Background
Barbara R. Barry was born on June 2, 1949, in London, England, to Alfred and Hetty (Pepper) Conick.
Barbara R. Barry at Ori's brit, with Tzippi
In London, by the Shard, on a glorious summer day in June 2013.
London, summer 2012
Barbara R. Barry
Barbara R. Barry by the walls of the Old City if Jerusalem.
Barbara R. Barry at The Kotel (Western Wall).
Barbara R. Barry in Borges' labyrinth of mirrors.
King Charles Court, Greenwich Peninsula, London SE10 9JF, United Kingdom
Barbara Barry has five degrees in music - two in piano performance from Trinity College of Music, London.
Strand, London WC2R 2LS, United Kingdom
Barbara Barry has three degrees, including Ph.D., in music history and theory from the University of London.
(In order for musical structure to be understood and appre...)
In order for musical structure to be understood and appreciated as coherent design, the raw material must be shaped and clarified by the listener's perceptual processes of selection and organization. Going beyond the boundaries of traditional analytic observation, Barbara Barry explores the concept of experiential time in a specifically musical and philosophic context, delving into the aspects of perceptual process (the interrelationship between subjective and objective perception of musical compositions and performance). A wealth of published experimental findings and writings on music theory and the philosophy of time are cited, accompanied by numerous musical examples, here brought together in a supporting interpretation and theoretical exemplification.
https://www.amazon.com/Musical-Time-Sense-Order-HARMONOLOGIA/dp/0945193017/ref=sr_1_1?keywords=Musical+Time%3A+The+Sense+of+Order&qid=1576148133&s=books&sr=1-1
1990
(The Philosopher's Stone is a collection of case studies i...)
The Philosopher's Stone is a collection of case studies in compositional process; not so much about how the music was arrived at through its sketch stages, but more are construction of issues of form as the defining features of a genre, and structure as the individual realization in a particular work. Great musical movements and works are seen as highly creative solutions to problem-solving.
https://www.amazon.com/Philosophers-Stone-Transformation-Musical-Structure/dp/1576470105/ref=sr_1_1?keywords=The+Philosopher%27s+Stone%3A+Essays+in+the+Transformation+of+Musical+Structure&qid=1576148175&s=books&sr=1-1
2000
Barbara R. Barry was born on June 2, 1949, in London, England, to Alfred and Hetty (Pepper) Conick.
Barbara Barry has five degrees in music - two in piano performance from Trinity College of Music, London, and three, including Ph.D., in music history and theory from the University of London.
Prior to coming to the United States, Barbara Barry worked at the music faculty of the Music Department at the University of London Goldsmiths' College and was Chair of Music History at the Guildhall School of Music and Drama, one of Europe's foremost conservatories in the Barbican Arts Center in London.
Moving to the United States Barbara was appointed as Chair of Music History at the Longy School of Music, and taught at Clark University, New England Conservatory of Music, and at Harvard University. In 2005 she joined the staff of Lynn University as a Professor of Musicology.
Barbara Barry is known as the author of four books, two in music theory and two fiction books, and many articles on music history. She has been awarded two Fellowships by the National Endowment for the Humanities and the Fran Steinberg Memorial Prize for outstanding non-fiction. She is the first recipient of the Kathleen Cheek-Milby Endowed Faculty Fellowship at Lynn University. Her article on closure in Mahler has been published by the Journal of Musicological Research and her major article on sonata forms in Schubert was published by the Journal of Music and Meaning in spring 2008.
(The Philosopher's Stone is a collection of case studies i...)
2000(In order for musical structure to be understood and appre...)
1990Barbara has only written about interesting musical works, in fact, great works. She considers that the reason they’re great is that they are rich, complex, and often problematic. Barbara is particularly interested in the relationship between individual works and genres, and how great works transform and modify the normative procedures of genre and structure.
Quotations: "The one reason that I write is that I feel something needs to be said, explained, or viewed in a way which has not been done. I feel that great musical works both engage listeners and also challenge them - and part of writing about them is to, in a way, take up this challenge. This involves trying to explain how they work - the compositional process - and also to convey something of the work’s world, its special totality. When I write fiction, I also try to create a distinctive world."
Barbara Barry is a member of the American Bach Association.
On February 10, 1974, Barbara married Malcolm Barry, but they divorced on June 25, 1976, and Barbara married Vriel Garritano on August 4, 1984. Vriel died on July 15, 1995. Barbara has two children - Netanya and Avi.