Education
Self-taught in composition, Stella studied piano at the Buenos Aires National Conservatory of Music and in 1985 he was invited by Krzysztof Penderecki to the Cracow Academy of Music.
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Carlos Stella
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Back in Buenos Aires he received other scholarships from the Fondo Nacional de las Artes and the Fundación Antorchas and began to work for the Teatro del Sur with director Alberto Félix Alberto. He lives in Berlin, Germany, since 1999. His style is notable for combining multiple elements of heterogeneous musical traditions like gagaku, Noh and kabuki, sequences and tropes, ragam thanam pallavi, baroque and rococo, kebyar, military bands, Thai piphat, circus music, gamelan, organa, tango, Tibetan ritual music, et cetera and for exploring the possibilities of variation, imitation, parody, montage, transcription, copy, quotation, paraphrase, trope and recurrence.
Typical is also his use of ideas like kaleidoscope, labyrinth, mosaic, spiral, echo and mirror.
Tango varsoviano and en los zaguanes ángeles muertos by Alberto Félix Alberto
europa y el toro by Tulio Stella directed by Alberto
tres obras breves y modernas by Tulio Stella
dos piezas breves de samuel beckett by César Repetto
tríptico de exilio by Sergio de Loof
clowns by Daniel Gentile
la pasión según san juan by Narcisa Hirsch
mañana by Lilian Morello.
