(A second volume in the late humorist's autobiography, thi...)
A second volume in the late humorist's autobiography, this precedes chronologically his earlier Treadmill To Oblivion (1954) and gives the picture of his early life up to his radio days. John Florence Sullivan's world was safe in the hands of his aunts after his mother's death; before he finished school he was working in the Boston Public Library and after school there were jobs of many kinds. Juggling was his first love and when he discovered amateur nights, work was tolerated until he could turn professional. He played the short and long circuits around Boston, he broke away to New York, he made a long tour of Australia and he got from the small time to the big time in his goal of the Palace. This follows the revisions of his act, his working knowledge of audience psychology, his different partners and the types of towns and theaters he learned to know, it shows is interest in writing, in comedy and in the good days of vaudeville. It's a wide open story, filled with many of his odd angled phrases, and should prove a windfall for his many admirers.
(An old tycoon during the last days of his life decides to...)
An old tycoon during the last days of his life decides to find the last honest heir to a hidden fortune. But this honest heir turns out to be a bumbling flea circus owner who's in over his head when all the crooks and double crossers come out to get their hands on the fortune for themselves. With a nagging family and the mob after all those involved. This new millionaire is gonna need a whole lot of luck.
Fred Allen Show OTR Old Time Radio Show MP3 CD 87 Episodes
(Fred Allen (born John Florence Sullivan on May 31, 1894 i...)
Fred Allen (born John Florence Sullivan on May 31, 1894 in Cambridge, Massachusetts, died March 17, 1956 in New York City) was an American comedian whose absurdist, pointed radio show (1934Â-1949) made him one of the most popular and forward-looking humorists in the so-called classic era of American radio. His best-remembered gag may be his long-running mock feud with friend and fellow comedian Jack Benny. Allen has been considered one of the more accomplished, daring and relevant humorists of his time. A master ad libber, he constantly battled censorship and developed routines the style and substance of which influenced future comic talents. Perhaps more than any of his generation, Fred Allen wielded influence that outlived both his contemporaries and the medium that made him famous. Includes 87 Episodes!
(Fred Allen was already a vaudeville star when in 1932, he...)
Fred Allen was already a vaudeville star when in 1932, he went on the air with his first radio show "The Linit Bath Club Review", and that is where this book begins. In a wry and amusing commentary, Fred tells the story of his experiences with executives, sponsors, writers, and his fellow comedians. 8x5.5", 240 pp, b&w drawings by Hirschfeld.
Fred Allen was an American comedian. He and his wife starred in a radio program The Fred Allen Show.
Background
Fred Allen was born John Florence Sullivan on May 31, 1894 in Cambridge, Massachusetts, United States. He was the son of John Henry Sullivan, a bookbinder, and Cecilia Herlihy. His mother died when he was three, leaving him in the care of her sister.
Education
Allen attended the Boston High School of Commerce and worked at night in the Boston Public Library. Among the books he read there was one on the origin and development of comedy; he found it intoxicating and began to collect jokes. He taught himself to juggle tennis balls and tin plates and to balance feathers, broomsticks, and other objects on his chin and forehead. His juggling act, with comic asides, was a hit at a Christmas show given by the library employees. He graduated from high school in 1911.
Career
In 1911 Allen began on the vaudeville circuit, billed as Paul Huckle, European Entertainer. Soon afterward he became Freddy St. James, juggling for $25 a week in small New England theaters. Since he could keep only four balls in the air (an expert juggler could handle eleven), he astutely billed himself as "The World's Worst Juggler"--getting laughs by a line of patter that emphasized his ineptness.
In 1916 Allen toured Australia and New Zealand for eleven months. He juggled and played the banjo, but it was his monologue that captured audiences. He spent his spare time reading Shakespeare, Artemus Ward, Mark Twain, Finley Peter Dunne, and current British humorists.
On his return to the United States, he needed a new name to demand a higher salary for his new act, and as Fred Allen he became a star. Variety praised his running-fire comments as "probably the brightest talk ever heard on a vaudeville stage, " and he was given top booking at the Palace Theater on Broadway. In musical revues such as The Passing Show of 1922, The Greenwich Village Follies, The Little Show (1929), and Three's a Crowd (1930) his deadpan, devastating standup patter stopped the show. He always wrote his own lines.
With the demise of vaudeville imminent in the early 1930s, Allen joined other leading comedians in turning to film and radio. He began on radio in October 1932 on "The Linit Bath Club Revue, " a half-hour comedy program. To the new medium he brought his stinging, endearing observations of American life, his striking nasal intonation, and his partner and wife, Portland Hoffa. Her personality on the air, as she fed him questions, sounded according to Allen "like a small E-flat Frankenstein monster. " In 1934 Allen began his own hour-long program, "Town Hall Tonight, " redubbed "The Fred Allen Show" five years later. In 1942 Allen introduced Allen's Alley, probably the program's best-known feature. The improbable street--never described but always left to the audience's imagination--was inhabited by such diverse characters as Falstaff Openshaw, the resident poet; Mrs. Pansy Nussbaum, a Jewish housewife from Brooklyn; the loudmouth Ajax Cassidy; the ageless and taciturn Titus Moody; and the Alley's star character, Beauregard Claghorn, a bombastic Southern senator. Allen left the air in June 1949; his last guest, appropriately, was Jack Benny, with whom he had conducted a well-publicized radio "feud" for over a dozen years. Their rivalry was the subject of Love Thy Neighbor (1940), one of five films in which Allen appeared.
In 1952 he was scheduled to begin a TV series when his first heart attack forced him into semiretirement.
Allen's wit--"the professor was a retired magician who had eaten his rabbit in the early days of his retirement"--and his glorious metaphors, such as his characterization of an overpraised radio performer as "the man with the barefoot voice, " are preserved in Treadmill to Oblivion (1954), which chronicles his early years in radio; Much Ado About Me (1956), which deals with his early years in vaudeville; and his Letters (1965), edited by Joe McCarthy.
He died in New York City.
Achievements
Allen was best known as one of radio's most original and admired comedians in the Golden Age of American radio. He invented an entirely new form of radio comedy which consisted of lampooning current events, making fun of his sponsors, and presenting skits that featured a cast of memorable recurring characters.
Allen was honored with stars on the Hollywood Walk of Fame for contributions to television and radio.
Quotations:
"I like long walks, especially when they are taken by people who annoy me. "
"Treat employees like partners, and they act like partners. "
"I learned law so well, the day I graduated I sued the college, won the case, and got my tuition back. "
"I don't have to look up my family tree, because I know that I'm the sap. "
"Condensed milk is wonderful. I don't see how they can get a cow to sit down on those little cans. "
"The first time I sang in the church choir; two hundred people changed their religion. "
"Success is like dealing with your kid or teaching your wife to drive. Sooner or later you'll end up in the police station. "
Personality
Quotes from others about the person
"In Fred Allen, the voice of sanity spoke out for all Americans to hear during a trying time in our history, in the classic and penetrating tones of comic satire. " - Novelist Herman Wouk