Background
Hubert Parry was born at Bournemouth, England on the 27th of February 1848. He was the second son of Thomas Gambier Parry, of Highnam Court, Gloucester.
(Parry's Songs of Farewell were composed over the final de...)
Parry's Songs of Farewell were composed over the final decade of his life. The elegaic tone of the Songs may also reflect a sense of loss caused by the First World War - in which some of Parry's most promising students at the Royal College of Music lost their lives - and a decline in national confidence, expressed in a different manner in Parry's famous Jerusalem of 1916. The motets are among Parry's most eloquent and concise works, demonstrating his famous contrapuntal skill and assimilation of the music of Mendelssohn and Brahms. This new edition is the first to offer a critical assessment of the autograph manuscripts, held in the Bodleian Library, Oxford. It includes a significant earlier version of a section of the fourth motet, 'There is an old belief', and offers a rescored opening to the fifth motet, 'At the round earth's imagined corners', together with notes on performance. The scoring of these unaccompanied motets ranges from SATB to SATB double choir.
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( All Kalmus Orchestra Library items (except "Study Score...)
All Kalmus Orchestra Library items (except "Study Scores" and "Vocal Scores") are large-format (either 10x13 or 9x12 inches) printed on high-quality offset stock. Individual parts and sets do not come with covers and are normally saddle-stitched or sewn. Work: An English Suite Item Description: Full Score Composer: Charles Hubert Hastings Parry Quantity: 1 PML SKU: 04090-001 Publisher: E.F.Kalmus (Kalmus Orchestra Library) Work Instrumentation: string orchestra
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((Music Sales America). Hubert Parry (1848-1918) was an ex...)
(Music Sales America). Hubert Parry (1848-1918) was an extrmely influential English composer during the early years of the 20th century. Throughout his career as a composer he held positions in Oxford University and at the Royal College of Music. His compositions include Jerusalem, English Suite For Strings, Overture To An Unwritten Tragedy, Beast of Bettesthorne and Te Deum.
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Hubert Parry was born at Bournemouth, England on the 27th of February 1848. He was the second son of Thomas Gambier Parry, of Highnam Court, Gloucester.
He was educated at Malvern, Twyford, near Winchester, Eton (from 1861), and Exeter College, Oxford. While still at Eton he wrote music, two anthems being published in 1865; a service in D was dedicated to Sir John Stainer. He took the degree of Mus. B. at Oxford at the age of eighteen, and that of B. A. in 1870; he then left Oxford for London, where in the following year he entered Lloyd's, abandoning business for art soon afterwards. He studied successively with H. H. Pierson (at Stuttgart), Sterndale Bennett and Macfarren; but the most important part of his artistic development was due to Edward Dannreuther.
He received the honorary degree of Mus. D. at Cambridge 1883, Oxford 1884, Dublin 1891.
Among the larger works of his early period must be mentioned an overture, Guillem de Cabestanh (Crystal Palace, 1879), a pianoforte concerto in F sharp minor, played by Dannreuther at the Crystal Palace and Richter concerts in 1880, and his first choral work, the Scenes from Prometheus Unbound, produced at the Gloucester Festival, 1880. These, like a symphony in G given at the Birmingham Festival of 1882, seemed strange even to educated hearers, who were confused by the intricacy of treatment. It was not until his setting of Shirley's ode, The Glories of our Blood and State, was brought out at Gloucester, 1883, and the Partita for violin and pianoforte was published about the same time, that Parry's importance came to be realized. With his sublime eight-part setting of Milton's Blest Pair of Sirens (Bach Choir, 1887) began a fine series of compositions to sacred or semi-sacred words. In Judith (Birmingham, 1888), the Ode on Si Cecilia's Day (Leeds, 1889), L' Allegro ed il penseroso (Norwich, 1890), De Profundis (Hereford, 1891), The Lotus Eaters (Cambridge, 1892), Job (Gloucester, 1892), King Saul (Birmingham, 1894), Invocation to Music (Leeds, 1895), Magnificat (Hereford, 1897), A Song of Darkness and Light (Gloucester, 1898), and Te Deum (Hereford, 1900), are revealed the highest qualities of music. Skill in piling up climax after climax, and command of every choral resource, are the technical qualities most prominent in these works; but in his orchestral compositions, such as the three later symphonies, in F, C and E minor, in two suites, one for strings alone, and above all in his Symphonic Variations (1897), he shows himself a master of the orchestra, and his experiments in modification of the conventional classical forms, such as appear in the work last named, or in the Nineteen Variations for Pianoforte Solo, are always successful. His music to Tfie Birds of Aristophanes (Cambridge, 1883) and The Frogs (Oxford, 1892) are striking examples of humour in music; and that to Agamemnon (Cambridge, 1900) is among the most impressive compositions of the kind. His chamber music, exquisite part-songs and solo songs maintain the high standard of his greater works.
At the opening of the Royal College of Music in 1883 he was appointed professor of composition and of musical history, and in 1894, on the retirement of Sir George Grove, Parry succeeded him as principal. He was appointed Choragus of Oxford University in 1883, succeeding Stainer in the professorship of the university in 1900.
Outside the domain of creative music Parry's work for music was of the greatest importance: as a contributor of many of the most important articles on musical forms, etc. , in Grove's dictionary, his literary work first attracted attention; in his Studies of Great Composers musical biography was treated, almost for the first time, in a really enlightened and enlightening way; and his Art of Music is a splendid monument of musical literature, in which the theory of evolution is applied to musical history with wonderful skill and success.
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(A SilverTonalities Arrangement! Easy Note Style Sheet Mu...)
(Parry's Songs of Farewell were composed over the final de...)
((Music Sales America). Hubert Parry (1848-1918) was an ex...)
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In 1872 he married Elizabeth Maude Herbert. He and his wife had two daughters, Dorothea and Gwendolen.