(This novel involves three expatriate Englishmen teaching ...)
This novel involves three expatriate Englishmen teaching in Egypt toward the end of King Farouk's glittering, corrupt reign. As a portrayal of English academics abroad, the book is full of sympathetic, humorous insights. In its evocation of a time and a place, it has never been bettered.
(The Poetry of Living Japan is an anthology of the best an...)
The Poetry of Living Japan is an anthology of the best and most representative verse in translations that re-create the spirit of the originals. The selection ranges From The early pioneers in western-style poetry to the living poets now at the height of their powers. The poems range from the personal and tragic to the satirical and humorous. While much traditional Japanese poetry is available in English translations, this is the most comprehensive selection from the new poetry.
(The 138 poems in this volume include short lyrics, haikus...)
The 138 poems in this volume include short lyrics, haikus, prose poems, and many of Ashbery's major long poems, including Self-Portrait in a Convex Mirror, offering a beautiful distillation of the first thirty years of his remarkable, groundbreaking work.
(While keeping out of their father's way, Robert and Jane ...)
While keeping out of their father's way, Robert and Jane and Timmy unknowingly cross the invisible border into a strange and frightening world and are taken, prisoner. The mysterious secret agents who call themselves Herr Brush, Mr. Spock, and Inspector Barlow do their best to rescue them, but without much success. The children must save themselves. But how can they? And do they altogether want to? They have fallen among ancient enemies, but they find unexpected new friends. And they learn new things: for the Dark, they discover, casts its Light.
(Can a bomb ever be "clean?" Are we relieved to be warned ...)
Can a bomb ever be "clean?" Are we relieved to be warned that there will be an "odor" when once we were told that something would "stink?" Or when is a euphemism a mark of good taste and when is it a sign of verbal obfuscation? To answer such questions, Enright invited 16 distinguished writers to ponder and explore the ubiquitous phenomenon of euphemism. The result is a delightful and provocative collection that not only includes general reflections on euphemism and its history but also treats such specific categories as sex, death, and other natural functions; politics; the language of the great Christian texts; euphemisms spoke to and by children; the law; medicine; office life; and the jargon of official spokesmen, military communique, and tyrants.
(The inescapable reality of death has given rise to much o...)
The inescapable reality of death has given rise to much of the literature's most profound and moving work. Enright's wonderfully eclectic selection presents the words of poet and novelist, scientist and philosopher, mystic and skeptic. And alongside these "professional" writers, he allows the voices of ordinary people to be heard; for this is a subject on which there are no real experts and wisdom lies in many unexpected places.
(When Jonathan Swift suggested in 1729, in his pamphlet A ...)
When Jonathan Swift suggested in 1729, in his pamphlet A Modest Proposal, that the Irish might survive overpopulation if only they could be persuaded to eat their babies, the Irishman was employing that favorite tool of writers and wits: irony. Now, in an entertaining and intriguing new book, Enright, acclaimed editor of The Oxford Book of Death, has turned his attention to the practice of irony and its many manifestations in both literature and life.
Collected Poems 1987 replaces Enright's earlier collection and represents all the work the poet wishes to retain. This volume includes three verse sequences in full, The Terrible Shears, Paradise Illustrated, and A Faust Book, to which is now added the most recent, Instant Chronicles. A substantial group of recent poems brings the volume up to date.
(Dennis Enright, the eminent poet, and critic, has here co...)
Dennis Enright, the eminent poet, and critic, has here collected a broad range of cultural essays covering literature, language, and television. Fields of Vision reveals his multi-cultural sensibility, as he makes references to The Phil Donahue Show, Don DeLillo's White Noise, and other signposts of the American cultural landscape.
(In The Oxford Book of Friendship, one of England's best-k...)
In The Oxford Book of Friendship, one of England's best-known poets, Dennis Enright, and David Rawlinson have brought together some of the world's best thoughts on friendship, found in excerpts from Shakespeare and the Bible, novels and poems, autobiographies, letters, and diaries, even personal ads from The New York Review of Books.
(Peering into the nooks and crannies of circumstance, the ...)
Peering into the nooks and crannies of circumstance, the poet and proser take notice of domestic affairs and foreign exchanges, divine mistakes, and human embarrassments, quirks and quiddities, accidents and designs, fashions and fantasies, double lives and single deaths, the dust-heap of history, and the devil walking up and down. As entertaining and disturbing as ever, Dennis Enright continues to comment with sympathy and irony on humanity.
(In Swann's Way, the themes of Proust's masterpiece are in...)
In Swann's Way, the themes of Proust's masterpiece are introduced, and the narrator's childhood in Paris and Combray is recalled, most memorably in the evocation of the famous maternal good-night kiss.
(Old Men and Comets is a new collection of poems and prose...)
Old Men and Comets is a new collection of poems and prose poetry from one of the premier poets of our age. The poems include remembrances of things and people's past, as well as rueful glances at things present. Here, especially, are the particular preoccupations of age, and some consoling thoughts on death, all in all, well-wrought in Enright's inimitable, melancholic, and ironic voice.
(From the eerie visitation of Scrooge by Marley's ghost to...)
From the eerie visitation of Scrooge by Marley's ghost to the three witches brewing evil on the heath in Macbeth to the deadly lust for the blood of Bram Stoker's Dracula, we have always been fascinated by things that go "bump in the night." The supernatural has chilled our hearts and has fired our imaginations, and it has fueled the writings of our greatest authors, from Odysseus's journey to the underworld in Homer to Faust's bargain with Mephistopheles in Goethe. The Oxford Book of the Supernatural compiles some of the very best writings on this fearsome subject, drawing from both ancient and modern, from East and West, and Christian, Islamic, and Buddhist traditions.
(This is a brilliant book, full of wit, insight, and intri...)
This is a brilliant book, full of wit, insight, and intriguing miscellany, one that serves as an eclectic self-portrait of a leading literary mind and a very telling account of modern attitudes and life as we know it.
(This major collection culls work from fifteen of Enright'...)
This major collection culls work from fifteen of Enright's previous publications including The Laughing Hyena, Addictions, and Sad Ires. His three most famous sequences are also reprinted here in their entirety: Terrible Shears, Paradise Illustrated, and A Faust Book. These collected poems enable readers to see the fascinating development of this poet, from his sensuous early work set in Alexandria and Japan, to a more terse and ironic later verse.
(The first, Paradise Illustrated, is a contemporary tellin...)
The first, Paradise Illustrated, is a contemporary telling of Milton's Adam and Eve and their fall from grace in Paradise. The second is A Faust Book, again a retelling of a perenially relevant tale of mankind's arrogance and ambition. Both sequences are immensely comical, witty, outrageous, and sad. They stem from both Enright's knowledge of the work of his great predecessors - Milton, Goethe, and Marlowe - and his own wry and sympathetic understanding of life. Also included is a new Foreword written by Enright especially for this edition that introduces the two sequences.
(This volume has the same breadth, the same wide range of ...)
This volume has the same breadth, the same wide range of reference, the same revealing pronouncements as to its successful predecessor, Interplay: a Kind of Commonplace Book. It's very funny, very serious, and notable for its good sense and wisdom. From religion to soap opera, computers to childhood, Dennis Enright observes keenly, sardonically, always sympathetically.
(Dennis Enright's essays are all humanist rather than theo...)
Dennis Enright's essays are all humanist rather than theoretical. That is, they are all wonderfully readable, informative, and engaged. They proceed from a deep and informed love of literature. Theory promises to fulfill a longing people have felt ever since English became an academic subject: to see their discipline established on an equally respectable footing with scientific investigation or philosophical inquiry.
(The book was published after Dennis Enright's death in 20...)
The book was published after Dennis Enright's death in 2002. He had just put the finishing touches to Injury Time, a memoir, and his third commonplace book in which the dying writer muses upon his condition and that of the world he knows he is leaving.
Dennis Enright was an English writer and educator. He was a poet famous for his minimalist, spoken style and themes about ordinary life.
Background
Ethnicity:
Dennis Enright's father was an Irish and mother was a Welsh.
Dennis Enright was born on March 11, 1920, in Leamington, Warwickshire. His father was a postman, and his mother was a chapel-goer.
Education
Dennis Enright studied at Leamington College. Also, he earned his master's degree from Downing College in 1946. Dennis got a Doctor of Philosophy at the University of Alexandria in 1949.
After education, Dennis Enright lectured at Alexandria in Egypt for three years. Then, he came back to the United Kingdom and started to teach at the University of Birmingham. So he embarked on a long career teaching at foreign universities. Dennis Enright taught at Konan University in Japan from 1953 to 1956, the Free University of Berlin for the next year, Chulalongkorn University in Thailand from 1957 to 1959, and the University of Singapore from 1960 to 1970. His desire to have an open and free curriculum in Singapore caused him to run into some trouble with the restrictive government there, but he was beloved by his students.
Many of Dennis Enright's early poetry collections concern his experiences in Japan and Singapore, including The Laughing Hyena and Bread rather than Blossoms. He also drew on his experiences in Egypt for his novel Academic Year.
In 1970, Enright returned to the United Kingdom to become co-editor of the literary magazine Encounter for two years, followed by a productive eight years at the publishing house Chatto & Windus and a five-year stint, from 1975 to 1980, as an honorary professor of English at Warwick University. Sometimes associated with the Movement, a school of poetry in England during the 1950s and 1960s, Enright wrote movingly about subjects such as poverty and his childhood in simple, usually unrhymed verses in collections such as The Terrible Shears: Scenes from a Twenties Childhood.
In addition to some two dozen poetry collections, he wrote and edited eleven novels, including three for children, completed fourteen essay collections, edited thirteen other books, and translated books by Colette Portal and Marcel Proust. Toward the end of his life, he completed the memoirs Interplay: A Kind of Commonplace Book and Play Resumed: A Journal, as well as his Collected Poems and Signs and Wonders: Selected Essays. At the time of his death, Enright had just finished another autobiographical book, Injury Time, that has scheduled for publication in 2003.
Dennis Enright was widely known as a writer and educator. He taught not only in the United Kingdom but also in Egypt, Thailand, and other foreign universities. For his poetic achievements, Dennis was the holder of the Cholmondeley Award for Poetry from the British Society of Authors in 1974 and the Queen's Gold Medal for Poetry in 1981. He also got the Order of the British Empire in 1991.
Quotations:
"Art does not begin in a test-tube. It does not take its origin in good sentiments and clean-shaven, upstanding young thoughts."
"Leave the people free to make their own mistakes, to suffer, and to discover. Authority must leave us to fight even that deadly battle over whether or not to enter a place of entertainment wherein lurks a juke-box, and whether or not to slip a coin into the machine."
Personality
Quotes from others about the person
Jeremy Lewis: "Dennis Enright was the most lovable of men, and a writer of rare distinction."
John Russell Taylor: "Enright is a major poet who quietly but insistently reminds us that civilization still matters."
Connections
Dennis Enright had a wife, Madeleine. They had a daughter.