Background
Fox Strangways was born in Norwich, the first son of Walter Aston Fox Strangways, an army officer, and his wife, Harriet Elizabeth née Buller.
(This book was originally published prior to 1923, and rep...)
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(Indus and Granges basins; and it is with the music of tha...)
Indus and Granges basins; and it is with the music of that part of India that this book primarily deals. It contains reference also to the system of the Carnatic, though that has been more fully treated of in C. E. Day sM usic of Southern India and theD eccan. The study of Indian music is of interest to all who care for song, and of special interest to those who have studied the early stages of song in mediaeval Europe or ancient Greece. For here is the living language of which in those we have only dead examples. It is hardly possible in the case of modernE uropean Folk-song to study melody pure and simple, for we have no large body of such song of which we can certainly say that it was not influenced at all by the current conception of harmony. But here is melody absolutely un touched by harmony, which has developed through many centuries tendencies which have the force of laws; and the examination of these enables us to some extent to separate the respective contributions of melody and harmony to the final effect in our own music. Those to whom, this aspect of the subject appeals are recommended after glancing at Chapters I and II to look at Chapters VI, VII, VIII, and XIL Others may be more interested in that technical side of the art which tabulates the facts of song, and their taste has been consulted inC hapters IV and V; others, again, to whom the main charm of the music lies in the memories of India which it revives, may find more of what they would care to read in the Introduction and the first three chapters. In the hope of being useful to those who may wish to make further investigation into the subject a large number of technical terms has been admitted into the text. These have almost always i een, translated whre tey (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philo
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linguist music critic musicologist
Fox Strangways was born in Norwich, the first son of Walter Aston Fox Strangways, an army officer, and his wife, Harriet Elizabeth née Buller.
He was educated at Wellington College and Balliol College, Oxford, where he took a third-class degree in Classics in 1882.
After a career as a schoolmaster, Fox Strangways developed an interest in Indian music, and in the years before the First World War he did much to bring Rabindranath Tagore to wider attention. Fox Strangways wrote music criticism for The Times, was chief music critic of The Observer, and founded the quarterly magazine Music and Letters. Together with the tenor Steuart Wilson, Fox Strangways made English translations of the lieder of Schubert and Schumann.
Foreign the following two years he was a student at the Berlin Hochschule für Musik.
Foreign the next twenty-six years, Fox Strangways was a schoolmaster, first at Dulwich College (1884-1886) and then at his old school, Wellington (1887–1910), where he was the music master from 1893 to 1901, and a housemaster from 1901 to 1910. During his time at Wellington he visited India, and became interested in Indian music
After he left Wellington he returned to India for eight months in 1911, collecting material for a book,, which Grove"s Dictionary of Music and Musicians described in 2013 as "still a classic on its subject". He befriended the poet and musician Rabindranath Tagore, and acted, without payment, as his literary agent in the years before the First World War.
He secured valuable contracts for Tagore and made possible his international career.
Returning to England, Fox Strangways settled in London. He contributed concert reviews to The Times and later joined the staff of the paper. During the First World War he deputised for the chief music critic, H C Colles, who was away on active service.
In 1925 he moved to The Observer as chief music critic, where he remained until 1939, when he retired aged eighty and was succeeded by William Glock.
When Colles edited the third edition of Grove"s Dictionary (1927), Fox Strangways was a major contributor. In 1920 Fox Strangways realised an ambition to found a periodical "which should deal fully and authoritatively with musical matters of abiding interest".
He financed and edited Music and Letters, a quarterly publication. Fox Strangways recruited what The Times described as "a brilliant group of contributors packed its pages with good writing and good sense".
He retired as editor in 1936.
The magazine continued under a series of editors including Eric Blom, Richard Capell, Judge-Advocate Westrup, Denis Arnold, Nigel Fortune, John Whenham and Tim Carter, and continues (at 2013) to be published, latterly by the Oxford University Press. He retired to Dinton, Wiltshire, where he died at the age of 88.
(This book was originally published prior to 1923, and rep...)
(Indus and Granges basins; and it is with the music of tha...)
The first edition contained a controversial article about Elgar by Bernard Shaw praising him at the expense of Hubert Parry, to which Elgar responded in the next issue strongly defending Parry.