Background
She was the daughter of a customs official and attended Wuxi secondary school, after which she studied Art at the Nanjing University, there meeting her future husband, Cheng-Wu Fei.
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Chien-Ying Chang
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He had studied western painting techniques in London after the First World War, and urged her to do so too.
Career
Influenced by Xu Beihong, she helped him found the China Institute of Fine Arts in Chongking. Following the communist takeover of China, Chien-Ying Chang and Cheng-Wu Fei decided to make Britain their home, pursuing various interests for some 50 years. Their exhibitions at the Royal Academy, the Royal Society of Painters in Watercolours, the Society of Women Artists, and at numerous private galleries, soon attracted the attention of figures such as the painter Stanley Spencer and Mrs Clement Attlee, wife of the prime minister.
Spencer was present at the couple"s marriage at a Kensington registry office in 1953.
He painted several portraits of Chien-Ying Chang, and was in turn painted by Cheng-Wu Fei. They visited Spencer at Cookham in Berkshire, where Chien-Ying prepared a Chinese meal for him.
Spencer came up to London when the couple were about to leave England by boat. Cheng-Wu Fei became ill, and their journey was postponed and eventually cancelled.
This was fortuitous as they later learned that the new Chinese regime did not take kindly to the Western ideas brought back by returning artists.
So the couple remained in Britain, admiring its landscape and rain reminiscent of China. On expeditions to the Lake District and Devon, Chien-Ying Chang created paintings with a distinctly Chinese mood. She still worked on rice paper, giving her work a delicate quality.
They bought a house in Finchley in north London, filling the garden with oriental plants, while Chien-Ying Chang decorated the inside walls with landscape murals.
Her husband confined himself to an academic career, while Chien-Ying Chang toured the country demonstrating the traditional painting techniques of China. Her home cooking skills were taught at Kenneth Lo"s Chinese cookery school, and she also appeared on his television programme "The Taste of China".
The delicate brush strokes she employed in her paintings came from her skill as a calligrapher, leading to many commissions to illustrate books of poems and several film-sets about China. She painted street signs and was involved in the costume design for productions such as The Inn of the Sixth Happiness and The World of Suzy Wong.
In later years she became well known as the artist behind a series of prints of birds and landscapes which graced homes throughout the country.
