Background
George Morland was born June 26, 1763 in London, United Kingdom. He was the son of Henry Robert Morland and Maria Morland. George was also a grandson of George Henry Morland.
George Morland was born June 26, 1763 in London, United Kingdom. He was the son of Henry Robert Morland and Maria Morland. George was also a grandson of George Henry Morland.
George Morland began to draw at the age of three. He was the pupil of his father.
George Morland began exhibited his chalk drawings when he was only ten years old at the Royal Academy, which had been established five years earlier. He copied Dutch and Flemish masters, and Sir Joshua Reynolds gave him permission to copy his paintings. When he was only seventeen, his paintings were being engraved, and proved a commercial success.
In 1780 George Romney offered Morland a three-year apprenticeship, but this he refused. In 1781, without his father’s knowledge, Morland began working for an Irish dealer in London, who paid him only enough to ensure his continued dependence. When Morland’s apprenticeship ended in 1784, he moved from the family home. the following year he was living in Margate, Kentucky. By the spring or early summer of 1786 he was back in London, exhibiting at the Royal Academy that year. At this period in his career Morland was producing sentimental genre pictures in the manner of Francis Wheatley.
From circa 1790 Morland began working on larger canvases, producing the very large number of rustic and smuggling scenes with which he is particularly associated. His paintings of the early 1790s, generally considered his best. In 1792, while Morland was once again in hiding from creditors (possibly in the Lake District), the dealer Daniel Orme opened an extremely successful Morland Gallery in Bond Street, London, with over one hundred of Morland’s works on sale. Morland, meanwhile, continued to paint, sending works to the capital with his servant. Around 1793 Smith also opened a temporary Morland Gallery in London. He was back in London in 1793.
In April 1799, he and his wife went to the Isle of Wight in order to evade bailiffs, but he was back in London by November. In December he was arrested for debt and imprisoned, being freed by legal amnesty in 1801. He couldn't use his left hand due to palsy, which he contracted in prison. Despite this, he painted right up until his death.
George Morland was one of the most talented painters in the United Kingdom during the 1700s and had one of the most eventful lives. His work was much imitated in England during the late 18th and early 19th centuries and was widely circulated in engraved reproductions.
Morland’s output towards the end of his career was staggering. He is reputed to have painted some 800 pictures in the last eight years of his life.
His works are represented in the following collections: Hermitage, St Petersburg, Fitzwilliam Museum, Cambridge; Fine Arts Museum, San Francisco; National Gallery of Canada, Ottawa; Ashmolean Museum, Oxfordl; Museum of Fine Arts, Boston; Detroit Institute of Arts, Michigan; National Portrait Gallery, London; Victoria and Albert Museum, London; Wallace Collection, London; National Gallery of Victoria, Australia, amongst others.
The Departure
1792The Reckoning
Winter Landscape with Peasants and Donkeys
Interior of a Stable
The Comforts of Industry
1780A Country Inn
1784The Stable Door
1791Donkeys
The Artist in His Studio and His Man Gibbs
1802Farmyard Scene
Stable Scene
The Boatman's House
Door of a Village Inn
Pigs
The Miseries of Idleness
1780The Sportsman Resting
1790The Piggery
1791Donkey and Pigs
1789Morning (The Benevolent Sportsman)
1792Sow and Piglets in a Sty
Calm off the Coast of the Isle of Wight
1804Dogs In Landscape - Setters & Pointer
1792Selling Carrots
1795Pigs at a Trough
Pigs in a Farmyard
Shooting Sea Fowl
1795The Smugglers
1792Roadside Inn
1790A Gypsy Encampment
1798The Press-Gang
1790The Carrier Preparing to Set Out
1793Horses in a Stable
1791Pigs in a Sty
A Farrier's Shop
1793Easy Money
Interior of a Country Inn
Lake Scene and a Cottage
1790The Labourer's Luncheon
1792A Visit to the Boarding School
1788The Cottage Door
1790The Wreckers
1791English and French Fishing Boats off Yarmouth
Bargaining for Sheep
1794Watering Horses
1791Landscape (Storm Cloud)
A Rustic Cottage
Thunderstorm
Coast Scene
1792The Soldier's Departure
1791Rabbits
Landscape with a Gypsy Family
Breaking the Ice
1792Cowherd and Milkmaid
1792Smugglers
1792Sea-Coast Scene, Smugglers
1793Calf and Sheep
Paying the Ostler
1804The Approaching Storm
Shepherd in a Snowy Landscape
A Windy Day
Two Pigs in Straw (Barn with Pigs)
Herdsman with Cattle Crossing Bridge
Landscape with Ruined Castle
Skating
1792A Halt of a Soldier and His Family
1795Horse and Dog in a Stable
1791Smugglers on a Beach
Lovers Observed
The Tea Garden
1790Gypsy Encampment
1795Guinea Pigs
1792Winter Landscape
The Gravel Diggers
Buying Fish
Outside an Inn, Winter
1795Visit to the Child at Nurse
1788Two Horses in the Snow
Woman, Child and Dog on a Road
The Village Butcher
1800The Deserter Pardoned
1702Coast Scene
1792Landscape with Four Horses
Wooded Landscape with a Toll Gate
Cottage in Surrey
1794Landscape
1800The Roadside Inn
1792Friend
In July 1786, George Morland married Anne Ward, sister of William Ward, the engraver.