Background
Born in New Orleans, Louisiana, Mallory grew up in Mobile, Alabama, attended Murphy High School, and was working in the Lyric Theater as an usherette when the Ziegfeld Follies came to Mobile.
Born in New Orleans, Louisiana, Mallory grew up in Mobile, Alabama, attended Murphy High School, and was working in the Lyric Theater as an usherette when the Ziegfeld Follies came to Mobile.
The finished film, however, strongly suggested a lesbian relationship between Mallory"s character and the character played by ZaSu Pittsburgh
Ziegfeld offered her a spot in his show. She eventually travelled to New York City where she made a strong impression in the Broadway production of the Ziegfeld Follies of 1931. Moving to Hollywood, she found employment with Fox Films and was cast in the film version of Dawn Powell"s play Walking Down Broadway.
This was the first sound film by Erich von Stroheim.
He shared both screenwriting and directing credits and regarded Mallory as his discovery. The play told the story of a young unmarried woman involved in a love triangle who becomes pregnant.
Other sexual themes involving the character played by James Dunn were considered too daring. Fox executives brought in director Alfred L. Werker to drastically cut Von Stroheim"s version and to shoot additional scenes.
The film was finally released under the new title Hello, Sister! (1933) with little promotion and was not a success.
Von Stroheim"s original version was neither copyrighted nor released, and is considered lost. In 1932 her second completed film, Handle with Care, also co-starring James Dunn, was released and marked her debut. lieutenant was well received and Mallory was chosen as one of the WAMPAS Baby Stars of 1932, but the extensive media publicity surrounding her WAMPAS recognition, was undermined by the poor reception given to Hello, Sister! when it was finally released.
A tall blonde, Mallory was well regarded for her striking looks and was photographed by such photographers as George Hurrell.
She also posed for risque lingerie photographs, and was painted nude by the pin-up artist Rolf Armstrong. Over the next few years, Mallory played the lead in several "B" pictures, including the Rin Tin Tin feature The Wolf Dog (1933), and received top-billing in Carnival Lady (1934) and The Big Race (1934).
On radio she worked with James Cagney in productions for Lux Radio Theatre. She made her final film appearance in an uncredited role in the Laurel and Hardy film Swiss Mission (1938).