Background
Kleiner, Diana Elizabeth Edelman was born on September 18, 1947 in New York City. Daughter of Morton Henry and Hilda Rachel (Wyner) Edelman.
(Roman sculpture was an integral part of Roman life, and t...)
Roman sculpture was an integral part of Roman life, and the Romans placed statues and reliefs in their flora, basilicas, temples and public baths as well as in their houses, villas, gardens and tombs. In this illustrated book, Diana Kleiner discuses all the major public and private monuments in Rome, as well as many less well-known monuments in the capital and elsewhere in the empire. She examines art commissioned by the imperial elite as well as by private patrons, including freedmen and slaves and also highlights monuments honouring women and children. Kleiner demonstrates that the sociala, ethnic and geographical diversity of Roman patronage led to an art that was eclectic and characterised by varying styles, often tied to the social status of the patron, but she also examines the interrelations between works produced for different kinds of patrons. Kleiner begins with a long thematic introduction that describes Rome and its empire, characterises patrons from the capital and the provinces, discusses the position of the artist in Roman society and the materials he used, and presents a history of the study of Roman art. The remaining chapters constitute a chronological examination of Roman sculpture from the foundation of Rome in 753 BC to the transfer of the capital to Constantinople in AD 330. In each period the monuments are divided by type, for example portraiture, state relief sculpture, the art of freedmen and provincial art. Throughout, Kleiner treats Roman Sculpture in its cultural, political and social contexts and, wherever possible, as an element of the architectural commplex in which it was set.
http://www.amazon.com/gp/product/0300046316/?tag=2022091-20
(A comprehensive study of the lives of Roman women as reve...)
A comprehensive study of the lives of Roman women as revealed in Roman art. It concentrates on the evidence provided by portraits, reliefs, wall-paintings, architecture and decorative arts. The catalogue entries describe more than 180 works, and seven essays-by Natalie Kampen, Klaus Fitschen, Andrew Wallace-Hadrill, Susan Treggiari and others-discuss gender theory, portraits of empresses and princesses, the portrayal of women as goddesses and women's roles in society, the home, literature and artistic patronage.
http://www.amazon.com/gp/product/0894670751/?tag=2022091-20
( Roman sculpture was an integral part of Roman life, and...)
Roman sculpture was an integral part of Roman life, and the Romans placed statues and reliefs in their fora, basilicas, temples, and public baths, as well as in their houses, villas, gardens, and tombs. In this beautifully illustrated book—the first in almost a century devoted solely to Roman sculpture—Diana E. E. Kleiner discusses all the major public and private monuments in Rome, as well as many less well known monuments in the capital and elsewhere in the empire. She examines art commissioned by the imperial elite and by private patrons, including freedmen and slaves, and she also highlights monuments honoring women and children. Kleiner demonstrates that the social, ethnic, and geographical diversity of Roman patronage led to an art that was eclectic and characterized by varying styles, often tied to the social status of the patron. She also examines the interrelations between works produced for different kinds of patrons. Kleiner begins with a long thematic introduction that describes Rome and its empire, characterizes patrons from the capital and the provinces, discusses the position of the artist in Roman society and the materials he used, and presents a history of the study of Roman art. The remaining chapters constitute a chronological examination of Roman sculpture from the foundation of Rome in 753 B.C. to the transfer of the capital to Constantinople in A.D. 330. In each period the monuments are divided by type, for example, portraiture, state relief sculpture, the art of freedmen, and provincial art. Throughout, Kleiner treats Roman sculpture in its cultural, political, and social contexts and, wherever possible, as an element of the architectural complex in which it was set.
http://www.amazon.com/gp/product/0300059485/?tag=2022091-20
administrator art history educator
Kleiner, Diana Elizabeth Edelman was born on September 18, 1947 in New York City. Daughter of Morton Henry and Hilda Rachel (Wyner) Edelman.
Bachelor magna cum laude, Smith College, 1969; Master of Arts, Master of Philosophy, Columbia University, 1970, 74; Doctor of Philosophy, Columbia University, 1976; Master of Arts (honorary), Yale University, 1989.
Lecturer, assistant professor, University of Virginia, Charlottesville, 1975-1976, 76-78;
visiting assistant professor, U. Massachusetts, Boston, 1979;
Mellon faculty fellow, Harvard University, Cambridge, Massachusetts, 1979-1980;
assistant professor, Yale University, New Haven, 1980-1982;
associate professor, Yale University, New Haven, 1982-1989;
fellow, Whitney Humanities Center, Yale University, New Haven, 1984-1987;
master, Pierson College, Yale University, New Haven, 1986-1987;
director graduate studies department history of art, Yale University, New Haven., 1988-1990;
professor of history of art and classics, Yale University, New Haven, 1989-1995;
director graduate studies department classics, Yale University, New Haven, 1991-1994;
chair department classics, Yale University, New Haven, 1994-1995;
Dunham professor classics and history of art, Yale University, New Haven, since 1995;
deputy provost for the arts, Yale University, New Haven, since 1995. Advisory board Archaeol. News, Tallahassee, since 1980, American Journal Archaeology, Boston, 1985-1998.
Member, chair program for annual meetings committee Archaeol. Institute American, Boston, 1988-1993.
( Roman sculpture was an integral part of Roman life, and...)
(Roman sculpture was an integral part of Roman life, and t...)
(A comprehensive study of the lives of Roman women as reve...)
Board of directors Westville Cmty. Nursery School, New Haven, 1989-1990, The FooteSch., New Haven, since 1994. Member Archaeol. Institute American, American Philological Association, College Art Association, American Numismatic Society.
Married Fred S. Kleiner, December 22, 1972. 1 child, Alexander Mark.