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He was born on the 20th of March 1826.
(Leopold is delighted to publish this classic book as part...)
Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
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( This is a reproduction of a book published before 1923....)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Discovery Of The Will Of Hans Holbein By W.H. Black, With Remarks On The Same Sir Augustus Wollaston Franks Printed by J.B. Nichols, 1863 Art; History; Renaissance; Art / European; Art / History / Renaissance; Art / Individual Artist
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Guide To The English Ceramic Ante-room And The Glass & Ceramic Gallery Sir Augustus Wollaston Franks British Museum. Dept. of British and Mediaeval Antiquities and Ethnography Woodfall, 1888 Antiques & Collectibles; Pottery & Ceramics; Antiques & Collectibles / Pottery & Ceramics; Crafts & Hobbies / Pottery & Ceramics; Glass; Pottery; Pottery, Medieval
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(Excerpt from Catalogue of a Collection of Continental Por...)
Excerpt from Catalogue of a Collection of Continental Porcelain: Lent and Described I ought to add that in preparing this catalogue I have been very materially assisted by my friend and successor Mr. Charles H. Read, who, in addition to other kindly help, has drawn very carefully all the marks that appear in the plates. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(Excerpt from Japanese Pottery: Being a Native Report With...)
Excerpt from Japanese Pottery: Being a Native Report With an Introduction and Catalogue Shigaraki ware; Iga ware; Tamba ware; Shitoro ware; Zezé ware; Asahi ware; Takatori ware; Hagi ware; Matsumoto ware; idsumo ware; Fujina ware; Akahada ware; Minato ware; Yanagawa ware; Toyo-ura ware; Raku ware; Ohi ware; Horaku ware; Asakusa Raku ware; Tokio Raku ware; Osaka Raku ware; Dôhachi Raku ware; Fushimi ware; Imado ware; Kiôto (Saikiyo) factories; Ninsei ware; Awata ware; Kenzan ware; Kiyomidzu ware; Yeiraku ware; Oto ware About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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He was born on the 20th of March 1826.
He was educated at Eton and at Trinity College, Cambridge.
He early showed inclination for antiquarian pursuits, and in 1851 was appointed assistant in the Antiquities Department of the British Museum. Here, and as director of the Society of Antiquaries, an appointment he received in 1858, he made himself the first authority in England upon medieval antiquities of all descriptions, upon porcelain, glass, the manufactures of savage nations, and in general upon all Oriental curiosities and works of art later than the Classical period. In 1866 the British and medieval antiquities, with the ethnographical collections, were formed into a distinct department under his superintendence and the Christy collection of ethnography in Victoria Street, London, prior to its amalgamation with the British Museum collections, was also under his care. He became vice-president and ultimately president of the Society of Antiquaries, and in 1878 declined the principal librarianship of the museum. He retired on his seventieth birthday, 1896, and died on the 21st of May 1897. His ample fortune was largely devoted to the collection of ceramics and precious objects of medieval art, most 6f which became the property of the nation, either by donation in his lifetime or by bequest at his death. Although chiefly a medieval antiquary, Franks was also an authority on classical art, especially Roman remains in Britain: he was also greatly interested in book-marks and playing-cards, of both of which he formed important collections. He edited Kemble's Horae Ferales, and wrote numerous memoirs on archaeological subjects. Perhaps his most important work of this class is the catalogue of his own collection of porcelain. The earliest mention in history of the name Franks is the entry on the Tabula Peutingeriana, at least if we assume that the term "et Franci" is not a later emendation.
Most of the items in his collections became the property of the nation, by bequest at his death, where they had not been donations in his lifetime. Franks purchased over 20, 000 important objects for the British Museum's collections. One of his best known donations was the ninth-century ivory Franks Casket from Northumbria, with its runic inscriptions. It had been dismissed as 'some Ancient carvings in ivory', and turned down by the Museum's Trustees in 1858 when offered to them for 100 guineas. In 1867, Franks gave the casket to the British Museum as a gift.
(Excerpt from Japanese Pottery: Being a Native Report With...)
(Excerpt from Catalogue of a Collection of Continental Por...)
( This work has been selected by scholars as being cultur...)
(Leopold is delighted to publish this classic book as part...)
( This is a reproduction of a book published before 1923....)
(This is a reproduction of a book published before 1923. T...)