Background
Cloar, Carroll was born on January 18, 1913 in Earle, Arkansas, United States. Son of Charles W. and Eva (David) Cloar.
Cloar, Carroll was born on January 18, 1913 in Earle, Arkansas, United States. Son of Charles W. and Eva (David) Cloar.
Bachelor of Arts, Southwestern College, Memphis, 1934; Bachelor of Arts honorary doctorate, 1978; student, Memphis Academy Art, 1935; student, Art Students League, New York City, 1936-1940.
Guy Northrop, in his introduction on page 24 to Hostile Butterflies and Other Paintings by Carroll Cloar, (1977), quoted Cloar describing his images as "American faces, timeless dress and timeless customs.. the last of old America that isn"t long for this earth." His Panther Bourne work depicted a surreal, Southern-mythic nature scene. Cloar employed pointillism in his painting "Waiting up for Lettie," creating over 800 works in his lifetime. He moved to Memphis in 1930, attending Southwestern at Memphis College (later known as Rhodes College) as an English major.
His recurrent themes of a "homecoming," implying that the essential beauty of a locale is best understood by one who has left a beloved place behind and then returned, are echoed in his own personal experience of traveling abroad for years and then returning to the South.
He began his travels in Europe after college, before returning to Memphis to study at Memphis College of Artist He studied at the Art Students League of New York from 1936 to 1940.
A series of lithographs he created in that period of the landscape and people of his Earle, Arkansas, hometown led to his receipt of a McDowell Traveling Fellowship in 1940. Cloar traveled throughout the western United States and Mexico until World World War II began.
He then joined the Army Air Corps for the war effort.
Cloar visited Mexico on a 1946 Guggenheim Fellowship. He traveled around Central and South America until 1950. His first one-man show was held in 1953 in Memphis.
He moved permanently to Memphis in 1955, after determining the direction of his art was rooted in his Southern United States. experience.
Cloar then completed 14 works in 1955, including the representative work, "My Father Was Big as a Tree." A New York showing in 1956 helped establish his career nationally. Tennessee museums later held more than 10 exhibitions of his works, while he also displayed his work in New York showings.
Cloar died in Memphis in 1993. Addison Gallery of American Art, Andover, Master of Arts
Arkansas Arts Center, Little Rock, Arkansas
Art Museum of Sunrise, Charleston, West Virginia
Art Museum of The University of Memphis, Memphis, Tennessee
Brooklyn Museum of Fine Art, Brooklyn, New York
Butler Institute of American Art, Youngstown, Ohio
Carroll Reese Museum, Johnson City, Tennessee
Cheekwood Museum, Nashville, Tennessee
Crystal Bridges Museum of American Art, Bentonville, Arkansas
High Museum of Art,Atlanta, Georgia
Hirshhorn Museum and Sculpture Garden, Washington, District of Columbia
Library of Congress, Washington, District of Columbia
Memphis Brooks Museum of Art, Memphis, Tennessee
Metropolitan Museum of Art, New York, New York
Mississippi Museum of Art, Jackson, Mississippi
Montgomery Museum of Fine Arts, Montgomery, Alabama
Museum of Fine Arts, Boston, Master of Arts
Museum of Fine Arts, Saint St. Petersburg, Florida
Neuberger Museum, Purchase, New York
Newark Museum, Newark, New Jersey
Rockford Art Gallery, Rockford, Illinois
Rose Art Museum, Brandeis University, Master of Arts
State University of New York, Albany, New York
Tennessee Fine Arts Center at Cheekwood, Nashville, Tennessee
Tennessee State Museum, Nashville h, Tennessee
Wadsworth Atheneum, Hartford, Connecticut
Whitney Museum, New York, New York
Williams College Museum of Art, Williamstown, Master of Arts
University of Memphis Libraries, Memphis, Tennessee.
(1st ed. Quarto. Very Good in Good d/j, neat gift inscript...)
Former trustee Brooks Memorial Gallery Art, Memphis. Served with United States Army Air Force, 1942-1945. Honorary member Phi Beta Kappa.