(The book discusses the significance of the films of India...)
The book discusses the significance of the films of India's great film creator, Satyajit Ray, as well as many other talented figures. Indian Film also depicts the industry's sharp contrasts, with works ranging from the noblest to the most preposterous all reflecting the deep tensions of Indian society as a whole.
(A sweeping narrative of the technological advances, event...)
A sweeping narrative of the technological advances, events, and personalities that have made radio and television a dominant force in contemporary society.
The Image Empire: A History of Broadcasting in the United States
(During the iQSo's, in a frontier atmosphere of enterprise...)
During the iQSo's, in a frontier atmosphere of enterprise and sharp struggle, an American television system took shape. But even as it did so, its pioneers pushed beyond American borders and became programmers to scores of other nations. In its first decade, United States television was already a world phenomenon. Since American radio had for some time had international ramifications, American images and sounds were radiating from transmitter towers throughout the globe.
(With the myriad social upheavals over the past decade, do...)
With the myriad social upheavals over the past decade, documentaries have enjoyed an international renaissance; here Barnouw considers the medium in the light of an entirely new political and social climate. He examines as well the latest filmmaking technology and the effects that video cassettes and cable television are having on the production of documentaries.
Tube of Plenty: The Evolution of American Television
(Based on the classic History of Broadcasting in the Unite...)
Based on the classic History of Broadcasting in the United States, Tube of Plenty represents the fruit of several decades' labor. When Erik Barnouw premier chronicler of American broadcasting and a participant in the industry for fifty years first undertook the project of recording its history, many viewed it as a light-weight literary task concerned mainly with "entertainment" trivia. Indeed, trivia such as that found in quiz programs do appear in the book, but Barnouw views them as part of a complex social tapestry that increasingly defines our era.
(Describes how nineteenth-century magicians used magic lan...)
Describes how nineteenth-century magicians used magic lanterns to produce optical illusions, and assesses the magician's influence on the development of modern special effects.
(The Internationa Encyclopedia of Communications, publishe...)
The Internationa Encyclopedia of Communications, published jointly with the Annenberg School of Communications at the University of Pennsylvania, represents the first attempt to survey and, in many respects, to define the communications field. In a clear, comprehensive, and authoritative way, the IEC covers all aspects of communication individual and institutional, cultural and technological, practical and theoretical in every part of the world.
(The author's purchase of a stone house in Vermont, a form...)
The author's purchase of a stone house in Vermont, a former Mormon place of worship, leads him to investigate its history and that of the Mormon Church.
(Barnouw’s story, told with wit and charm in Media Maratho...)
Barnouw’s story, told with wit and charm in Media Marathon, is the story of American culture adjusting to the twentieth century, of new media repeatedly displacing the old in a century-long competitive upheaval.
(The collection begins with an article on documentary film...)
The collection begins with an article on documentary film pioneer Robert Flaherty. Barnouw then moves to a discussion of his Dutch heritage and its role in Western civilization. This is followed by fascinating accounts of ingenious pioneers of camera obscura and magic lantern phantasmagoria, precursors of the magic of motion pictures. There are lively accounts of Barnouw’s own experiences, an informative brief history of communications breakthroughs, and an examination of the foibles of media censorship. The final articles discuss the importance of Indian filmmaker Satyajit Ray and cinematographer Boris Kaufman, brother of Soviet filmmakers Djiga Vertov and Mikhail Kaufman.
Barnouw Erik was an American director, editor, educator, author, and the preeminent media historian of the twentieth century. His most prominent work is a three-volume series on the history of U.S. radio and television first published in 1966.
Background
Barnouw Erik was born on the 23rd of June, 1908 in The Hague, Netherlands; the son of Adriaan Jacob Barnouw, a professor of literature, and Anne Eliza Midgley. When he was only 11 years old, his family moved to the United States, where his father became the first Queen Wilhelmina Professor of Dutch Literature and Medieval English at Columbia University in New York City.
Education
Growing up in an educated household, the young boy learned to speak German, Dutch, Belgian, French, and English. Barnouw was educated at the Horace Mann School. He attended Princeton University, where he studied English and from which he graduated in 1929 with a Bachelor of Arts degree.
Despite strong advice from faculty mentors and the offer of a fellowship, Erik decided against the graduate school and academic career, desiring instead to pursue his theatrical interests.
At the beginning of his career, Erik spent a few months on the theatrical boards, his first media post, as a writer for the new business monthly, Fortune, lasted only a few weeks. He luckily picked up a fellowship to travel overseas, one that allowed several months of studying drama with Max Reinhardt in Vienna.
On his return to the United States in 1931, the job situation in theater and most other places appeared bleak indeed. From 1931 to 1935, he was a writer and director of radio advertising at Erwin Wasey & Company. From 1935 to 1937, he served as a writer and director of radio advertising for Arthur Kudner.
In 1942-44, Erik was the director of six or seven daily or weekly radio series, as well as script editor for National Broadcasting Company in New York City. He was a script editor for a Columbia Broadcasting System series in New York City from 1939 to 1940.
During World War II, Barnouw was a commentator of an overseas branch for the Office of War Information from 1943 to 1944 and an education unit supervisor of the War Department for Armed Forces Radio Service from 1944 to 1945. In 1946, Barnouw received the post of professor of literature, as well as taught radio writing at Columbia University, where he served until 1969.
From 1948 to 1972, Erik was an editor of the Center for Mass Communication at Columbia University. Being in academia probably helped him to focus his attention more in a scholarly direction. He founded the division of film, radio, and television at the university, which he chaired until 1973.
Barnouw was also well known for his documentary film work, especially his 1970 film, Hiroshima-Nagasaki, August 1945, in which he included Japanese government film clips of the devastation of the nuclear attacks that ended the war in the Pacific.
Toward the end of his career, Barnouw served as an advisor on film and television for the Library of Congress, which he was enrolled in 1978. He left that position in 1981.
Barnouw was a prolific writer of books. His first book, A Tower in Babel: A History of Broadcasting in the United States To 1933 was published in 1966. He also wrote, The Golden Web: A History of Broadcasting in the United States 1933-1953 in 1968, The Sponsor: Notes on a Modern Potentate in 1978. His last publication, Media, Lost and Found, was published by Fordham University Press in 2001.
Achievements
During his active scholarly career, Barnouw won several awards. In 1944 he won a Peabody Award and in 1971 he won a George Polk Award. Also in 1983, the Organization of American Historians awarded the Erik Barnouw Award for films about American History.
Quotations:
"There were several things that I’m very proud of and I know made a difference of some sort. One of them would be having written, A History of Broadcasting in the United States. Another would be bringing out the Hiroshima and Nagasaki footage. And another one would be undoubtedly the documentary film book".
Membership
Barnouw Erik was a member of Phi Beta Kappa, Writers Guild of America, Academy of Television Arts and Sciences, Library of Congress, League of American Writers, and International Film Seminars.
Secretary
League of American Writers
,
United States
1949 - 1953
Chairman
Writers Guild of America
,
United States
1957 - 1959
Board of Governors
Academy of Television Arts and Sciences
,
United States
1966 - 1968
President
International Film Seminars
,
United States
1960 - 1968
Chief
Library of Congress
,
United States
1978
Connections
Erik Barnouw was married twice. His first marriage was to Dorothy Maybelle Beach, who deceased in 1987. They had one son Jeffrey and two daughters, Susanna and Karen. His second marriage was to Betty Barnouw.