Background
Sten, Christopher Wessel was born on January 3, 1944 in Minneapolis. Son of Willie John and Audrey Goldie (Wessel) Sten.
(An account of Christopher Sten's close encounter of Moby ...)
An account of Christopher Sten's close encounter of Moby Dick. This work argues that Melville was not only familiar with traditional forms of narrative but that he refined them and appropriated them to his own original purposes.
http://www.amazon.com/gp/product/0873385608/?tag=2022091-20
(Melville has long been regarded as an author of raw geniu...)
Melville has long been regarded as an author of raw genius who knew, or cared, little about the art of the novel, and even harbored hostility toward its conventions. In The Weaver-God, He Weaves, Christopher Sten sets out to correct this widespread view, showing not only what Melville knew about the novelist's craft but how he appropriated and transformed a whole series of distinct genres: Typee is presented in the context of the popular romance, with its paired themes of sex and violence; Omoo is viewed in the framework of early Spanish and later French examples of the picaresque novel; and Mardi is seen as an instance of the once widely popular genre of the imaginary voyage. Sten also reveals how Melville radically transformed certain existing genres--the epic novel in Moby-Dick and the historical novel in Israel Potter--or forged profound new directions for genres still in their early stages--the psychological novel in Pierre and the experimental novel in the Confidence-Man. Sten speculates that it is because Melville was so idiosyncratic and inventive that so few critics have understood his close relationship to the various novelistic forms. While individual chapters provide discussions of the genre principles Melville employed, Sten's introduction offers valuable theoretical insight into the importance of genre study (encompassing recent work by Todorov, Hirsch, Hernadi, Jauss, Culler, Scholes, Fowler, Rosmarin, and others), both in the evaluation of literary texts and in the still more fundamental enterprise of determining their meaning. The Weaver-God, He Weaves thus exposes for the first time the extent of Melville's contribution to the novel. This work will be of interest to readers of Melville, 19th-century American literature, literature of the sea, experimental fiction, and to those who work in the field of genre studies.
http://www.amazon.com/gp/product/0873385373/?tag=2022091-20
Sten, Christopher Wessel was born on January 3, 1944 in Minneapolis. Son of Willie John and Audrey Goldie (Wessel) Sten.
Bachelor, Carleton College, 1966. Master of Arts, Indiana University, 1968. Doctor of Philosophy, Indiana University, 1971.
Instructor in English, George Washington University, Washington, 1970; assistant Professor of English, George Washington University, Washington, 1971-1978; associate Professor of English, George Washington University, Washington, 1978-1988; Professor of English, chair department, George Washington University, Washington, 1987-1991, 95-. Senior Fulbright lecturer in American literature U. Wuerzburg, Germany, 1975-1976. Board directors Center for Washington Area Studies, since 1993.
(Melville has long been regarded as an author of raw geniu...)
(An account of Christopher Sten's close encounter of Moby ...)
Member Modern Language Association, American Literature Association, Melville Society (program chair 1986, secretary since 1996), Fulbright Alumni Association.
Married Janet Ann Rogers, July 26, 1969. Children: Caroline, Elizabeth.