Background
Celia Britton was born on March 20, 1946, in Middlesex, England, United Kingdom. She is the daughter of James Nimmo and Jessie Muriel Britton. Her father was a professor, while her mother was a schoolteacher.
Huntingdon Rd, Cambridge CB3 0DF, United Kingdom
In 1969 Celia Britonn received a Bachelor of Arts degree from New Hall, Cambridge (now Murray Edwards College, Cambridge). In 1970 she had a postgraduate diploma in linguistics there and holds a Master of Arts degree.
Wivenhoe Park, Colchester CO4 3SQ, United Kingdom
In 1973 Celia Britton gained a Doctor of Philosophy degree from the University of Essex.
(This is a major study of the Nobel prize-winning French n...)
This is a major study of the Nobel prize-winning French novelist Claude Simon. Simon is a complex figure: for all that he writes in a distinctively modern fictional tradition (exemplified by Proust, Joyce, Beckett, and Robbe-Grillet), his novels contain strong elements of visual representation alongside a very different king of free-floating, anti-realist writing. This combination and tension between vivid representation of experience and the free play of language is a focus of Dr. Britton's book. She exposes the limitations of literary theory in dealing with Simon's novels and reveals how concepts from psychoanalysis can illuminate this problematic juxtaposition of vision and text.
https://www.amazon.com/Claude-Simon-Writing-Visible-Cambridge/dp/0521330777/ref=sr_1_1?dchild=1&keywords=Claude+Simon%3A+Writing+the+Visible&qid=1597221374&s=books&sr=1-1
1987
(The Nouveau Roman writers have been actively involved in ...)
The Nouveau Roman writers have been actively involved in the theory as well as the practice of fiction, participating in a series of vigorous debates on issues such as the political significance of literature, formalism and structuralism, the status of the author, etc. This study discusses Robbe-Grillet, Sarraute, Simon, Butor and Ricardou, analysing both the interaction of their own theory and fiction and their reactions to the work of figures such as Sartre, Barthes, Lvi-Strauss, Sollers and Kristeva.
https://www.amazon.com/Nouveau-Roman-Fiction-Theory-Politics/dp/0333568133/ref=sr_1_1?dchild=1&keywords=The+Nouveau+Roman%3A+Fiction%2C+Theory%2C+and+Politics&qid=1597221731&s=books&sr=1-1
1992
(Edouard Glissant has written extensively in French about ...)
Edouard Glissant has written extensively in French about the colonial experience in the Caribbean. Since he is known primarily as a novelist and poet, his theoretical essays have so far remained largely unread by the English-language theorists in this field. This book situates Glissant within ongoing debates in postcolonial theory, making illuminating connections between his work and that of Frantz Fanon, Gayatri Spivak, Homi Bhabha, and Henry Louis Gates Jr. Focusing on language and subjectivity, Edouard Glissant and Postcolonial Theory moves between an analysis of Glissant's theoretical work and detailed readings of his novels to elucidate a network of related issues. Celia Britton addresses the major themes central to his writing - the reappropriation of history, standard and vernacular language, hybridity, subalternity, the problematizing of identity, and the colonial construction of the Other - and asks provocative questions relating to each. How does the colonized subject relate to a language initially imposed by the colonizer but subsequently, to some extent, subverted and reappropriated? How does this strategic use of language come to function as a crucial mode of cultural resistance? What role can fictional representation play in this process? This book represents the first presentation of Glissant's incisive theoretical work and analysis of his immensely powerful and subtle novels in the context of postcolonial studies. By juxtaposing them, Britton illuminates the significant contribution Glissant has made to this theoretical endeavor.
https://www.amazon.com/Edouard-Glissant-Postcolonial-Theory-Strategies/dp/0813918499/ref=sr_1_1?dchild=1&keywords=Edouard+Glissant+and+Postcolonial+Theory%3A+Strategies+of+Language+and+Resistance&qid=1597224389&s=books&sr=1-1
1999
("Freud is often accused of eurocentrism - of making unjus...)
"Freud is often accused of eurocentrism - of making unjustifiable generalizations on the basis of European family structures. Although French Caribbean intellectuals such as Fanon, Cesaire and Glissant have joined in these criticisms, they have also made strikingly positive use of psychoanalysis. Much intellectual energy has been invested in notions of repression, the Oedipus complex and the psychoanalytic cure, while at the same time Freudianism has been no less vigorously criticized for its political quietism and its potential as a means of social control. Thus Freudian theory, and the controversies it arouses, remains a surprisingly persistent cultural element. The crucial issue is the link between the unconscious and race. In this groundbreaking study, Britton looks at the different ways in which Freudian psychoanalysis has been incorporated into arguments about racial identity and difference in the French Caribbean."
https://www.amazon.com/Race-Unconscious-Freudianism-Caribbean-Monographs-ebook/dp/B077W4CT8Z/ref=sr_1_1?dchild=1&keywords=Race+and+the+Unconscious%3A+Freudianism+in+French-+Caribbean+Thought&qid=1597224499&s=books&sr=1-1
2002
(This book analyses the theme of community in seven French...)
This book analyses the theme of community in seven French Caribbean novels in relation to the work of the French philosopher Jean-Luc Nancy. The islands' complex history means that community is a central and problematic issue in their literature, and underlies a range of other questions such as political agency, individual and collective subjectivity, attitudes towards the past and the future, and even literary form itself. Britton examines Jacques Roumain's Gouverneurs de la rosée, Edouard Glissant's Le Quatrième Siècle, Simone Schwarz-Bart's Pluie et vent sur Télumée Miracle, Vincent Placoly's L'eau-de-mort guildive, Patrick Chamoiseau's Texaco, Daniel Maximin's L'Ile et une nuit and Maryse Condé's Desirada.
https://www.amazon.com/Community-Caribbean-Contemporary-Francophone-Cultures/dp/1846311373/ref=sr_1_1?dchild=1&keywords=The+Sense+of+Community+in+French+Caribbean+Fiction&qid=1597224855&s=books&sr=1-1
2008
(The Francophone Caribbean and the American South are site...)
The Francophone Caribbean and the American South are sites born of the plantation, the common matrix for the diverse nations and territories of the circum-Caribbean. This book takes as its premise that the basic configuration of the plantation, in terms of its physical layout and the social relations it created, was largely the same in the Caribbean and the American South. Essays written by leading authorities in the field examine the cultural, social, and historical affinities between the Francophone Caribbean and the American South, including Louisiana, which among the Southern states has had a quite particular attachment to France and the Francophone world. The essays focus on issues of history, language, politics and culture in various forms, notably literature, music and theatre. Considering figures as diverse as Barack Obama, Frantz Fanon, Miles Davis, James Brown, Edouard Glissant, William Faulkner, Maryse Condé and Lafcadio Hearn, the essays explore in innovative ways the notions of creole culture and creolization, terms rooted in and indicative of contact between European and African people and cultures in the Americas, and which are promoted here as some of the most productive ways for conceiving of the circum-Caribbean as a cultural and historical entity.
https://www.amazon.com/American-Creoles-Francophone-Caribbean-Postcolonial/dp/1846317533/ref=sr_1_1?dchild=1&keywords=American+Creoles+Britton&qid=1597225064&s=books&sr=1-1
2012
(This book analyses French Caribbean writing from the poin...)
This book analyses French Caribbean writing from the point of view of its language and literary form - questions which until recently were somewhat neglected in postcolonial studies but are now becoming an important area of research. Britton supplements postcolonial theory with structuralism and poststructuralism to show how analysis of the textual illuminates the political and ideological positions of the writers. Topics including genre, intertextuality, narrative voice, discursive agency, orality, the 'creolization' of languages and the renewal of realism are discussed in relation to Glissant, Césaire, Ménil, Chamoiseau, Confiant, Depestre, Condé, Schwarz-Bart, Pineau and Maximin.
https://www.amazon.com/Language-Literary-Caribbean-Contemporary-Francophone/dp/1781380368/ref=sr_1_1?dchild=1&keywords=Language+and+Literary+Form+in+French+Caribbean+Writing&qid=1597225428&s=books&sr=1-1
2014
(In these essays, three of which have not previously been ...)
In these essays, three of which have not previously been published, Celia Britton discusses a variety of texts from the point of view of their engagement with the cultural and political issues that have been prominent in Martinique and Guadeloupe from the mid-twentieth century to the present day. These texts range from the ethnographic writings of Michel Leiris to the novels of Maryse Condé, Joseph Zobel, Ernest Pépin and Edouard Glissant; Glissant's essays are also considered, as are those of René Ménil. Thus the question of cultural identity, for example, is central to Glissant's work but also, from a rather different point of view, to that of Leiris and Ménil. Other topics covered include racial difference and the politics of race, in the novels of Condé and Pépin; gender (Condé and Pépin); the impact of globalization and, conversely, the specificity of place (Glissant and Pépin); the legacy of slavery (Condé); and political action (Ménil, Glissant, Condé). Celia Britton is Emeritus Professor of French and Francophone Literature at University College and a Fellow of the British Academy. Earlier in her career she worked on the Nouveau Roman and French cinema. For the past thirty years she has published widely on French Caribbean literature, thought and culture.
https://www.amazon.com/Perspectives-Culture-Politics-Antilles-Selected/dp/1781885613/ref=sr_1_1?dchild=1&keywords=Perspectives+on+Culture+and+Politics+in+the+French+Antilles&qid=1597227606&s=books&sr=1-1
2018
Celia Britton was born on March 20, 1946, in Middlesex, England, United Kingdom. She is the daughter of James Nimmo and Jessie Muriel Britton. Her father was a professor, while her mother was a schoolteacher.
In 1969 Celia Britonn received a Bachelor of Arts degree from New Hall, Cambridge (now Murray Edwards College, Cambridge). In 1970 she had a postgraduate diploma in linguistics there and holds a Master of Arts degree. In 1973 Britton gained a Doctor of Philosophy degree from the University of Essex.
From 1972 to 1974 Celia Britton was a lecturer in French at King's College, London. From 1974 to 1991 she worked as a lecturer in French at the University of Reading. From 1991 to 2002 Britton served as a professor of French at the University of Aberdeen. From 2003 to 2011 she was a professor of French at University College London.
For about the first twenty years of her career, she specialized in the avant-garde French novel of Nathalie Sarraute, Claude Simon, Michel Butor, Alain Robbe-Grillet, and Marguerite Duras; she also published a number of articles on French cinema and literary theory and poststructuralism. Subsequently, she has worked mainly on French Caribbean literature, in particular the novels and essays of Édouard Glissant, but also Maryse Condé and other writers from Martinique and Guadeloupe. She is also interested more generally in postcolonial theory.
She is co-editor of American Creoles (2012) and the author of The Sense of Community in French Caribbean Fiction (2008); Race and the Unconscious: Freudianism in French Caribbean Thought (2002); Edouard Glissant and Postcolonial Theory: Strategies of Language and Resistance (1999). Member of the editorial board, French Studies. She is a contributor to books, including Cambridge History of Literary Criticism, Volume 8 (1995).
(In these essays, three of which have not previously been ...)
2018(The Nouveau Roman writers have been actively involved in ...)
1992(This book analyses French Caribbean writing from the poin...)
2014(The Francophone Caribbean and the American South are site...)
2012(This book analyses the theme of community in seven French...)
2008("Freud is often accused of eurocentrism - of making unjus...)
2002(Edouard Glissant has written extensively in French about ...)
1999(This is a major study of the Nobel prize-winning French n...)
1987Celia Britton describes herself as a socialist.
Celia Britton is a fellow of the British Academy. She is also a member of the Association of University Professors and Heads of French.
Celia Britton is a companion of Lyle Conquest, a schoolteacher.