Background
Charles Mathews was born on June 28, 1776, on the Strand, London, to James Mathews, a Wesleyan Methodist bookseller and printer, who also served as minister in one of the Countess of Huntingdon's chapels.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Charles Mathews was born on June 28, 1776, on the Strand, London, to James Mathews, a Wesleyan Methodist bookseller and printer, who also served as minister in one of the Countess of Huntingdon's chapels.
Mathews was educated at Merchant Taylors School, Crosby, Lancashire.
After acting in the provinces, primarily at York, he first appeared on the stage in Dublin in 1794 and made his London debut in 1803 in the role of Lingo in The Agreeable Surprize, by the English dramatist Samuel Foote. From that time, Mathews’ career was an uninterrupted triumph. He is credited with having created some 400 new parts, appearing at London’s finest theatres. Among his most notable roles was Sir Fretful Plagiary in Richard Brinsley Sheridan’s Critic.
In 1808 Mathews conceived a personal form of entertainment known as “At Homes, ” involving one-man shows with comic songs and impersonations of eccentric characters. It was in such performances that he revealed his great art of mimicry. In 1817 the English dramatist George Colman (the Younger) wrote The Actor of All Work for Mathews, enabling him to play a fantastically varied group of characters. Among the sketches he devised for himself are "Mr. Mathews and His Youthful Days" and "The Trip to America. " He toured the United States in 1822 and 1834. From 1827 he had co-managed the Adelphi Theatre, London, with a fellow actor, Frederick Henry Yates.
Already in poor health, Charles Mathews died shortly on June 28, 1835, after his return to England.
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Charles Mathews was married to Eliza Kirkham Strong, who died in 1802. His second wife was the actress Anne Jackson.