Career
He is considered the most important Late Apulian vase painter, and the last Apulian painter of importance. His conventional name is derived from a vase kept at the Walters Art Museum in Baltimore. The Baltimore Painter"s early work was strongly influenced by the Patera Painter.
He mainly painted large format volute kraters, amphorae, loutrophoroi and hydriai.
lieutenant is likely that his workshop was at Canosa. He depicted sepulchral scenes (naiskos vases), usually depicting a naiskos on the front and a grave stele on the back, often characterised by figures in yellow-orange garments), mythological and dionysiac scenes, as well as erotes, weddings and scenes from the life of women.
Stylistically, especially in regard to vase shapes and pictorial themes, his work is very similar to that of the Underworld Painter. The Baltimore Painter"s work is characterised by rich and fine detail, especially in ornamentation.
His successors include the probable heir of his workshop, the White-Sakkos Painter, other painters of the White-Sakkos Group, the Sansone Painter, the Stuttgart Group and the Kantharos Group.
