Background
He was the son of Walter Flight.
He was the son of Walter Flight.
He also painted, illustrated and made wood cuts. Flight was a fervent promoter of the linoleum cut technique from the time he first used it in 1919. He felt by promoting the use of the cheap and easily obtained new material he was making it possible for the masses to be exposed to art
He saw in it the potentiality of a truly democratic art form.
Flight had tried a number of different careers before settling on art He had kept bees, farmed and also had tried engineering before studying art at Heatherley School of Fine Art from 1913–1914 and from 1918.
Flight exhibited at the Royal Academy in 1921, in Paris in 1922 and in London at the Royal Society of British Artists from 1923. He also exhibited regularly at the Redfern Gallery and abroad.
He collaborated with Edith Lawrence with whom he had an interior design business, taught at the Grosvenor School of Modern Art from and wrote and organized exhibitions on linocuts.
His pupils included various now-famous print artists such as Lill Tschudi, Cyril Power, Eileen Mayo and Sybil Andrews. Influenced by Cubism, Futurism and Vorticism, his work expressed dynamic rhythm through bold, simple forms. His linocut prints show his interest in depicting speed and movement.
He produced over 64 different prints and published 9 books on linocutting.
Flight was a member of the Seven and Five Society in 1923 whose members included Henry Moore, Ben Nicholson and Barbara Hepworth. He was a member of the Grubb Group in 1928.