Background
Konstan, David was born on November 1, 1940 in New York City. Son of Harry and Edythe (Wahrman) Konstan.
(What is truly timeless? This book explores the language o...)
What is truly timeless? This book explores the language of eternity, and in particular two ancient Greek terms that may bear the sense of eternal : aiônios and aïdios. This fascinating linguistic chronicle is marked by several milestones that correspond to the emergence of new perspectives on the nature of eternity. These milestones include the advent of Pre-Socratic physical speculation and the notion of limitless time in ancient philosophy, the major shift in orientation marked by Plato s idea of a timeless eternity, and the further development of Pre-Socratic insights by Epicurean and Stoic thinkers. From the biblical perspective, the intersection of Greek and Hebrew conceptions is reflected in Septuagint, as well as new inflections in popular terminology in the Hellenistic and Roman periods, and in the role of eternity in the theology of the New Testament. The profound cross-fertilization of Christian and classical philosophical conceptions in the works of the Church fathers and their contemporaries is explored, bringing the topic into the Patristic period. Christian theology in the first five centuries of the Common Era and its choice of vocabulary prove to be most revealing of larger doctrinal commitments. Above all debate raged on the question of eternal damnation versus the idea (deemed heretical in the Christian church after the formal condemnation of Origenism) of apocastastis or universal salvation - that is, the belief that the wicked are not condemned to eternal punishment but will eventually be included among the saved. Terminology for eternity is often at the core of how these issues were debated, and helps to identify which writers inclined to one or the other view of the matter.
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( It is generally assumed that whatever else has changed ...)
It is generally assumed that whatever else has changed about the human condition since the dawn of civilization, basic human emotions - love, fear, anger, envy, shame - have remained constant. David Konstan, however, argues that the emotions of the ancient Greeks were in some significant respects different from our own, and that recognizing these differences is important to understanding ancient Greek literature and culture. With The Emotions of the Ancient Greeks, Konstan reexamines the traditional assumption that the Greek terms designating the emotions correspond more or less to those of today. Beneath the similarities, there are striking discrepancies. References to Greek 'anger' or 'love' or 'envy,' for example, commonly neglect the fact that the Greeks themselves did not use these terms, but rather words in their own language, such as orgê and philia and phthonos, which do not translate neatly into our modern emotional vocabulary. Konstan argues that classical representations and analyses of the emotions correspond to a world of intense competition for status, and focused on the attitudes, motives, and actions of others rather than on chance or natural events as the elicitors of emotion. Konstan makes use of Greek emotional concepts to interpret various works of classical literature, including epic, drama, history, and oratory. Moreover, he illustrates how the Greeks' conception of emotions has something to tell us about our own views, whether about the nature of particular emotions or of the category of emotion itself.
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(In comedy, happy endings resolve real-world conflicts. Th...)
In comedy, happy endings resolve real-world conflicts. These conflicts, in turn, leave their mark on the texts in the form of gaps in plot and inconsistencies of characterization. Greek Comedy and Ideology analyzes how the structure of ancient Greek comedy betrays and responds to cultural tensions in the society of the classical city-state. It explores the utopian vision of Aristophanes' comedies--for example, an all-powerful city inhabited by birds, or a world of limitless wealth presided over by the god of wealth himself--as interventions in the political issues of his time. David Konstan goes on to examine the more private world of Menandrean comedy (including two adaptations of Menander by the Roman playwright Terence), in which problems of social status, citizenship, and gender are negotiated by means of elaborately contrived plots. In conclusion, Konstan looks at an imitation of ancient comedy by Moliére, and the way in which the ideology of emerging capitalism transforms the premises of the classical genre.
http://www.amazon.com/gp/product/0195092945/?tag=2022091-20
(This book explores the social institutions, the prevailin...)
This book explores the social institutions, the prevailing social values, and the ideology of the ancient city-state as revealed in Roman comedy. "The very essence of comedy is social," writes David Konstan, "and in the complex movement of its plots we may be able to discern the lineaments and contradictions of the reigning ideas of an age."
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(In this book, David Konstan argues that the modern concep...)
In this book, David Konstan argues that the modern concept of interpersonal forgiveness, in the full sense of the term, did not exist in ancient Greece and Rome. Even more startlingly, it is not fully present in the Hebrew Bible, nor again in the New Testament, or in the early Jewish and Christian commentaries on the Holy Scriptures. It would still be centuries-- many centuries-- before the idea of interpersonal forgiveness, with its accompanying ideas of apology, remorse, and a change of heart on the part of the wrongdoer, would emerge. For all its vast importance today in religion, law, politics, and psychotherapy, interpersonal forgiveness is creation of the 18th and 19th centuries, when the Christian concept of divine forgiveness was finally secularized. Forgiveness was God's province, and it took a revolution in thought to bring it to earth and make it a human trait.
http://www.amazon.com/gp/product/1107680204/?tag=2022091-20
( "In the Greek romances," writes David Konstan, "sighs, ...)
"In the Greek romances," writes David Konstan, "sighs, tears, and suicide attempts are as characteristic of the male as of the female in distress; ruses, disguises, and outright violence in defense of one's chastity are as much the part of the female as of the male." Exploring how erotic love is represented in ancient amatory literature, Konstan points to the symmetry in the passion of the hero and heroine as a unique feature of the Greek novel: they fall mutually in love, they are of approximately the same age and social class, and their reciprocal attachment ends in marriage. He shows how the plots of the novels are perfectly adapted to expressing this symmetry and how, because of their structure, they differ from classical epic, elegy, comedy, tragedy, and other genres, including modern novels ranging from Sidney to Harlequin romances. Using works like Chaereas and Callirhoe and Daphnis and Chloe, Konstan examines such issues as pederasty, the role of eros in both marital and nonmarital love, and the ancient Greek concept of fidelity. He reveals how the novelistic formula of sexual symmetry reverses the pattern of all other ancient genres, where erotic desire appears one-sided and unequal and is often viewed as either a weakness or an aggressive, conquering power. Konstan's approach draws upon theories concerning the nature of sexuality in the ancient world, reflected in the work of Michel Foucault, David Halperin, and John Winkler. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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( "Pity Transformed" is an examination of how pity was im...)
"Pity Transformed" is an examination of how pity was imagined and expressed in classical antiquity. It pays particular attention to the ways in which the pity of the Greeks and Romans differed from modern ideas. Among the topics investigated in this study are the appeal to pity in courts of law and the connection between pity and desert; the relation between pity and love or intimacy; self-pity; the role of pity in war and its relation to human rights and human dignity; divine pity from paganism to Christianity; and why pity was considered an emotion. This book will lead readers to ponder how the Greeks and Romans were both like and unlike us in this fundamental area of cultural sensibility.
http://www.amazon.com/gp/product/0715629042/?tag=2022091-20
(This book is a history of friendship in Greece and Rome, ...)
This book is a history of friendship in Greece and Rome, from the warrior society of the Homeric epics to the time of the Christian Roman Empire. It demonstrates how ancient friendship resembles modern conceptions, and how it evolves in different social contexts. The book sheds new light on such questions as friendship and democracy, the importance of friends in government and in philosophical communities, women's friendships, and the transformation of friendship under the influence of Christian ideas of brotherhood.
http://www.amazon.com/gp/product/0521454026/?tag=2022091-20
literature professor researcher
Konstan, David was born on November 1, 1940 in New York City. Son of Harry and Edythe (Wahrman) Konstan.
Instructor Brooklyn College, 1965-1967. Professor Wesleyan University, Middletown, Connecticut, 1967-1987. Professor classics and comparative literature Brown University, Providence, 1987—2010.
Professor classics New York University, since 2010.
( "In the Greek romances," writes David Konstan, "sighs, ...)
( "In the Greek romances," writes David Konstan, "sighs, ...)
( It is generally assumed that whatever else has changed ...)
(What is truly timeless? This book explores the language o...)
(In this book, David Konstan argues that the modern concep...)
(This book explores the social institutions, the prevailin...)
(This book is a history of friendship in Greece and Rome, ...)
(This book is a history of friendship in Greece and Rome, ...)
( "Pity Transformed" is an examination of how pity was im...)
(A new translation of Aristotle's classic work on the natu...)
(In comedy, happy endings resolve real-world conflicts. Th...)
(Will be shipped from US. Used books may not include compa...)
(Reprint)
Member American Philological Association (president 1999), American Academy Arts. & Sciences.
Married Pura Nieto; children: Eve Anna, Geoffrey Theodore.