Background
Charles de Bernard was born at Besancon, France on the 25th of February 1804.
(This is an EXACT reproduction of a book published before ...)
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(Excerpt from Les Ailes d'Icare Assis en face de la chemi...)
Excerpt from Les Ailes d'Icare Assis en face de la cheminée, la tête appuyée au dos sier d'un grand fauteuil de tapisserie, les bras entrelacés, les jambes l'une sur l'autre, le nez en l'air et les yeux à demi fermés, ce jeune homme bâillait largement et avec tant de régularité, qu'il semblait que ce fût là sa manière de respirer. Dans son inaction il paraissait insensible à tout, même aux caprices incommodes d'un foyer près de s'éteindre, qui prouvait, en ce moment, que s'il n'y ja mais de feu sans fumée, il peut y avoir en revanche de la fumée sans feu. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(Excerpt from L'Écueil Il essuya par un geste convulsif l...)
Excerpt from L'Écueil Il essuya par un geste convulsif la sueur qui humectait son front livide, et se penchant sur ce lit plus redoutable pour lui que n'eùt été une tombe entr'ouverte, il approcha de nouveau son oreille de la bouche fraîche et charmante d'où sortaient des paroles empoisonnées. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(Excerpt from Le Gentilhomme Campagnard Were traverse la ...)
Excerpt from Le Gentilhomme Campagnard Were traverse la ville, vous aurez beau mul tiplier les ponts, vous ne parviendrez jamais à unir les quartiers séparés par son courant dans un accord plus désirable pourtant que la facilité des voies de communication peut être réussiriez - vo'us à combler la rivière elle méme, mais non le fossé creusé de temps immémorial par les prétentions rivales et les rancunes mutuelles. Comment, en eiïet, oh tenir que la rive gauche ne soit pas jalouse de la rive droite et que celle-ci a son tour, n'abuse pas, au détriment de sa soeur, de la position plus avantageuse que le hasardlui donnée? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(This book was originally published prior to 1923, and rep...)
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Charles de Bernard was born at Besancon, France on the 25th of February 1804.
Bernard was educated at the college of his native city, and studied for the law in Dijon and at Paris.
After studying for the law, and then taking to journalism, Bernard was encouraged by Balzac (whose Peau de chagrin he had reviewed) to settle in Paris and devote himself to authorship; and the result was a series of volumes of fiction, remarkable for their picture of provincial society and the Parisian bourgeoisie. The best of these are 'Le Noeud Gordien' (1838), containing among other short stories Une Aventure de magistral, from which Sardou drew his comedy of the Pommes du voisin; 'Gerfaut' (1838), considered his masterpiece; 'Les Ailes d'Icare' (1840), 'La Peau du lion' (1841) and 'Le Gentilhomme campagnard' (1847). His Oeuvres complites (12 vols. ) , which appeared after his death on the 6th of March 1850, include also his poetry and two comedies written in collaboration with "Leonce" (С. H. L. Laurengot, 1805- 1862). A flattering appreciation by Armand de Pontmartin is prefixed to Un Beau-pere in this collection. In W. M. Thackeray's Paris Sketch-book ("On some fashionable French novels") there is an admirable criticism of Bernard.
(Excerpt from Le Gentilhomme Campagnard Were traverse la ...)
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(This book was originally published prior to 1923, and rep...)
(This is an EXACT reproduction of a book published before ...)
Quotes from others about the person
He surpasses [Balzac] in energy and limpidity of composition. His style is elegant and cultured. His genius is most fully represented in a score or so of delightful tales . .. full of invention and originality, and saturated with the purest and pleasantest essence of the spirit which . .. made French literature the delight and recreation of Europe. - Jules Arsène Arnaud Claretie
M. de Bernard's characters are men and women of genteel society--rascals enough, but living in no state of convulsive crimes; and we follow him in his lively, malicious account of their manners, without risk of lighting upon any such horrors as Balzac or Dumas has provided for us. - William Makepeace Thackeray
Charles de Bernard has at the present day hardly more than an historical value, and his novels are not to be recommended to people who have anything of especial importance at hand to read. But in speaking of the secondary French novelists it is but fair to allow him a comfortable niche, for if he be not especially worth studying he at least leaves you a very friendly feeling for him if he comes in your way. - Henry James