el chasquido de las herraduras, a cußl de los magnates mencionados pertenecëa. Eran, en suma, tres instituciones venerandas que los hijos de la ciudad sabëan amar y respetar. Contra la lluvia que cae sobre ella mßs de las tres cuartas partes del aîo no se conocëan entonces otros preservativos naturales que el paraguas y las almadreîas. Poco despuçs vinieron los chanclos de goma y recientemente tambiçn se introdujeron los impermeables con capuchðn, que trasforman en ciertos momentos a Lancia en vasta comunidad de frailes cartujos. El viento soplaba mßs recio en la travesëa de Santa Bßrbara que en ning÷n otro paraje de la poblaciðn. Esta vëa, abierta entre el palacio del obispo y las tapias de un patinejo de la catedral, donde viene a caer la cadena del pararrayos, pasa a su terminaciðn por debajo de un arco y forma lðbrego recodo en que el huracßn se encalleja y clama y se lamenta en noches tan infernales como la presente. Un hombre embozado hasta los ojos atravesð velozmente la plazoleta que hay delante de la morada de los obispos y entrð en este recodo. La fuerza del huracßn le detuvo, y la lluvia, penetrando entre el embozo de la capa y el sombrero, le privð de la vista. Resistið unos instantes a pie firme la violencia de la rßfaga, y en vez de soltar alguna interjecciðn ençrgica, que nunca fuera mßs al caso, dejð escapar un suspiro de angustia.’¡Ay, Jes÷s mëo, quç noche
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(Estampa. Madrid. 1930. 25 cm. 158 p. Encuadernación en ta...)
Estampa. Madrid. 1930. 25 cm. 158 p. Encuadernación en tapa blanda de editorial ilustrada. Palacio Valdés, Armando 1853-1938 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. Cubierta deslucida. contiene ex-libris de anterior propietario .
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(Francisco Pérez. Barcelona. 1883. 21 cm. IV, 5-372 p. gra...)
Francisco Pérez. Barcelona. 1883. 21 cm. IV, 5-372 p. grab. Encuadernación en tapa dura de editorial ilustrada. Palacio Valdés, Armando 1853-1938. Ilustraciones de J. Luis Pellicer. Biblioteca "Arte y letras" .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. Cubierta deslucida. Lomo rozado.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Riverita: Novela De Costumbres, Volume 2; Riverita: Novela De Costumbres; Armando Palacio Valdés Armando Palacio Valdés Tipografia de Manuel G. Hernández, 1886 Literary Criticism; European; Spanish & Portuguese; Literary Criticism / European / Spanish & Portuguese
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(tomo encuadernacion artesanal con las dos obras, 2ª edici...)
tomo encuadernacion artesanal con las dos obras, 2ª edicion diciembre 1934, 156 paginas y 2ª edicion febrero 1936, 158 paginas, respectivamente, sin las portadas
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(This book was originally published prior to 1923, and rep...)
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PALACIO VALDES, Armando j Author was born on October 4, 1853 in Entralgo, Asturias.
2nd, 1891, a Cadiz lady. Belongs to an old Asturian family of landed proprietors and is himself a landowner. The region in which he was born, and in which he has some property, is described in some of his novels, particularly in Louisiana Aldea Perdida.
Childhood was passed at Avil£s (described in Marta y Maria).
And he received secondary education at Oviedo (described in El Maestrante —The Grandee). Went to Madrid to study law, 1870, and after finishing course became editor of Louisiana Revista Europea for three years, and began to write novels. Advocate, and Member of the Spanish Academy.
(De Contenido: "Mario tenía encendidos los pómulos y el re...)
(This book was originally published prior to 1923, and rep...)
(This book was originally published prior to 1923, and rep...)
(This book was originally published prior to 1923, and rep...)
(This book was originally published prior to 1923, and rep...)
(tomo encuadernacion artesanal con las dos obras, 2ª edici...)
(De Contenido: "A las diez de la noche eran, en toda ocasi...)
( This work has been selected by scholars as being cultur...)
(Con grata sorpresa pude averiguar que algunas de las obra...)
(A las diez de la noche eran, en toda ocasiðn, contadësima...)
(Biblioteca de grandes novelas, edicion año 1935, tapa bla...)
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(edicion 1913, 366 paginas, encuadernacion artesanal en ta...)
(Para el lector aficionado á razonar el arte y discutir su...)
(This scarce antiquarian book is a facsimile reprint of th...)
(This scarce antiquarian book is a facsimile reprint of th...)
(Maximina (Segunda Parte De Riverita) de Palacio Valdés Ar...)
(Maximina (Segunda Parte De Riverita) de Palacio Valdés Ar...)
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(This is a reproduction of a book published before 1923. T...)
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(This is a reproduction of a book published before 1923. T...)
(This is a reproduction of a book published before 1923. T...)
(This is a reproduction of a book published before 1923. T...)
(This is a reproduction of a book published before 1923. T...)
(This is a reproduction of a book published before 1923. T...)
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(Miguel reached Pasajes late Friday afternoon. On alightin...)
("Marta y María" de Armando Palacio Valdés. Armando Palaci...)
(Marta Y Maria de Palacio Valdes Armando. Bruguera , 1967.)
(Librería General de Victoriano Suárez. Madrid. 1920. 19 c...)
("Maximina" de Armando Palacio Valdés. Armando Palacio Val...)
("Maximina" de Armando Palacio Valdés. Armando Palacio Val...)
(edicion 1922, 292 paginas, tapa dura)
(edicion 1922, 298 paginas, tapa dura)
(Librería de Victoriano Suárez. Madrid. 1921. 19 cm. 244 p...)
(Librería de Victoriano Suárez. Madrid. 1919. 18 cm. 312 p...)
(Librería de Victoriano Suárez. Madrid. 1933. 18 cm. 305 p...)
(Librería de Victoriano Suárez. Madrid. 1923. 19 cm. 319 p...)
(Librería de Victoriano Suárez. Madrid. 1923. 19 cm. 319 p...)
(Librería de Victoriano Suárez. Madrid. 1923. 19 cm. 307 p...)
(Librería de Victoriano Suárez. Madrid. 1922. 19 cm. 288 p...)
(Originally published in 1886. This volume from the Cornel...)
(Lang:- Spanish, Pages 350. Reprinted in 2015 with the hel...)
(Lang:- Spanish, Pages 495. Reprinted in 2015 with the hel...)
(Lang:- Spanish, Pages 456. Reprinted in 2015 with the hel...)
(Lang:- Spanish, Pages 484. Reprinted in 2015 with the hel...)
(ARMANDO PALACIO VALDÉS. Nace en un pueblecito asturiano d...)
(ARMANDO PALACIO VALDÉS. Nace en un pueblecito asturiano d...)
(Text is in Spanish.)
(Francisco Pérez. Barcelona. 1883. 21 cm. IV, 5-372 p. gra...)
(Ramón Sopena. Barcelona. 1926. 18 cm. 338 p. Encuadernaci...)
(Extracto: ...Mientras colocaba con toda calma y cuidado l...)
(Estampa. Madrid. 1930. 25 cm. 158 p. Encuadernación en ta...)
(Libr. de Victoriano Suárez. Madrid. 1922. 20 cm. 335 p. E...)