Career
His work is concerned with the value structures surrounding an art practice and what happens when that practice is displaced into a non-art space. Since 1988 his work has been project-based with an interest in archiving and blurring the boundaries between artistic production, publishing, and curatorial practices. In past years he taught courses in the Social Practices Program at the California College of Arts, as well as organized various workshops with students from the École des Beaux-Arts in France (Angers, Bordeaux, Bourges, and Valence), Cranbrook Academy in the United States, and the Rietveld Academy in the Netherlands.
Exhibitions include those at Air de Paris, Whitney Biennial 2014, International Cooperation Administration (London), CNEAI (Chatou), the 25th International Biennial of Graphic Arts (Ljubljana), the Frac Languedoc-Roussillon (Montpellier), Documenta 11 (Kassel), Les Abattoirs (Toulouse), the Pompidou, the San Francisco Museum of Modern Art, and a traveling survey show of Kinmont’s work entitled “Prospectus” (Amsterdam, Paris, New York, and San Francisco).
In April 2015, Kinmont was profiled by Stett Holbrook in The North Bay Bohemian.
