Background
Cornelius John Ryan was born in Dublin, Ireland, the son of John Joseph Ryan and Amelia Clohisey.
(The classic account of the final offensive against Hitler...)
The classic account of the final offensive against Hitler's Third Reich. The Battle for Berlin was the culminating struggle of World War II in the European theater, the last offensive against Hitler's Third Reich, which devastated one of Europe's historic capitals and marked the final defeat of Nazi Germany. It was also one of the war's bloodiest and most pivotal battles, whose outcome would shape international politics for decades to come. The Last Battle is Cornelius Ryan's compelling account of this final battle, a story of brutal extremes, of stunning military triumph alongside the stark conditions that the civilians of Berlin experienced in the face of the Allied assault. As always, Ryan delves beneath the military and political forces that were dictating events to explore the more immediate imperatives of survival, where, as the author describes it, “to eat had become more important than to love, to burrow more dignified than to fight, to exist more militarily correct than to win.” The Last Battle is the story of ordinary people, both soldiers and civilians, caught up in the despair, frustration, and terror of defeat. It is history at its best, a masterful illumination of the effects of war on the lives of individuals, and one of the enduring works on World War II.
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(Excerpt from The Gospels of the Sundays and Festivals, Vo...)
Excerpt from The Gospels of the Sundays and Festivals, Vol. 2: With an Introduction, Parallel Passages, Notes, and Moral Reflections We have seen the Lord. But he said to them Except I shall see in his. Hands the print of the nails, and put my finger into the place of the nails, and put my hand into his side, I will not believe. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(Reviews the individuals, tactics, and events involved in ...)
Reviews the individuals, tactics, and events involved in Field Marshal Bernard Law Montgomery's plan to end World War II
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(This book was originally published prior to 1923, and rep...)
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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(Prize-winning True Stories of the Supreme Moment—When Men...)
Prize-winning True Stories of the Supreme Moment—When Men Suddenly Face Death Some of these true stories are already famous because they have been dramatized on television. All of them take you straight to the heart of great moments of crisis. You’ll know what it’s like to look down at the wide Pacific and realize that your plane is going to ditch there. You’ll twist the wheel of your racing car as it takes a narrow turn at Indianapolis. You’ll struggle in cabin 56 of the S.S. Andrèa Doria during its five last frantic hours. In these and other stories, Cornelius Ryan, ace journalist, has caught the essence of that split-second that may be a man’s last. Two of these pieces have won Benjamin Franklin Magazine awards. “One Minute To Ditch!”—Thirty-one men, women and children high over the mid-Pacific in a failing plane. (Dramatized on TV.) Five Desperate Hours in Cabin 56—A story of the sinking of the S.S. Andrèa Doria told in gripping minute-by-minute detail. (Dramatized on TV.) The Major of St. Lô—A classic of the Normandy invasion, an unforgettable true story of quiet heroism. (Dramatized on TV.) These and other factual accounts are moving documents of crisis: of courage against the sudden fact of very possible death.
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Cornelius John Ryan was born in Dublin, Ireland, the son of John Joseph Ryan and Amelia Clohisey.
After graduating from the Irish Christian Brothers Academy, Ryan qualified for entry to the Irish Academy of Music, where he studied the violin.
After a brief career with salon orchestras and within months of the outbreak of World War II, Ryan abandoned the violin and left Ireland to become secretary to Garfield Weston, a member of parliament in Great Britain. In 1941, Ryan found his first reporting job with the London office of Reuters News Agency, where he displayed a flair for writing and research.
He survived the Luftwaffe's London Blitz of 1940-1943 and joined the London Daily Telegraph as a war correspondent in 1943. He covered the arrival and training of American troops in England through the landings and days of the Normandy invasion. Afterward, Ryan followed General George S. Patton's Third Army on its victorious march across Europe.
In 1945, Ryan opened the Daily Telegraph's Tokyo bureau, where he covered the postwar atomic bomb tests. He was promoted to Middle Eastern bureau chief and sent to Jerusalem in 1946, where he covered the Palestinian conflict between Britain and Israel. He also acted as a stringer for Time magazine and the St. Louis Post Dispatch. His work for Time provided Ryan with an opportunity to delve into news summary and analysis as opposed to straight reportage. From this experience, he acquired the skill of telling the news as a story.
Time brought Ryan to its New York City headquarters in 1947. In 1950 he gained American citizenship. That same year Ryan quit work for Time and joined the "Newsweek" television program as a reporter. Ryan's postwar sojourn in Tokyo inspired his first two books, Star-Spangled Mikado, coauthored by Frank Kelly (1948), and MacArthur (1950). He edited Across the Space Frontier in 1952 and Wernher von Braun's Conquest of the Moon the next year. "All of them, " Ryan remarked critically, "failed to hit the gong. "
In 1950 he joined Collier's as an associate editor. He remained there until that publication failed in 1956, a crushing blow for Ryan, who had been working on his magnum opus, The Longest Day, for seven years and was $20, 000 in debt from research expenses. For three years his wife's salary supported the family and Ryan's research, until Dewitt Wallace of Reader's Digest hired Ryan as a staff reporter.
After three years he became a roving editor, a position he retained until his death. Ryan's greatest literary accomplishments were his three international best-sellers, The Longest Day (1959), The Last Battle (1966), and A Bridge Too Far (1974). Ryan referred to Stendhal, who, when asked why he described the Battle of Waterloo as he did, replied, "I simply wanted to know what happened. " The Longest Day was a smashing success. Atlantic Monthly called it "incomparably the best of war histories. "
Ryan then wrote a screenplay for a movie version (1962) that set box-office records. The book's success finally bailed the Ryans out of debt. They purchased an estate in Ridgefield, Connecticut, where Ryan began to research The Last Battle, a book describing the fall of Berlin. Although disenchanted with the "new historian" label, Ryan conceded that he took a unique approach. "What was missing, " Ryan explained, "was the story of wartime events told in terms of human spirit. " To fill this void, he chose to write about ordinary people. War was simply the framework "to show people at every level of society in all their bravery and compassion. "
To accomplish this study of individual reactions to war, he invested the then staggering sum of $60, 000 in The Last Battle. To properly research and write such histories necessitated interviewing as many as three thousand to six thousand people who had been eyewitnesses to the events. Ryan took ten years to write The Longest Day, six to finish The Last Battle, and seven for A Bridge Too Far, for which he interviewed Otto Gunshe, the last man to see Hitler alive. He even persuaded the Soviets to give him access to their archives, thus becoming the first American since the 1930's to view Russian documents.
Three years into writing his last book, Ryan became ill. Despite several operations and constant pain, he refused to give up his work. He died in New York.
Cornelius Ryan was mainly known for his writings on popular military history, especially his World War II books: "The Longest Day: 6 June 1944 D-Day" (1959), "The Last Battle" (1966), and "A Bridge Too Far" (1974). Critics described these works as a new genre- history emphasizing suspense as well as accuracy. At the time of his death, "A Bridge Too Far" had reached second place on the New York Times best-seller list. "The Longest Day" and "The Last Battle" had sold more than ten million hardcover copies in twenty languages, a measure of Ryan's success at combining impeccable research and personal experience with fluent writing.
(Prize-winning True Stories of the Supreme Moment—When Men...)
(This book was originally published prior to 1923, and rep...)
(Reviews the individuals, tactics, and events involved in ...)
(The classic account of the final offensive against Hitler...)
(Excerpt from The Gospels of the Sundays and Festivals, Vo...)
Quotations:
Ryan said about the war: "I was too horrified and too young then to fully appreciate and understand what I saw. "
The author said about his writings: "There is nothing new in what I am doing, It's only old-fashioned reporting. "
Ryan married writer Kathryn Ann Morgan, who was an editor for House and Home and Architectural Forum. They had two children.