Le Ménage de Molière: comédie en cinq actes et six tableaux, en vers (French Edition)

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Alfred De Musset (French Edition)

(This book was originally published prior to 1923, and rep...)

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

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Three Modern Plays from the French

(An excerpt from the beginning of the PREFACE: THE labe...)

An excerpt from the beginning of the PREFACE: THE label "Made in France" may nearly always be accepted as a guarantee of good play-making; for, ever since the inception of the modern drama, the French have been the masters and the teachers of the craft. In these opening years of the twentieth century, fewer French plays have been presented in the theaters of America and England than were presented in the closing years of the nineteenth century; but this fact, instead of indicating a deterioration in the contemporary product, may be accepted, rather, as an indication that the French drama has made a definite advance along a certain line. The dominant spirit of the French drama in the last three generations has been realistic. As realism advances, the tendency is to narrow the segment of life that is submitted to observation and to deepen the observation of the segment that has been selected for analysis. As realism has progressed in France, the drama has become more French—more local in its themes and in its characters— and has sacrificed the breadth of cosmopolitan appeal to gain the depth of national importance. Three or four generations ago, the most popular dramatist in France was Eugene Scribe. It was this facile and prolific craftsman who gave to the modern theater the formula of the well-made play la pièce bien faite, a formula that, with several modifications and amplifications, has subsisted to the present day. Since the excellence of Scribe was mainly structural, it was very easy to transplant his plays from one country to another. His dialogue was devoid of literary merit, and was therefore just as pertinent in a translation as in the original. His characters were merely puppets, and were therefore just as interesting to foreigners as they could ever be to Frenchmen. And, since there was no note of nationality in his dexterous and clever plots, these plots could easily be adapted to serve as the theatric fare of a public overseas. A simple play of plot is much more cosmopolitan in its appeal than a study of national characters or local situations. The broad and cosmopolitan appeal of Scribe was continued by his immediate disciple and successor, Victorien Sardou. A typical Sardou melodrama, like Fedora or La Tosca, was fully as enjoyable to foreign audiences as to the public of Paris. The logical successor of Sardou in the contemporary French theater is M. Henry Bernstein; and it is not surprising that his plays have been more successful in America than those of any other French playwright of the present time. No less than five of his works — The Whirlwind, The Thief, Samson, Israel, and The Secret — have been profitably acted in this country. M. Bernstein is a more important dramatist than Sardou or Scribe, for he has forced the formula of the well-made play to sustain an analysis of character that is unusually searching; but his merit is, in the main, a matter of mechanics, and his emphasis on mechanism may be accepted as accounting for the comparative ease with which his plays may be transported from one country to another. In France itself, while Scribe was still alive, his reputation was overridden by two dramatists of more profound intention,—Emile Augier and Alexandre Dumas, fils; but neither of these writers attained the cosmopolitan currency of their more mechanical and artificial rival. Augier—the greatest French dramatist of the nineteenth century—devoted himself to the study of social conditions which were peculiarly French; and it was impossible to make his plays seem applicable to the social conditions of any other country. Just as M. Bernstein has been singled out as the logical successor of Sardou and Scribe, M. Eugene Brieux may be selected as the logical successor of Augier in the contemporary theater....

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Lettres à une Dame Blanche (Classic Reprint) (French Edition)

(Excerpt from Lettres à une Dame Blanche Alors, je suis r...)

Excerpt from Lettres à une Dame Blanche Alors, je suis rentré chez moi. C'était l'heure exquise le jour finissait; déjà, dans les rues, sur les boulevards, les réverbères commençaieùt à nepus s'allumcr; bientôt la nuit vint, nuit étoilée, et comme on regarde souvent le ciel en ces lemps-ci, une étoile plus grosse, plus brillantc et qui som blait plus rapprochée que les autres attirait l'at tention (les passants qui se demandaient astro ou avion? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Dialogues d'hier (French Edition)

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

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The Modern Drama Series. Lovers: The Free Woman. They; Three Plays

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Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com

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Le roi Candaule: Comédie lyrique en 4 actes et 5 tableaux (French Edition)

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Lysistrata: Comédie en 4 actes et un prologue (French Edition)

(This is a reproduction of a book published before 1923. T...)

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Lysistrata Maurice Donnay P. Ollendorf, 1905 Drama; Continental European; Drama / Continental European

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La clairière (French Edition)

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