Background
He was born on October 19, 1869 in Le Sueur, Minnesota, United States, the son of George and Seline (Taylor) Plowman.
( This work has been selected by scholars as being cultur...)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
https://www.amazon.com/Etching-Graphic-George-1869-1932-Plowman/dp/1376094282?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=1376094282
He was born on October 19, 1869 in Le Sueur, Minnesota, United States, the son of George and Seline (Taylor) Plowman.
He graduated from the University of Minnesota with the class of 1892, being one of the first students to pursue the newly established course in architecture. From 1911 to 1913 he studied in the Royal College of Art, London, under Sir Frank Short. For a period he was a pupil of Douglas Volk and of the Art Institute of Chicago.
He began work under Daniel H. Burnham, chief of construction for the World's Columbian Exposition in Chicago, 1893. In that year he went to Paris to continue his architectural studies, and later made a sketching tour through France, England, and Italy. Returning to Paris, he had charge of an exhibit at the international exposition of 1900.
After his return to the United States, he became a draftsman in the office of Cass Gilbert in New York. He was connected with the Louisiana Purchase Exposition at St. Louis in 1904, and for five years was superintendent for J. G. Howard, supervising architect for the University of California at Berkeley.
Later he opened an office for himself at Berkeley. He did not take up etching until he was forty-two years old, but then became so thoroughly interested that he abandoned his architectural work. After that time he devoted himself almost exclusively to drawing and etching, for which his architectural training had been an excellent preparation. His etchings were shown in the Paris Salon, the Royal Academy, London, and in many exhibitions in the United States and England.
Many of his prints are published in sets; there are collections of French, London, Italian, and German views, besides etchings of scenes in Boston, New York, and Princeton.
During the World War he served in 1918 as divisional secretary of the Young Men's Christian Association in France, and the next year he organized and directed its art department at the University of Coblenz.
He died at his home in Cambridge, Massachussets.
George Taylor Plowman was co-supervising architect for the University of California. He also made many picturesque etchings of old covered bridges, in two that are especially interesting - one at Windsor, Vermont, and one at Hanover, New Hampshire, - using both drypoint and etching with most artistic effect. Besides, he was the author of two famous illustrated books, Etching and Other Graphic Arts and Manual of Etching, both of which are valuable reference works giving practical and helpful directions for making prints. He received the bronze medal at the Panama Pacific International Exposition in San Francisco, 1915.
( This work has been selected by scholars as being cultur...)
He was a member of the leading art associations, the Boston and London authors' clubs, the Brooklyn Society of Etchers, and a fellow of the Royal Society of Arts in London.
On December 25, 1895, he married Maude Houston Bell, who with three sons survived him.