Das Leben der Hochgräfin Gritta von Rattenzuhausbeiuns (German Edition)
(Bettina von Arnim: Das Leben der Hochgräfin Gritta von Ra...)
Bettina von Arnim: Das Leben der Hochgräfin Gritta von Rattenzuhausbeiuns und andere Märchen Die Ausgabe enthält drei frühe Märchen, die die Autorin 1808 zur Veröffentlichung in Achim von Arnims Trösteinsamkeit schrieb. Aus der Publikation wurde gut 100 Jahre lang nichts, aber aus Elisabeth Brentano wurde 1811 Bettina von Arnim. Der Königssohn Hans ohne Bart Die blinde Königstochter Das vierte Märchen schrieb von Arnim 1844-1848, Jahre nach dem Tode ihres Mannes 1831, gemeinsam mit ihrer jüngsten Tochter Gisela. Das Leben der Hochgräfin Gritta von Rattenzuhausbeiuns Der Königssohn: Entstanden: 1808 zur Veröffentlichung in Achim von Arnims Trösteinsamkeit, dort aufgrund des frühen Endes der Zeitschrift aber nicht erschienen. Erstdruck in: Achim von Arnim und die ihm nahe standen, herausgegeben von Reinhold Steig, 2. Band: Achim von Arnim und Bettine Brentano, Stuttgart (Cotta) 1913. Hans ohne Bart: Entstanden: 1808 zur Veröffentlichung in Achim von Arnims Trösteinsamkeit, dort aufgrund des frühen Endes der Zeitschrift aber nicht erschienen. Erstdruck in: Achim von Arnim und die ihm nahe standen, herausgegeben von Reinhold Steig, 2. Band: Achim von Arnim und Bettine Brentano, Stuttgart (Cotta) 1913. Die blinde Königstochter: Entstanden: 1808 zur Veröffentlichung in Achim von Arnims Trösteinsamkeit, dort aufgrund des frühen Endes der Zeitschrift aber nicht erschienen. Erstdruck in: Achim von Arnim und die ihm nahe standen, herausgegeben von Reinhold Steig, 2. Band: Achim von Arnim und Bettine Brentano, Stuttgart (Cotta) 1913. Das Leben der Hochgräfin Gritta von Rattenzuhausbeiuns: Entstanden: 1844 bis 1848 in Zusammenarbeit mit ihrer jüngsten Tochter Gisela. Erstdruck, herausgegeben von Otto Mallon: Berlin (S. Martin Fraenkel) 1926. Vollständige Neuausgabe mit einer Biographie der Autorin. Herausgegeben von Karl-Maria Guth. Berlin 2015. Textgrundlage ist die Ausgabe: Märchen der Bettine, Armgart und Gisela von Arnim, herausgegeben von Gust
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Bettina von Arnim (1785/1859) war eine deutsche Schriftstellerin und bedeutende Vertreterin der deutschen Romantik.
Aus dem Buch:
"Die Ihr gleich goldnen Blumen auf zertretnem Feld wieder aufsprosset zuerst! In fröhlichen Zukunftsträumen der Muttererde huldigt, harrend voll heiligem Glauben, daß endlich Eurer Ahnung Gebild vollende der Genius und Fesseln der Liebe Euch umlege und großer Männer Unsterblichkeit in den Busen Euch säe -
Die Ihr immer rege, von Geschlecht zu Geschlecht, in der Not wie in des Glückes Tagen auf Begeistrungspfaden schweift; in Germanias Hainen, auf ihren Ebnen und stolzen Bergen, am gemeinsamen Kelch heiligkühner Gedanken Euch berauschend, die Brust erschließt und mit glühender Träne im Aug Bruderliebe schwört einander, Euch schenk ich dies Buch."
Ilius Pamphilius und die Ambrosia. (German Edition)
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Ilius Pamphilius Und Die Ambrosia, Volume 1; Ilius Pamphilius Und Die Ambrosia; Linckesche Leihbibliothek
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Bettina von Arnim
F. Volckmar (Expedition des von Arnim'schen Verlags), 1848
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Bettina von Arnim: Dies Buch gehört dem König
Edition ...)
Bettina von Arnim: Dies Buch gehört dem König
Edition Holzinger. Taschenbuch
Berliner Ausgabe, 2015, 4. Auflage
Vollständiger, durchgesehener Neusatz mit einer Biographie der Autorin bearbeitet und eingerichtet von Michael Holzinger
• Erstdruck: Berlin (Eduard Heinrich Schröder) 1843.
Textgrundlage ist die Ausgabe:
• Bettina von Arnim: Werke und Briefe. Herausgegeben von Gustav Konrad, Bde. 15, Frechen: Bartmann, 1959.
Herausgeber der Reihe: Michael Holzinger
Reihengestaltung: Viktor Harvion
Umschlaggestaltung unter Verwendung des Bildes: Unbekannter Künstler, Bettina von Arnim, um 1890
Gesetzt aus Minion Pro, 10 pt.
Goethes Briefwechsel mit einem Kinde - Vollständige Ausgabe (German Edition)
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Bettina von Arnim (1785/1859) war eine deutsche Schriftstellerin und bedeutende Vertreterin der deutschen Romantik.
Aus dem Buch:
"Liebste Frau Rat! Ich warte schon lange auf eine besondere Veranlassung, um den Eingang in unsere Korrespondenz zu machen. Seitdem ich aus Ihrem Abrahamsschoß, als dem Hafen stiller Erwartung, abgesegelt bin, hat der Sturmwind noch immer den Atem angehalten, und das Einerleileben hat mich wie ein schleichend Fieber um die schöne Zeit gebracht. Wie sehr bejammere ich die angenehme Aussicht, die ich auf der Schawell zu Ihren Füßen hatte, nicht die auf den Knopf des Katharinenturms, noch auf die Feueresse der rußigen Zyklopen, die den goldnen Brunnen bewachen; nein! die Aussicht in Ihren vielsagenden feurigen Blick, der ausspricht, was der Mund nicht sagen kann."
Clemens Brentanos Frühlingskranz: aus Jugendbriefen ihm geflochten, wie er selbst schriftlich verlangte (German Edition)
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Nineteenth Century Collections Online: European Literat...)
Nineteenth Century Collections Online: European Literature, 1790-1840: The Corvey Collection includes the full-text of more than 9,500 English, French and German titles. The collection is sourced from the remarkable library of Victor Amadeus, whose Castle Corvey collection was one of the most spectacular discoveries of the late 1970s. The Corvey Collection comprises one of the most important collections of Romantic era writing in existence anywhere -- including fiction, short prose, dramatic works, poetry, and more -- with a focus on especially difficult-to-find works by lesser-known, historically neglected writers.
The Corvey library was built during the last half of the 19th century by Victor and his wife Elise, both bibliophiles with varied interests. The collection thus contains everything from novels and short stories to belles lettres and more populist works, and includes many exceedingly rare works not available in any other collection from the period. These invaluable, sometimes previously unknown works are of particular interest to scholars and researchers.
European Literature, 1790-1840: The Corvey Collection includes:
* Novels and Gothic Novels
* Short Stories
* Belles-Lettres
* Short Prose Forms
* Dramatic Works
* Poetry
* Anthologies
* And more
Selected with the guidance of an international team of expert advisors, these primary sources are invaluable for a wide range of academic disciplines and areas of study, providing never before possible research opportunities for one of the most studied historical periods.
Additional Metadata
Primary Id: B0833400
PSM Id: NCCOF0063-C00000-B0833400
DVI Collection Id: NCCOC0062
Bibliographic Id: NCCO007213
Reel: 6705
MCODE: 4UVC
Original Publisher: Egbert Bauer
Original Publication Year: 1844
Original Publication Place: Charlottenburg
Original Imprint Manufacturer: Gedruckt bei Trowihsch und Sohn
Subjects
Authors, German -- Correspondence
Bettina von Arnim was a German writer and novelist.
Background
Bettina von Arnim was born on April, 4 1785 at Frankfurt am Main, into the large family of an Italian merchant. Her grandmother, Sophie von La Roche, was a novelist, and her brother was Clemens Brentano, the great poet known for his lyric poems, libretti, and Singspiele. He was a mentor and protector to her and inspired her to read the poetry of the time, especially Goethe.
Bettina lived for a while with her grandmother at Offenbach am Main and from 1803 to 1806 with her brother-in-law, Friedrich von Savigny, the famous jurist, at Marburg.
Education
Bettina was educated at a Ursulines convent school in Fritzlar from 1794 to 1797.
Career
Bettina lived for a while with her grandmother from 1803 to 1806.
She formed a friendship with Karoline von Günderrode. The two friends acknowledged only natural impulses, laws, and methods of life, and brooded over the “tyranny” of conventionalities. In 1806, Günderrode committed suicide on account of a passion for the philologist Georg Friedrich Creuzer.
In 1807 at Weimar Bettina made the acquaintance of Goethe, for whom she entertained a significant passion, which the poet did not requite, though he entered into correspondence with her. Their friendship came to an abrupt end in 1811, owing to Bettina's behaviour with Goethe's wife.
During the years of 1806 to 1808, von Arnim helped gather the folk songs that made up Des Knaben Wunderhorn, the collaborative work of her brother and her future husband, Achim von Arnim. Some of the songs were later put to music by a number of composers, among them Gustav Mahler. The collection became a touchstone of the Romantic musical and poetic style. From 1808 to 1809 she studied voice, composition, and piano in Munich under Peter von Winter and Sebastian Bopp. She published her first song under the pseudonym Beans Beor, which she occasionally used later as well. Bettina sang briefly in the Berliner Singakademie and composed settings of Hellenistic poems by Amalie von Helvig.
Though domestic duties connected to her 1811 marriage to von Arnim diminished her productivity, several art songs from the period have been recovered and have been published in Werke und Briefe. Von Arnim was the first composer to set the poet Hölderlin’s work to music.
She was a muse to the progressives of Prussia, linked to the socialist movement and an advocate for the oppressed Jewish community. She published two politically dissident works but evaded chastisement because of her friendship with the King of Prussia.
After the 1831 death of her husband, Bettina continued her dedication to the creative community. She published a collection of seven songs in public support of Prussian music director Gaspare Spontini, under duress at the time.
Bettina maintained an active public life. Her passion for Goethe revived, and in 1835, after lengthy discussions with the writer and landscape gardener Hermann von Pückler-Muskau, she published her book Goethe's Correspondence with a Child (German: Goethes Briefwechsel mit einem Kinde), which purported to be a correspondence between herself and the poet. The book is in large part fictitious. Genuine sonnets of Goethe in it were addressed, not to her, but to Minna Herzlieb. As a work of fiction, the book has been praised.
She continued to write, inspire, and publish until 20 January 1859, when she died in Berlin, aged 73, surrounded by her children.
Achievements
Bettina Brentano was a writer, publisher, composer, singer, visual artist, an illustrator, patron of young talent, and a social activist. She was the archetype of the Romantic era's zeitgeist and the crux of many creative relationships of canonical artistic figures. Best known for the company she kept, she numbered among her closest friends Goethe, Beethoven, and Pückler and tried to foster artistic agreement among them. Many leading composers of the time, including Robert Schumann, Franz Liszt, Johanna Kinkel, and Johannes Brahms, admired her spirit and talents. As a composer, von Arnim's style was unconventional, molding and melding favorite folk melodies and historical themes with innovative harmonies, phrase lengths, and improvisations that became synonymous with the music of the era.
The German-American settlement of Bettina in the state of Texas was founded in 1847 and named by its progressive, idealistic founders after Bettina von Arnim.
Part of von Arnim's design for a colossal statue of Goethe, executed in marble by the sculptor Karl Steinhauser (1813–1878), was displayed in the museum at Weimar in 1911.
From 1991 until 31 December 2001, her portrait was on the German 5-Mark bill.
In 2006, the German government turned Künstlerhaus Schloss Wiepersdorf, the estate of the von Arnim's, into a literary institute. The institute contains a museum devoted to the von Arnim's literary legacy.
In 1811, Bettina married Achim von Arnim, the renowned Romantic poet. The couple settled first at the Wiepersdorf castle, and then in Berlin. They had seven children.
Achim died in 1831, but Bettina maintained an active public life. Her daughter Gisela von Arnim became a prominent writer as well. Her nephews, via her brother Christian, were Franz and Lujo Brentano.
Spouse:
Carl Joachim Friedrich Ludwig von Arnim
(26 January 1781 – 21 January 1831)
Brother:
Clemens Wenzeslaus Brentano
(9 September 1778 – 28 July 1842)
grandmother:
Sophie von La Roche
(6 December 1730 – 18 February 1807)
Daughter:
Armgart Catharina
(born March 4, 1821, died 17 January 1880)
Daughter:
Gisela von Arnim
( August 30, 1827, Berlin – April 4, 1889, Florence)
Son:
Siegmund Lucas
born October 2, 1813, February 22, 1890)
Son:
Freimund Johann
( 5 May 1812- 2 March 1863)
Son:
Maximiliane Countess of Oriola
(born October 23, 1818 in Berlin , died December 31, 1894 )