Background
Fleishman, Avrom Hirsch was born on July 27, 1933 in New York City. Son of Louis and Sarah (Kaminetzky) Fleishman.
( In Narrated Films, Avrom Fleishman explores the distinc...)
In Narrated Films, Avrom Fleishman explores the distinctive literary techniques often used by filmmakers to tell their stories. Through close viewings of ingeniously paired films, Fleishman documents five narrational practices in the cinema: voice-over (Orpheus and Sunset Boulevard); dramatized narration, in which the film is a story that one character tells another (The Cabinet of Dr. Caligari and Hiroshima Mon Amour); multiple narration, in which a number of characters tell the story that is the film (Rashomon and Zelig); written narration, whether through diaries or letters (Letter from an Unknown Woman and Diary of a Country Priest); and the cinematic version of interior monologue, which Fleishman terms mindscreen narration (Brief Encounter and Daybreak).
http://www.amazon.com/gp/product/0801842220/?tag=2022091-20
( In Narrated Films, Avrom Fleishman explores the distinc...)
In Narrated Films, Avrom Fleishman explores the distinctive literary techniques often used by filmmakers to tell their stories. Through close viewings of ingeniously paired films, Fleishman documents five narrational practices in the cinema: voice-over ( Orpheus and Sunset Boulevard); dramatized narration, in which the film is a story that one character tells another ( The Cabinet of Dr. Caligari and Hiroshima Mon Amour); multiple narration, in which a number of characters tell the story that is the film ( Rashomon and Zelig); written narration, whether through diaries or letters ( Letter from an Unknown Woman and Diary of a Country Priest); and the cinematic version of interior monologue, which Fleishman terms mindscreen narration ( Brief Encounter and Daybreak).
http://www.amazon.com/gp/product/0801878659/?tag=2022091-20
("A scholarly and original contribution to the autobiograp...)
"A scholarly and original contribution to the autobiographical impulse at the heart of (Woolf's) . . . writings".--Harold Bloom, Yale University.
http://www.amazon.com/gp/product/080181958X/?tag=2022091-20
( In this highly individual study, Avrom Fleishman explor...)
In this highly individual study, Avrom Fleishman explores a wide range of literary references to human culture—the culture of ideas, facts, and images. Each critical essay in Fiction and the Ways of Knowing takes up for sustained analysis a major British novel of the nineteenth or the twentieth century. The novels are analyzed in the light of social, historical, philosophical, and other perspectives that can be grouped under the human sciences. The diversity of critical contexts in these thirteen essays is organized by Avrom Fleishman's governing belief in the interrelations of literature and other ways of interpreting the world. The underlying assumptions of this approach—as explained in his introductory essay—are that fiction is capable of encompassing even the most recondite facts and recalcitrant ideas; that fiction, though never a mirror of reality, is linked to realities and takes part in the real; and that a critical reading may be informed by scientific knowledge without reducing the literary work to a schematic formula. Fleishman investigates the matters of fact and belief that make up the designated meanings, the intellectual contexts, and the speculative parallels in three types of novel. Some of the novels discussed make it clear that their authors are informed on matters beyond the nonspecialist's range; these essays help bridge this information gap. Other fictional works are only to be grasped in an awareness of the cultural lore tacitly distributed in their own time; a modern reader must make the effort to fathom their anachronisms. And other novels can be found to open passageways that their authors can only have glimpsed intuitively; these must be pursued with great caution but equal diligence. The novels discussed include Little Dorrit, The Way We Live Now, Daniel Deronda, he Return of the Native, and The Magus. Also examined are Wuthering Heights, Vanity Fair, Northanger Abbey, To the Lighthouse, Under Western Eyes, Ulysses, and A Passage to India.
http://www.amazon.com/gp/product/0292740883/?tag=2022091-20
Fleishman, Avrom Hirsch was born on July 27, 1933 in New York City. Son of Louis and Sarah (Kaminetzky) Fleishman.
Bachelor, Columbia, 1954. Master of Arts, Johns Hopkins, 1956. Doctor of Philosophy, Johns Hopkins, 1963.
Associate editor, Industrial Design, 1956-1958; associate editor, Printers' Ink, 1958; instructor English, Columbia University, New York City, 1958-1959; instructor English, Hofstra U., Hempstead, New York, 1960-1963; assistant Professor of English, University of Minnesota, 1963-1966; assistant Professor of English, Michigan State University, 1966-1967; associate Professor of English, Johns Hopkins University, Baltimore, 1968-1970; Professor of English, Johns Hopkins University, Baltimore, since 1970.
( In this highly individual study, Avrom Fleishman explor...)
( In this highly individual study, Avrom Fleishman explor...)
( In Narrated Films, Avrom Fleishman explores the distinc...)
( In Narrated Films, Avrom Fleishman explores the distinc...)
("A scholarly and original contribution to the autobiograp...)
(Will be shipped from US. Brand new copy.)
Married Sophia Abraham, August 9, 1960. Children: Franz, Ilya.