Barbara Rose

Education

She was educated at Smith College, Barnard College and Columbia University, where she studied under Meyer Schapiro.

Career

Through Michael Chapman (cinematographer), Rose was introduced to many New York artists, including Carl Andre and Frank Stella. In 1961, Rose received a Fulbright to Spain. Stella joined her in Europe and the two were married in 1961 in London.

They divorced in 1969.

With the encouragement of Michael Fried Rose began writing art criticism, which, in 1963, led to a monthly "New York Letter" in Art International. In October 1965, Rose published the essay in Art in America, in which she described the fundamental characteristics of minimal art

In her essay,, Rose considers the diverse roots of minimalism in the work of Kasimir Malevich and Marcel Duchamp as well as the choreography of Merce Cunningham, the art criticism of Greenberg, the philosophy of Wittgenstein and the novels of Robbe-Grillet. In examining the historical roots of minimal art in 1960s America, Rose draws a distinction between Malevich"s "search for the transcendental, universal, absolute" and Duchamp"s "blanket denial of the existence of absolute values."

Rose grouped some 1960s artists as closer to Malevich, some as closer to Duchamp, and some as between the two.

Closer to Malevich are Walter Darby Bannard, Larry Zox, Robert Huot, Lyman Kipp, Richard Tuttle, January Evans, Ronald Bladen, Anne Truitt.

Closer to Duchamp are Richard Artschwager and Andy Warhol. Between Malevich and Duchamp she places Robert Morris, Donald Judd, Carl Andre, and Dan Flavin. Her conclusion is that minimal art is both transcendental and negative:

"The art I have been talking about is obviously a negative art of denial and renunciation.

Such protracted asceticism is normally the activity of contemplatives or mystics..Like the mystic, in their work these artists deny the ego and the individual personality, seeking to evoke, it would seem, the semihypnotic state of blank unconsciousness."

She also contrasts minimal art with People’s Art:

"..if People’s Art is the reflection of our environment, perhaps the art I have been describing is its antidote, even if it is a hard one to swallow."

From 1962 until 1965, Rose was a New York correspondent for Art International.

A contributing editor at Art in America from 1965 through 1971, at Vogue (magazine) from 1966 until 1988, and at Artforum from 1965 until 1973. Roses books include "American Art Since 1900" (1967).

"The Golden Age of Dutch Painting" (1969). "Lee Krasner" (1983).

And "Autocritique: Essays on Art and Anti-Art" (1989).

She has also published countless catalogue essays, produced eight films, and curated museum exhibitions. Rose was the senior curator at the Museum of Fine Arts, Houston from 1981 and 1985.

Achievements

• The College Art Association of America awarded Rose the Distinguished Art Criticism Award in 1966 and 1969.

Works

More photos

• book

  • American Art Since 1900 (Praeger World of Art Series) by Barbara Rose (1975-01-03)

    ("Ms. Rose discusses the 1913 Armory Show; the 1920s, a pe...)

  • American Art Since 1900 by Barbara Rose (1975-08-01)