Background
Mach, Elyse was born on January 12, 1942 in Chicago, Illinois, United States. Daughter of Theodore August and Minna Louise (Holz) Mach.
(Known for its richly diversified styles of repertoire and...)
Known for its richly diversified styles of repertoire and ensemble pieces and its abundance of creative materials, Contemporary Class Piano, Seventh Edition, includes the widest-ranging repertoire of solo and ensemble pieces available in any beginning piano text. Elyse Mach presents an abundant solo and ensemble repertoire--which includes classical pieces and folk, jazz, rock, pop, and blues tunes--providing ample opportunities for students to improvise, transpose, harmonize, and compose accompaniments. FEATURES OF THE NEW EDITION * Reorganized from six to ten units, the material is now more accessible for classroom use. * Twenty diverse new reading, repertoire, and ensemble pieces introduce students to music of various styles and levels of difficulty. * Unit 9 provides additional practice opportunities in interpreting chord symbols and harmonizing. * More score reading examples in three- and four-part settings provide reinforcement of chorale style reading. * Alto and tenor clef reading examples are introduced. * Two new appendices offer more help: Appendix B features vocal and instrumental accompaniments to help students further develop skills, and Appendix E offers a timeline and historical overview of the style and characteristics of music from the Baroque period through the 21st century. * Appendix A presents new material on transposing instruments. * New CD and MIDI disk icons in the text indicate track numbers for ease of reference. * "Practice Strategies" boxes give beginners helpful hints. * A "Classic Miniatures" section of excerpts contains original keyboard pieces written by master composers. * Worksheets appearing at the end of most chapters provide further practice opportunities. SUPPORT PACKAGE * A new in-text audio CD for students, which includes orchestrations by renowned composers Phillip Keveren and Jason Nyberg, presents selected pieces at both practice tempo and performance tempo. * A set of four MIDI disks--containing approximately 240 orchestration accompaniments prepared by composers Phillip Keveren and Jason Nyberg--motivates students to practice and complete their assignments more readily. This set is available free to adopters. * The Instructor's Companion Website (www.oup.com/us/classpiano) will offer suggested lesson plans, teaching tips, and full track listings for the in-text CD and Instructor MIDI disks.
http://www.amazon.com/gp/product/0155134817/?tag=2022091-20
(Known for its richly diversified styles of repertoire and...)
Known for its richly diversified styles of repertoire and ensemble pieces and its abundance of creative materials, Contemporary Class Piano, Seventh Edition, includes the widest-ranging repertoire of solo and ensemble pieces available in any beginning piano text. Elyse Mach presents an abundant solo and ensemble repertoire--which includes classical pieces and folk, jazz, rock, pop, and blues tunes--providing ample opportunities for students to improvise, transpose, harmonize, and compose accompaniments. FEATURES OF THE NEW EDITION * Reorganized from six to ten units, the material is now more accessible for classroom use. * Twenty diverse new reading, repertoire, and ensemble pieces introduce students to music of various styles and levels of difficulty. * Unit 9 provides additional practice opportunities in interpreting chord symbols and harmonizing. * More score reading examples in three- and four-part settings provide reinforcement of chorale style reading. * Alto and tenor clef reading examples are introduced. * Two new appendices offer more help: Appendix B features vocal and instrumental accompaniments to help students further develop skills, and Appendix E offers a timeline and historical overview of the style and characteristics of music from the Baroque period through the 21st century. * Appendix A presents new material on transposing instruments. * New CD and MIDI disk icons in the text indicate track numbers for ease of reference. * "Practice Strategies" boxes give beginners helpful hints. * A "Classic Miniatures" section of excerpts contains original keyboard pieces written by master composers. * Worksheets appearing at the end of most chapters provide further practice opportunities. SUPPORT PACKAGE * A new in-text audio CD for students, which includes orchestrations by renowned composers Phillip Keveren and Jason Nyberg, presents selected pieces at both practice tempo and performance tempo. * A set of four MIDI disks--containing approximately 240 orchestration accompaniments prepared by composers Phillip Keveren and Jason Nyberg--motivates students to practice and complete their assignments more readily. This set is available free to adopters. * The Instructor's Companion Website (www.oup.com/us/classpiano) will offer suggested lesson plans, teaching tips, and full track listings for the in-text CD and Instructor MIDI disks.
http://www.amazon.com/gp/product/0195389077/?tag=2022091-20
(Highly acclaimed for its creative approach to beginning p...)
Highly acclaimed for its creative approach to beginning piano, Contemporary Class Piano presents materials in an engaging manner and in a logical progression of difficulty. Easily accessible to students with no prior music or keyboard experience, the book offers a well-rounded and abundant solo and ensemble repertoire--including classical pieces and folk, jazz, rock, pop, and blues tunes--with ample opportunities for students to improvise, transpose, harmonize, and compose accompaniments. New to the sixth edition · FREE TO INSTRUCTORS UPON ADOPTION: Packaged separately from the text, a set of four MIDI disks--containing approximately 200 orchestration accompaniments prepared by renowned composer Phillip Keveren--that can be used in class. These accompaniments motivate students to practice and complete their assignments more readily. · A teacher's manual with suggested lesson plans and teaching tips available at www.oup.com/us/classpiano · Thirty-one new solo repertoire and sixteen new ensemble repertoire pieces (arranged for four to eight hands) · Thirteen new songs to harmonize, six of which make up a new "Famous Themes" section, with favorites such as Für Elise and Liebestraum · Eighteen new teacher accompaniments · Easy-to-play arrangements of three patriotic songs in Appendix C · Opportunities for students to experience aleatoric (chance) music in Unit 1
http://www.amazon.com/gp/product/0195166884/?tag=2022091-20
(This comprehensive introductory text for the keyboard mak...)
This comprehensive introductory text for the keyboard makes playing the piano fun, yet does so without compromising the book's strong emphasis on musical theory. This book's richly diverse repertoire includes jazz, popular, and classical compositions, as well as 12-bar blues improvisation. Short sight-reading studies and selections featuring teacher accompaniment-all carefully graded in difficulty and correlated with the concepts presented in each unit-keep students on track with vital concepts while maintaining a high level of interest.
http://www.amazon.com/gp/product/0155017381/?tag=2022091-20
(Acclaimed for its creative approach and diverse repertoir...)
Acclaimed for its creative approach and diverse repertoire, Contemporary Class Piano provides a student-friendly introduction to basic piano skills. In short, progressive chapters that mirror the standard two-semester curriculum, it explains the essential elements of piano playing, incorporating diagrams, practice exercises, and musical examples that help students build proficiency and confidence with a variety of chord patterns, major and minor scales, and accompaniments.
http://www.amazon.com/gp/product/0199326207/?tag=2022091-20
(Designed for non-music majors who want to learn piano "fo...)
Designed for non-music majors who want to learn piano "for the fun of it," Learning Piano: Piece by Piece is also ideal for courses in class piano and for individual instruction. This concise and user-friendly book presents materials in an engaging manner and in a logical piece-by-piece progression of difficulty. Offering a rich and well-rounded solo and ensemble repertoire, it enables students to master basic keyboard skills--through the study of fresh, appealing, and easy-to-play arrangements of both traditional and newly created pieces--and provides them with ample opportunities to improvise, transpose, and harmonize. By encouraging students to play music from different time periods, genres, and cultures, Learning Piano: Piece by Piece also inspires musicality and creativity. FEATURES * Uniquely diverse and global repertoire: Learning Piano: Piece by Piece contains a wealth of musical compositions, from classical (Baroque through the twentieth century) to folk, blues, jazz, boogie, and rock, all in interesting arrangements. It features music that is heard and played around the world, in the United States, France, Germany, Ireland, Scotland, Russia, China, Japan, South America, Mexico, and the Middle East. The nine ensemble pieces include such favorites as "Amazing Grace" and Pachelbel's "Canon in D." An entire unit is devoted to twentieth-century pieces. * Accessible yet creative instruction: Laid out in an easy-to-follow, piece-by-piece format, the text also integrates numerous fun exercises, like improvising in various styles--pentatonic (creating music reminiscent of Chinese and Japanese tunes), open-fifth "new age," 12-bar blues, and Dorian mode (jazz style). * Two CDs packaged free with each book, containing almost 100 original orchestrations by renowned composer Phillip Keveren (in both practice and performance tempi) for students to use on their own. These orchestrations are also available on MIDI disks for adopting instructors to use in class. * Marginal icons in the text direct students to the appropriate track with the orchestration accompaniment on the CDs. * "Practice Strategies" sections throughout give students the opportunity to practice theory and techniques immediately after they are introduced in the text. * "On Another Note" boxes provide interesting historical information on the piano, musical styles, and composers, as well as learning tips from performing artists. * An Instructor's Manual containing suggested lesson plans will be available online.
http://www.amazon.com/gp/product/0195170334/?tag=2022091-20
( "Mach has produced a book of uncommon interest." — Wash...)
"Mach has produced a book of uncommon interest." — Washington Post. "Mach's interviews will enhance the pleasure of any concertgoer." — People. In this rich collection of fascinating interviews with 25 of the world's greatest pianists of the contemporary era, Elyse Mach has chosen to let the artists speak freely and develop their thoughts about music, their lives, and their careers with a minimum of interruption. The result is a treasury of reminiscences and reflections that are not only remarkably candid and revealing but entertaining and thought-provoking as well. Through the eyes of these inspired musicians, we get an intimate look at the concert scene and the life of the concert pianist, as well as insights into the artists' feelings about their art, their performance anxieties, the music they play, and many other topics. Enhanced with 50 photographs, this book will be welcomed by anyone with an interest in serious music and piano artistry. Pianists interviewed in this volume include Claudio Arrau, Vladimir Ashkenazy, Alfred Brendel, John Browning, Alicia de Larrocha, Misha Dichter, Rudolf Firkušný, Glenn Gould, Vladimir Horowitz, Byron Janis, Lili Kraus, Rosalyn Tureck, André Watts, Paul Badura-Skoda, Jorge Bolet, Youri Egorov, Janina Fialkowsha, Leon Fleischer, Emil Gilels, Stephen Hough, Zoltán Kocsis, Garrick Ohlsson, Cécile Ousset, Murray Perahia, and Ivo Pogorelich. "The fascinating world behind the glamour of the concert platform comes alive in very fluid and readable style." — Rosalyn Tureck.
http://www.amazon.com/gp/product/0486266958/?tag=2022091-20
Mach, Elyse was born on January 12, 1942 in Chicago, Illinois, United States. Daughter of Theodore August and Minna Louise (Holz) Mach.
Bachelor in Music Education, Valparaiso University, 1962. Master of Music, Northwestern University, 1963. Doctor of Philosophy in Music, Northwestern University, 1965.
Member faculty Northeastern Illinois University, Chicago, since 1964, professor music, since 1974, associate chair department music, 1983—1986. Concert tours Netherlands, Germany, Switzerland. Recitalist, guest soloist.
Guest lecturer Northwestern University, Yale University, Juilliard School Music, St. Catherine's College Oxford University. Consultant, book reviewer Harcourt Brace Jovanovich and Macmillan, Oxford. Writer monthly column Practice Notes Clavier Music Magazine.
Distinguished professor board governors state colleges universities, Illinois, 1990—1991.
(Known for its richly diversified styles of repertoire and...)
(Known for its richly diversified styles of repertoire and...)
(Designed for non-music majors who want to learn piano "fo...)
(Highly acclaimed for its creative approach to beginning p...)
(This comprehensive introductory text for the keyboard mak...)
(Acclaimed for its creative approach and diverse repertoir...)
(Thirteen classical pianists discuss their early years, te...)
(Contemporary Class Piano 7th (seventh) Edition Spiral bin...)
(Piece by Piece- A musical experience text by Elyse Mach. ...)
( "Mach has produced a book of uncommon interest." — Wash...)
(Great condition, never been used.)
(Dodd Mead (June 1980))
(New edition)
Member faculty Northeastern Illinois University, Chicago, 1964, professor music, 1974, associate chairperson department music, 1983-1986. Member Edgebrook Community Association, Chicago, 1975. Member American Liszt Society, English Liszt Society, Music Educators National Conference, Illinois Music Teachers Association, Midland Society.
Children: Sean, Aaron, Andrew.