Career
His approach uses the first, second, and fourth fingers of the left hand (the third and fourth operating together as one digit) for stopping the strings in the lower register of the instrument and divides the fingerboard into various positions. The second volume of the method looks at the use of thumb position using the thumb, first, second and third fingers, to play solo, high register work and again dividing the fingerboard up into a concept of positions. The second volume also delves extensively into the playing of harmonics.
Simandl"s "New Method" of playing, now over a century old, is still common among classical double bassists, although the book itself is slowly being replaced by newer methods which incorporate modern pedagogical theory.
Modern adaptations of, extensions to, and challenges to Simandl doctrines are acknowledged. Simandl studied at the Prague Conservatory with Josef Hrabe before becoming the principal bassist in the Vienna Court Opera Orchestra.
He was Professor of double-bass at the Vienna Conservatory from 1869 to 1910. The Simandl "family tree" of bass pedagogues extends for many generations.
Prominent bassist/educators who can trace their lineage directly back to Simandl include Adolf Misek, Richard Davis, Mark Dresser, Joseph Guastafeste, Greg Sarchet, Gary Karr, Hermann Reinshagen, Karl East. H. Seigfried, Ludwig Streicher, Bertram Turetzky, and Frederick Zimmermann.