Background
Elizabeth Quale O"Neill was born December 21, 1883, in Charleston, South Carolina.
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Elizabeth Verner
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She first studied art with Alice Ravenel Huger Smith. In 1901, she enrolled at the Pennsylvania Academy of Fine Arts, where she studied for two years with Thomas Anshutz.
Career
She has been called "the best-known woman artist of South Carolina of the twentieth century."
On leaving the academy, she taught art in Aiken, South Carolina, for a time. She then returned to Charleston, where she took up her art studies with Smith as well as with Gabrielle Doctorate. Clements and Ellen Day Hale. With advice from Smith, she worked to adapt her craft so that she could be self-supporting.
One avenue she took, like some of her contemporaries, was to publish her prints in books with titles like Prints and Impressions of Charleston that could be sold to tourists.
Another avenue was to seek commissions, and she came to specialize in making drawings of historic buildings in the cause of preservation. Among her clients were Williamsburg Historic District, Harvard Medical School, the United States Military Academy, Princeton University, and the University of South Carolina.
Verner made etchings, drypoints, drawings, and (after 1934) pastels of Charleston, favoring buildings, street scenes, and landscapes. She also became a portraitist known for representing African-Americans, especially the city"s flower vendors.
She worked occasionally as a book illustrator, illustrating DuBose Heyward"s novel Porgy.
Stylistically, her paintings are realism with impressionist overtones, while her etchings and drawings are crisply detailed studies. Verner traveled extensively, visiting Japan (1937), Europe, the Caribbean, and Mexico. She died on April 17, 1979.
Her work is held by the Metropolitan Museum of Art, the Smithsonian American Art Museum, and museums across southeastern America.
The South Carolina Arts Commission awards the Elizabeth O’Neill Verner Governor's Awards for the Arts in her honor.
Membership
Inspired by Clements and Hale, she was a founding member of the Charleston Etchers Club and helped to found the Southern States Art League.
